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	<title>Mac Design Magazine</title>	<link>http://tc.eserver.org/publisher/Mac_Design_Magazine</link>
	<description>A listing of works published by Mac Design Magazine in the field of technical communication.</description>
	<language>en-us</language>
	<copyright>Copyright (c) 2005-08 by the EServer. All rights reserved.</copyright>
	<managingEditor>tclib-editorial@eserver.org (TC Library Editorial Board)</managingEditor>
	<webMaster>webmaster@eserver.org (Geoffrey Sauer)</webMaster>
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		<title>Mac Design Magazine</title>
		<link>http://tc.eserver.org/dir/Mac_Design_Magazine</link>
	</image>
	<item>
		<title>The Brilliance of Smart Photoshop Objects</title>
		<link>http://tc.eserver.org/25919.html</link>
		<guid>http://tc.eserver.org/25919.html</guid>
		<description>When it comes to editing an image, that typically means going back into the image app, recreating the image, then putting the newly created image into your site. A serious GoLive advantage is that communicates directly with your imaging apps to regenerate a new image right in place on your page.</description>
	</item>
	<item>
		<title>Create a Client-Side Image Map</title>
		<link>http://tc.eserver.org/25917.html</link>
		<guid>http://tc.eserver.org/25917.html</guid>
		<description>Want to add another dimension to your site&apos;s images? Consider using image maps. With an image map you can break up a single image into multiple clickable regions, each with it&apos;s own hot spot.</description>
	</item>
	<item>
		<title>Create a Fun Section Divider</title>
		<link>http://tc.eserver.org/25916.html</link>
		<guid>http://tc.eserver.org/25916.html</guid>
		<description>How to create interesting graphical dividers in Adobe GoLive to use in web designs.</description>
	</item>
	<item>
		<title>Creative Text Screens</title>
		<link>http://tc.eserver.org/25910.html</link>
		<guid>http://tc.eserver.org/25910.html</guid>
		<description>TV and video are full of text screens used to fill space where there&apos;s no footage. It&apos;s something we&apos;re all stuck with, and we have an obligation to keep them well designed.</description>
	</item>
	<item>
		<title>Dragging and Dropping</title>
		<link>http://tc.eserver.org/25922.html</link>
		<guid>http://tc.eserver.org/25922.html</guid>
		<description>There are a number of ways in which you can use drag and drop to get content in and out of InDesign. Here are my favorites: If you ever get a lot of content for a layout delivered to you in a folder full of images, logos, text files, etc., there&apos;s a fast and easy way to get the files into InDesign that will enable you to avoid placing them one by one.</description>
	</item>
	<item>
		<title>Expanding Blurring Titles</title>
		<link>http://tc.eserver.org/25911.html</link>
		<guid>http://tc.eserver.org/25911.html</guid>
		<description>The effect where titles spread out and then blur away to nothing has become a popular way to make &apos;plain old text&apos; look more interesting. It&apos;s really not that complex: What we do is &apos;expand&apos; the text by animating the tracking (the space between the letters).</description>
	</item>
	<item>
		<title>Help is a Pop-Up Menu</title>
		<link>http://tc.eserver.org/25918.html</link>
		<guid>http://tc.eserver.org/25918.html</guid>
		<description>Efficient layout is a key to a good website. When you&apos;ve got a lot of links one option that can help is a pop-up menu. You can use a ULR popup menu in its generic form or you can use CSS to customize its look. This tutorial shows a simplified use.</description>
	</item>
	<item>
		<title>How to Change Interlaced Video Into Progressive Video</title>
		<link>http://tc.eserver.org/25908.html</link>
		<guid>http://tc.eserver.org/25908.html</guid>
		<description>CGM DVE Vol. 3+ contains a tool which changes interlaced video into progressive video, making your footage look more like 35mm film.</description>
	</item>
	<item>
		<title>InDesign CS Script Automation</title>
		<link>http://tc.eserver.org/25921.html</link>
		<guid>http://tc.eserver.org/25921.html</guid>
		<description>Harness the power of scripts to automate common tasks in InDesign.</description>
	</item>
	<item>
		<title>Jazzing Up Your Links</title>
		<link>http://tc.eserver.org/25915.html</link>
		<guid>http://tc.eserver.org/25915.html</guid>
