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	<title>Creative Pro</title>	<link>http://tc.eserver.org/publisher/Creative_Pro</link>
	<description>A listing of works published by Creative Pro in the field of technical communication.</description>
	<language>en-us</language>
	<copyright>Copyright (c) 2005-08 by the EServer. All rights reserved.</copyright>
	<managingEditor>tclib-editorial@eserver.org (TC Library Editorial Board)</managingEditor>
	<webMaster>webmaster@eserver.org (Geoffrey Sauer)</webMaster>
	<image>
		<url>http://tc.eserver.org/images/newlogo.gif</url>
		<title>Creative Pro</title>
		<link>http://tc.eserver.org/dir/Creative_Pro</link>
	</image>
	<item>
		<title>Easy Fixes for Microsoft Word Formatting in InDesign</title>
		<link>http://tc.eserver.org/35780.html</link>
		<guid>http://tc.eserver.org/35780.html</guid>
		<description>Two free and easy-to-use scripts convert Word&apos;s local formatting to InDesign&apos;s character styles. Two more retain InDesign formatting when you export text formatted with automatically applied character styles.</description>
	</item>
	<item>
		<title>The Trouble with Web Standards</title>
		<link>http://tc.eserver.org/30650.html</link>
		<guid>http://tc.eserver.org/30650.html</guid>
		<description>You may mistrust web standards because of bad experiences with buggy browsers. Or you might have converted a site from HTML to XHTML, only to discover that their layouts suddenly looked different in standards-compliant browsers. Don&apos;t give in to the dark side! Web standards are here to stay.</description>
	</item>
	<item>
		<title>Harnessing the Power of PNGs</title>
		<link>http://tc.eserver.org/29318.html</link>
		<guid>http://tc.eserver.org/29318.html</guid>
		<description>Compared to GIF and JPEG, the PNG file format has a lot to offer: smaller file sizes, higher quality, and superb transparency. All you need are a few guidelines and techniques to expand your design toolbox. </description>
	</item>
	<item>
		<title>Lock Down that Layout!</title>
		<link>http://tc.eserver.org/29319.html</link>
		<guid>http://tc.eserver.org/29319.html</guid>
		<description>Dreamweaver&apos;s Layers let you position images, text, movies and more with the same drag-and-drop ease print designers enjoy. Here&apos;s how to use them.</description>
	</item>
	<item>
		<title>Be Prepared: Fill the Gaps in Your Photoshop Know-How </title>
		<link>http://tc.eserver.org/29314.html</link>
		<guid>http://tc.eserver.org/29314.html</guid>
		<description>It&apos;s next to impossible for one person to know the ins and outs of every single facet of Photoshop. With that in mind, we present three video tutorials to plug a variety of holes in your Photoshop knowledge.</description>
	</item>
	<item>
		<title>Better Than Ginzu Knives: InDesign&apos;s Pathfinder Commands</title>
		<link>http://tc.eserver.org/29311.html</link>
		<guid>http://tc.eserver.org/29311.html</guid>
		<description>Every avid chef has little gizmos and gadgets, designed for specific tasks, that find their way to the back of a drawer and are then forgotten. Like those special tools, the Pathfinder commands in InDesign are often forgotten or considered too sophisticated for non-artistic types. Yet they can slice and dice and combine paths in unique ways that add vastly to the repertoire of the InDesign chef. Added to InDesign&apos;s other ways to mix up text and graphics, Pathfinder can help you further push the creative edge.</description>
	</item>
	<item>
		<title>Creativeprose: Free Photography Podcasts</title>
		<link>http://tc.eserver.org/29309.html</link>
		<guid>http://tc.eserver.org/29309.html</guid>
		<description>New photo-oriented podcasts pop up all the time, and you could listen to them all day every day and not get through everything. But this article points out a few of the better ones.</description>
	</item>
	<item>
		<title>Efficiency: It&apos;s Not Just for Production Monkeys</title>
		<link>http://tc.eserver.org/29313.html</link>
		<guid>http://tc.eserver.org/29313.html</guid>
		<description>With a few free tools from software companies and other users, you can carve out more time for what you really love -- creativity.</description>
	</item>
	<item>
		<title>Fonts: They&apos;ve Been Everywhere</title>
		<link>http://tc.eserver.org/29312.html</link>
		<guid>http://tc.eserver.org/29312.html</guid>
		<description>Follow along as we travel from hot metal type to phototypesetting, to Type 1, to TrueType, to OpenType, then end the journey with a rousing rendition of a type-centric Johnny Cash song. Who knew the Man in Black was a font fan? </description>
	</item>
	<item>
		<title>Getting Design Done</title>
		<link>http://tc.eserver.org/29307.html</link>
		<guid>http://tc.eserver.org/29307.html</guid>
