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51. #21952 Multiple-master fonts - what they are, how they work, and what they can do for you. Tinkel, Kathleen. Adobe Magazine (1995). Design>Typography>Standards 52. #21840 Hundreds of filmmakers, huge audiences, instant reviews, and a door to Hollywood - the cinema comes to the Web. Brunette, Peter. Adobe Magazine (2000). Design>Multimedia>Video 53. #21837 For Web designer Hillman Curtis, slow modems and low bandwidth are just fine. Kaplan, Michael. Adobe Magazine (2000). Design>Web Design 54. #21855 The truth about PageMaker's not-so-secret life in the office. Nordling, Tamis and Wendy Katz. Adobe Magazine (1998). Design>Document Design>Software>Adobe PageMaker 55. #21842 It's the face you've always wanted. Font embedding on the Web may help you get it. Fleishman, Glenn. Adobe Magazine (1999). Design>Web Design>Typography>Embedded 56. #21919 An overview of the new - and explosively growing - world of royalty-free photographs. Soberanis, Pat. Adobe Magazine (1996). Design>Graphic Design>Photography 57. #21841 You've put it off for months, maybe years, but it's finally time to get serious with your fonts. McCleary, Whitney. Adobe Magazine (2000). Design>Typography 58. #21851 To catch a thief, use the Web to track down plagiarism. Fleishman, Glenn. Adobe Magazine (1999). Articles>Intellectual Property>Copyright>Plagiarism 59. #21965 Some unexpected ways that Adobe Acrobat software can help with design and publishing tasks. Kvern, Olav Martin. Adobe Magazine (1995). Design>Document Design>Software>Adobe Acrobat 60. #21938 An overview of portable technology - not just computers but also printers, presentation devices, and peripherals. Larkin, James. Adobe Magazine (1996). Articles>Computing 61. #21908 Picking the right strength characteristics when you're buying paper can determine whether your job holds up on press, in the mail, or in your customers' hands. Sidles, Constance J. Adobe Magazine (1997). Articles>Document Design>Prepress>Paper 62. #21866 Acrobat lets you 'pack' fonts into a PDF in three basic ways: by fully embedding, subsetting, or not embedding them. Each method differently affects a PDF file's size, editability, and typographic fidelity. Patrick, Teri and Tamis Nordling. Adobe Magazine (1998). Design>Document Design>Typography>Adobe Acrobat 63. #21943 Opening somebody else's PageMaker publication? Here's an explorer's guide to the discoveries and dangers that may be lurking. Kvern, Olav Martin. Adobe Magazine (1996). Design>Document Design>Software>Adobe PageMaker 64. #21937 Paper Fits (and What to Do About Them) Save money by designing to fit standard printing-paper sizes. Sidles, Constance J. Adobe Magazine (1996). Design>Document Design>Prepress>Paper 65. #21933 Correct almost any problem photo by harnessing the power of the Curves and Levels dialog boxes in Photoshop. Fraser, Bruce. Adobe Magazine (1996). Design>Graphic Design>Image Editing>Adobe Photoshop 66. #21936 A collection of Photoshop tips and techniques, including making Photoshop fly, managing color palettes for your Web images, and lots of great Photoshop tips. Adobe Magazine (1996). Design>Graphic Design>Image Editing>Adobe Photoshop 67. #21832 Whip that document into shape - master the master page in InDesign and PageMaker. Kvern, Olav Martin. Adobe Magazine (2000). Design>Document Design>Software>Adobe InDesign 68. #21954 Lots of people don't know about PageMaker's support for tagged text - and they're missing out. Kvern, Olav Martin. Adobe Magazine (1995). Design>Document Design>Software>Adobe PageMaker 69. #21966 Designing something that will be mailed? Save time and money by asking the right questions before you start. Sidles, Constance J. Adobe Magazine (1995). Design>Document Design>Prepress 70. #21904 Quick Footwork in a Dull Market Right now the paper market is stable. So should you relax and enjoy the calm? Hardly. Now's the perfect time to test new paper sheets and negotiate better financial terms with your supplier. Sidles, Constance J. Adobe Magazine (1997). Articles>Document Design>Prepress>Paper 71. #21847 References Available Upon Request Find out where your visitors come from. Fleishman, Glenn. Adobe Magazine (1999). Design>Web Design>Audience Analysis>Log Analysis 72. #21909 Ever wonder why some graphics file formats have a poor reputation? Sometimes, it's not because they're inherently bad, but because they're not designed to be used in certain ways, on certain printers, or on certain platforms. Knowing how to match a job with the right formats can save you some real headaches. Kvern, Olav Martin. Adobe Magazine (1997). Design>Graphic Design>Image Editing>Standards 73. #21930 A monitor that's perfect for one job might be inadequate - or overkill - for another. Here's how to find one that'll fit your needs. Bury, Scott. Adobe Magazine (1996). Articles>Computing>Ergonomics 74. #21948 Is your Illustrator artwork too smooth-looking? Try adding patterns and textures to your work. Alspach, Ted and Jennifer Alspach. Adobe Magazine (1996). Design>Graphic Design>Software>Adobe Illustrator 75. #21856 Not in the mood for smooth? Consider going rustic with your paper and design. Sidles, Constance J. Adobe Magazine (1998). Design>Document Design>Prepress>Paper
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