		<description>You can take what you learn here to create as many different looks as you’d like for the links on your pages.</description>
	</item>
	<item>
		<title>Offset and Displace</title>
		<link>http://tc.eserver.org/25912.html</link>
		<guid>http://tc.eserver.org/25912.html</guid>
		<description>Creating an interesting title sequence can involve many different techniques. But here&apos;s one simple trick that can be used for almost any type of project--Offset. Used in conjunction with the Displacement Map fi lter, it can also add much reality to a shot.</description>
	</item>
	<item>
		<title>On-Target Color</title>
		<link>http://tc.eserver.org/25909.html</link>
		<guid>http://tc.eserver.org/25909.html</guid>
		<description>You&apos;ll probably recognize this color effect used by a certain department store that plays on the colors in its logo. The effect essentially reduces the image to three colors--a white background, red image content, and a darker red for some depth; but you can choose any color combination or mix any number of colors for a solarized or false color effect.</description>
	</item>
	<item>
		<title>Using the Wiggler in After Effects</title>
		<link>http://tc.eserver.org/25914.html</link>
		<guid>http://tc.eserver.org/25914.html</guid>
		<description>The Wiggler is great when you need random keyframes applied to a layer&apos;s property. Scale, opacity, movement, even a plug-in&apos;s values can be &apos;wigglered.&apos;This feature will save you from having to create dozens if not hundreds of keyframes if you&apos;re trying, for instance, to make a layer move randomly or flicker.</description>
	</item>
	<item>
		<title>Working with Cameras</title>
		<link>http://tc.eserver.org/25913.html</link>
		<guid>http://tc.eserver.org/25913.html</guid>
		<description>Creating visual depth in a project can really catapult an animation from boring to captivating. After Effects does 3D very well, but there&apos;s more to it than simply moving layers or objects around in 3D space.</description>
	</item>
	<item>
		<title>3D Type Effect</title>
		<link>http://tc.eserver.org/20199.html</link>
		<guid>http://tc.eserver.org/20199.html</guid>
		<description>Using Photoshop&apos;s built-in features, you can easily create a simple looking 3D type effect in a few easy steps.</description>
	</item>
	<item>
		<title>Circular Type</title>
		<link>http://tc.eserver.org/20202.html</link>
		<guid>http://tc.eserver.org/20202.html</guid>
		<description>You can easily create a simple circular type effect in just a few easy steps with this quick tutorial.</description>
	</item>
	<item>
		<title>Multi-Colored Glow</title>
		<link>http://tc.eserver.org/20197.html</link>
		<guid>http://tc.eserver.org/20197.html</guid>
		<description>By using Layer Styles, this effect can be created in two simple steps. Scott Kelby shows you how to look like a professional at a beginner&apos;s level.</description>
	</item>
	<item>
		<title>OS X Quick Type</title>
		<link>http://tc.eserver.org/20201.html</link>
		<guid>http://tc.eserver.org/20201.html</guid>
		<description>The new operating system is bringing a whole new design trend and the glass-look of OS X is a very desirable look that people have been begging to learn how to recreate.</description>
	</item>
	<item>
		<title>Quick Plastic</title>
		<link>http://tc.eserver.org/20200.html</link>
		<guid>http://tc.eserver.org/20200.html</guid>
		<description>The new Layer Styles features in Photoshop 6.0, you can easily create a cool, realistic-looking plastic effect for your text.</description>
	</item>
	<item>
		<title>Reflections in Water</title>
		<link>http://tc.eserver.org/20196.html</link>
		<guid>http://tc.eserver.org/20196.html</guid>
		<description>Here&apos;s one way to create reflections in water. (The basic steps can be adapted to work with any image.)</description>
	</item>
	<item>
		<title>Texture and Type Treatments</title>
		<link>http://tc.eserver.org/20195.html</link>
		<guid>http://tc.eserver.org/20195.html</guid>
		<description>Photoshop is useful at generating interesting textures and patterns, and version 7 even has a nifty Pattern Maker filter to help you craft patterns that tile seamlessly. To create a more custom look, I like to create patterns and texture using different combinations of the built-in filters along with Blend Modes and Adjustment Layers. It&apos;s fun to spend time experimenting in the Photoshop laboratory to see what you can come up with.</description>