		<description>Here&apos;s how to apply the principles of a well-known productivity system to your creative process. The resulting creative habits can boost your design skills while they reduce stress and free your mind to tackle big problems.</description>
	</item>
	<item>
		<title>Opening Up About OpenType</title>
		<link>http://tc.eserver.org/29317.html</link>
		<guid>http://tc.eserver.org/29317.html</guid>
		<description>Do you have questions about mixing font formats in one file, crossing platforms, automating old-style figures, the best apps for OpenType, and the fonts with the most bang for the buck?</description>
	</item>
	<item>
		<title>Pinhole Panoramic Camera</title>
		<link>http://tc.eserver.org/29310.html</link>
		<guid>http://tc.eserver.org/29310.html</guid>
		<description>Pinhole cameras have been a long-time favorite of adventuresome photographers. But forget the Quaker Oats carton and go wide with this roll-film, panorama design.</description>
	</item>
	<item>
		<title>TypeTalk: Information, Activation, Matching Feet, and Style Sheets</title>
		<link>http://tc.eserver.org/29308.html</link>
		<guid>http://tc.eserver.org/29308.html</guid>
		<description>One of the best ways to stay current is to sign up for the free e-mail newsletters offered by many type foundries and resellers. Not only do the newsletters show and tell you about new releases, but they also offer free fonts, special discounts, interviews with designers, and other informative and entertaining articles.</description>
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	<item>
		<title>What You Want to Know</title>
		<link>http://tc.eserver.org/29316.html</link>
		<guid>http://tc.eserver.org/29316.html</guid>
		<description>Questions and answers on word spacing, kerning, tracking, period placement, missing fonts, and font-size confusion.</description>
	</item>
	<item>
		<title>Your Fountain of Font Facts</title>
		<link>http://tc.eserver.org/29315.html</link>
		<guid>http://tc.eserver.org/29315.html</guid>
		<description>Read about em and en dashes in print and on the Web; specimen books; and the best way to convert quotation marks and primes from dumb to smart and back again.</description>
	</item>
	<item>
		<title>Getting the Most Out of Guides</title>
		<link>http://tc.eserver.org/28060.html</link>
		<guid>http://tc.eserver.org/28060.html</guid>
		<description>If you&apos;re used to other layout applications, you may be unaware of all the things you can do with ruler guides in InDesign. If you use guides in your work, read on.</description>
	</item>
	<item>
		<title>The Care and Feeding of Freelancers</title>
		<link>http://tc.eserver.org/23125.html</link>
		<guid>http://tc.eserver.org/23125.html</guid>
		<description>Freelancers can be bright, savvy, ornery, creative -- a thousand descriptions apply, but &apos;conformist&apos; usually isn&apos;t one of them. Here are some tips for hiring and working with freelancers, and for keeping your employees happy at the same time.</description>
	</item>
	<item>
		<title>Fonts Can Make or Break PDFs</title>
		<link>http://tc.eserver.org/23136.html</link>
		<guid>http://tc.eserver.org/23136.html</guid>
		<description>Acrobat&apos;s intelligent font substitution is a godsend for office documents, but it can be a nightmare in situations where font fidelity is important. If you&apos;re a graphic designer, then you need to know how to work with fonts in PDFs.</description>
	</item>
	<item>
		<title>PDF Printing, Preflighting, and Prepress</title>
		<link>http://tc.eserver.org/23132.html</link>
		<guid>http://tc.eserver.org/23132.html</guid>
		<description>PDF is becoming the de facto standard for not only viewing documents onscreen but also for printing them on paper. Acrobat 6 Professional includes better printing and prepress tools than ever before. PDF pundit Ted Padova shows you how they work.</description>
	</item>
	<item>
		<title>Under the Desktop: The Real Nitty Griddy</title>
		<link>http://tc.eserver.org/23124.html</link>
		<guid>http://tc.eserver.org/23124.html</guid>
		<description>For creative professionals working in digital video and other media that demands high-performance computing, dual-processor machines are a godsend. But what happens when even two processors aren&apos;t enough? Welcome to the world of grid computing.</description>
	</item>
	<item>
		<title>Vetting Clients For Peace of Mind</title>
		<link>http://tc.eserver.org/23123.html</link>
		<guid>http://tc.eserver.org/23123.html</guid>
		<description>Landing a new client is a great thrill -- unless you discover he or she is dreadful to work with or fails to pay you promptly -- or pay at all. Here are some questions designed to help you prevent nasty client surprises before the hard work begins.</description>
	</item>
	<item>
		<title>Acrobat How-to: Enhancing Tutorials With Interactive Elements</title>
		<link>http://tc.eserver.org/22804.html</link>
		<guid>http://tc.eserver.org/22804.html</guid>
		<description>A funny thing happens to students after class: They forget what they&apos;ve learned. But adding interactivity can engage the reader. Try these simple methods.</description>
	</item>
	<item>
		<title>XML Can Go to H***: One Designer&apos;s Experience with the &quot;Future of Publishing&quot;</title>
		<link>http://tc.eserver.org/22805.html</link>
		<guid>http://tc.eserver.org/22805.html</guid>
		<description>Ask any guru about the next frontier in publishing and you&apos;ll hear the snazzy-sounding letters &apos;XML.&apos; But according to Susan Glinert, who bears XML battle scars, the future is not bright. It boggles the mind that anyone bothered to invent a publishing solution that plunges both right- and left-brained people into absolute chaos.</description>
	</item>
	<item>
		<title>A New Face for Small Text</title>
		<link>http://tc.eserver.org/22788.html</link>
		<guid>http://tc.eserver.org/22788.html</guid>
		<description>Mark van Bronkhorst&apos;s recent type family MVB Verdigris is easier on the eyes than many of the existing typefaces that are used for text at small sizes. </description>
	</item>
	<item>
		<title>Commenting on PDF Comments</title>
		<link>http://tc.eserver.org/22594.html</link>
		<guid>http://tc.eserver.org/22594.html</guid>
		<description>If your response to the question &apos;How do you use Acrobat comments?&apos; is a mumbled &apos;No comment,&apos; then listen up. Comments and annotations are some of the most powerful ways in which Acrobat can streamline your creative workflow. Here are some tips. </description>
	</item>
	<item>
		<title>Streamline Review Cycles</title>
		<link>http://tc.eserver.org/22593.html</link>
		<guid>http://tc.eserver.org/22593.html</guid>
		<description>Acrobat&apos;s annotation tools are valuable for marking-up and commenting on design layouts and digital comps no matter where your client is located. Acrobat 6.0 goes a step further by integrating e-mail comment tracking for more efficient review cycles. Learn how to tap into these powerful features.</description>
	</item>
	<item>
		<title>Image Tricks That Make You Look Good</title>
		<link>http://tc.eserver.org/22558.html</link>
		<guid>http://tc.eserver.org/22558.html</guid>
		<description>Web graphics are more than just window-dressing. They function as navigational elements and provide informational design. Oh, and they need to look good, too. Learn how to add graphic zip to your Web pages by using these Dreamweaver techniques.</description>
	</item>
	<item>
		<title>Adobe FrameMaker 7.1: Fast Software for Long Documents</title>
		<link>http://tc.eserver.org/22537.html</link>
		<guid>http://tc.eserver.org/22537.html</guid>
		<description>Producers of technical documentation have long sung the praises of Adobe FrameMaker, but other print designers may wonder what&apos;s the big deal. That may change with FrameMaker 7.1, which includes powerful QuarkXPress and PageMaker filters and whizzy conditional-text features.</description>
	</item>
	<item>
		<title>John Trevino&apos;s Layers of Meaning</title>
		<link>http://tc.eserver.org/22539.html</link>
		<guid>http://tc.eserver.org/22539.html</guid>
		<description>Drawing on a period of instability and change in her personal life, artist John Trevino calls on Adobe Photoshop and Corel Painter to create a richly layer composition that evokes a transient state of being.</description>
	</item>
	<item>
		<title>Plug-Ins and XTensions: Illustrator Path Editors, Photoshop Photo Filters, QuarkXPress Productivity Enhancers</title>
		<link>http://tc.eserver.org/22542.html</link>
		<guid>http://tc.eserver.org/22542.html</guid>
		<description>This round-up of plug-ins and XTensions includes tools for opening Photoshop files in QuarkXPress, editing paths in Illlustrator, masking blue screens in Photoshop, and more. Plus, a run-down of what you can do with alap&apos;s XPert Tools XTension.</description>
	</item>
	<item>
		<title>Printing and Prepress</title>
		<link>http://tc.eserver.org/22538.html</link>
		<guid>http://tc.eserver.org/22538.html</guid>
		<description>PDF is becoming the de facto standard for not only viewing documents onscreen but also for printing them on paper. Acrobat 6 Professional includes better printing and prepress tools than ever before. PDF pundit Ted Padova shows you how they work.</description>
	</item>
	<item>
		<title>QuarkXPress 6 Tips: Working with Layers</title>
		<link>http://tc.eserver.org/22544.html</link>
		<guid>http://tc.eserver.org/22544.html</guid>
		<description>Learning to use layers in your page-layout program can greatly streamline design and production. See how to tap into the power and flexibility of layers in QuarkXPress 6.</description>
	</item>
	<item>
		<title>Reinventing Quark: Teaching an Old Dog New Tricks</title>
		<link>http://tc.eserver.org/22540.html</link>
		<guid>http://tc.eserver.org/22540.html</guid>