	</item>
	<item>
		<title>Warp Type with Inlines</title>
		<link>http://tc.eserver.org/20198.html</link>
		<guid>http://tc.eserver.org/20198.html</guid>
		<description>When adding powerful new features from Photoshop 6, you can create amazing effects in very little time. Scott Kelby shows you how to create this great type effect in a few short steps.</description>
	</item>
	<item>
		<title>Adding Sticky Buttons to a Framed Site</title>
		<link>http://tc.eserver.org/20172.html</link>
		<guid>http://tc.eserver.org/20172.html</guid>
		<description>Describes how to create a type of DHTML interactivity using Adobe GoLive.</description>
	</item>
	<item>
		<title>Creating Disappearing Text or Images</title>
		<link>http://tc.eserver.org/20173.html</link>
		<guid>http://tc.eserver.org/20173.html</guid>
		<description>In this tutorial, you&apos;ll see how to create text that&apos;s invisible as the page loads and appears only when a user rolls the mouse over a specific graphic, i.e., text appears on &apos;mouseover&apos;and disappears when the mouse is no longer over the graphic.</description>
	</item>
	<item>
		<title>Creating Sticky Buttons in a Component</title>
		<link>http://tc.eserver.org/20171.html</link>
		<guid>http://tc.eserver.org/20171.html</guid>
		<description>A more sophisticated method for denoting an active page or section of a site is to make your buttons &apos;sticky&apos;–having a button remain &apos;stuck&apos; in its clicked state even after it&apos;s been clicked. Two ways of setting up sticky or locking buttons are shown here.</description>
	</item>
	<item>
		<title>Creating Time-Triggered Events</title>
		<link>http://tc.eserver.org/20170.html</link>
		<guid>http://tc.eserver.org/20170.html</guid>
		<description>In this column, we&apos;ll show you how to add GoLive Actions to the Timeline, enabling things to happen at specified intervals within the Scene&apos;s playback.</description>
	</item>
	<item>
		<title>Designing a Distinctive Table</title>
		<link>http://tc.eserver.org/20178.html</link>
		<guid>http://tc.eserver.org/20178.html</guid>
		<description>When you&apos;re working with complex data, a table may be your best option. Often, a logical series of rows and col-umns can communicate more clearly than paragraphs. Adobe® InDesign® 2.0 introduces a robust table feature that makes it easy to line up those rows and columns—and to format them in striking ways. Here we show you how you can make an easy-to-read table while using the graphical power of InDesign to integrate it into the style of your document.</description>
	</item>
	<item>
		<title>Using Guides Effectively</title>
		<link>http://tc.eserver.org/20174.html</link>
		<guid>http://tc.eserver.org/20174.html</guid>
		<description>Adobe InDesign 2 has some incredible features that aren&apos;t found in any other page-layout application and that&apos;s why so many designers are migrating to it. What&apos;s often overlooked, however, are the cool, subtle, yet powerful features for everyday production work. </description>
	</item>
	<item>
		<title>Using OpenType Pro fonts in InDesign 1.x</title>
		<link>http://tc.eserver.org/20176.html</link>
		<guid>http://tc.eserver.org/20176.html</guid>
		<description>This document is intended to serve as a brief introduction to both the new OpenType font file format, as well as the ways you take advantage of the advanced features of OpenType Pro fonts within InDesign.</description>
	</item>
	<item>
		<title>Using Your Own Placeholder Text in InDesign</title>
		<link>http://tc.eserver.org/20175.html</link>
		<guid>http://tc.eserver.org/20175.html</guid>
		<description>The Fill with Placeholder Text command in the Type menu fills one frame or a series of linked frames with placeholder text. This text serves as a temporary substitute for the text that will actually appear in your finished document. You can use this placeholder text to create templates or serve as a placeholder for text content in a document that&apos;s in process. The placeholder text produced by InDesign is known as &apos;Lorem Ipsum,&apos; and it&apos;s a faux Latin intended to represent the space real words would occupy (and that&apos;s all). With InDesign 2.0, however, you have the option of replacing InDesign&apos;s default Lorem Ipsum text with placeholder text of your own.</description>
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