		<description>When creative professionals think of Quark, they tend to think only of QuarkXPress - or perhaps a negative technical-support experience. But Quark is more than a one-product company, one that has been trying to change for the better. Craig Cline provides an inside peek at Quark&apos;s new attitude.</description>
	</item>
	<item>
		<title>Restoring Damaged Photos</title>
		<link>http://tc.eserver.org/22541.html</link>
		<guid>http://tc.eserver.org/22541.html</guid>
		<description>Time isn&apos;t kind to treasured photographs. See Photoshop Diva Katrin Eismann&apos;s digital techniques for repairing creased, stained, torn, and damaged photos.</description>
	</item>
	<item>
		<title>Version Cue: Balancing Simplicity, Functionality in CS Workflow Tool</title>
		<link>http://tc.eserver.org/22543.html</link>
		<guid>http://tc.eserver.org/22543.html</guid>
		<description>Adobe&apos;s release of Creative Suite last fall introduced Version Cue, a tool designed to help individuals and small creative teams keep track of the latest versions of their graphics and page layouts. The Seybold Reports took it for a test drive to assess its performance.</description>
	</item>
	<item>
		<title>How Type is Being Used Today</title>
		<link>http://tc.eserver.org/22536.html</link>
		<guid>http://tc.eserver.org/22536.html</guid>
		<description>The state of typography, in the United States and around the world, is reflected in the annual of the New York Type Directors Club.</description>
	</item>
	<item>
		<title>Color Management How-To: Understanding Computer Color</title>
		<link>http://tc.eserver.org/22529.html</link>
		<guid>http://tc.eserver.org/22529.html</guid>
		<description>Learning how to match the color you see on screen with that in your printed output is critical information for any digital artist or photographer. But first you need to understand how color works both on computer display and on paper. Start with this chapter from &apos;Real World Color Management.&apos;</description>
	</item>
	<item>
		<title>Letterpress in the Digital Age</title>
		<link>http://tc.eserver.org/22534.html</link>
		<guid>http://tc.eserver.org/22534.html</guid>
		<description>Stern and Faye combine fine letterpress printing and an eclectic sense of fun to produce traditional printing that could only be done today.</description>
	</item>
	<item>
		<title>The Typographic Texture of the News</title>
		<link>http://tc.eserver.org/22532.html</link>
		<guid>http://tc.eserver.org/22532.html</guid>
		<description>The typefaces in which we read the daily news change, but do we notice? John D. Berry looks at a few of the newspaper typefaces in use today.</description>
	</item>
	<item>
		<title>The Creative Toolbox: Packing Up InDesign Layouts for GoLive Pages</title>
		<link>http://tc.eserver.org/22522.html</link>
		<guid>http://tc.eserver.org/22522.html</guid>
		<description>With the Creative Suite, Adobe application integration has never been tighter, especially between InDesign CS and GoLive CS. See how you can turn an InDesign layout into a GoLive Web site in a few steps.</description>
	</item>
	<item>
		<title>InDesign How-To: Adding Custom Sizes to the Page Menu</title>
		<link>http://tc.eserver.org/22514.html</link>
		<guid>http://tc.eserver.org/22514.html</guid>
		<description>Of course making custom page sizes if nothing new. But here&apos;s a handy InDesign CS trick for adding those custom page sizes to your Page menu so you can call it up at anytime.</description>
	</item>
	<item>
		<title>Paper Tips: Printing on Uncoated Stock</title>
		<link>http://tc.eserver.org/22512.html</link>
		<guid>http://tc.eserver.org/22512.html</guid>
		<description>Uncoated paper has a soft finish and tactile quality not possible with most coated papers. But uncoated stock also interacts differently with ink than it coated cousins. Follow these tips to ensure the best results.</description>
	</item>
	<item>
		<title>Photoshop How-To: Experimenting with Traditional Techniques</title>
		<link>http://tc.eserver.org/22511.html</link>
		<guid>http://tc.eserver.org/22511.html</guid>
		<description>Photographers have always liked playing tricks with images. Try these time-honored techniques for adding polish and pizzazz to your digital photos in Photoshop.</description>
	</item>
	<item>
		<title>Controlling Line Breaks with the Hyphenation Penalty Slider</title>
		<link>http://tc.eserver.org/20177.html</link>
		<guid>http://tc.eserver.org/20177.html</guid>
		<description>Adobe InDesign 2.0 introduced a new feature that you can use to fine tune the way lines break in any given paragraph. You&apos;ll find the hyphenation penalty slider in InDesign&apos;s hyphenation dialog box. This document is meant to serve as an introduction to this feature so that you&apos;ll understand exactly how it works and how you can use it to control the way your lines break within paragraphs.</description>
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