#21952
Multiple-master fonts - what they are, how they work, and what they can do for you.
Tinkel, Kathleen. Adobe Magazine (1995). Design>Typography>Standards
#21840
Hundreds of filmmakers, huge audiences, instant reviews, and a door to Hollywood - the cinema comes to the Web.
Brunette, Peter. Adobe Magazine (2000). Design>Multimedia>Video
#21837
For Web designer Hillman Curtis, slow modems and low bandwidth are just fine.
Kaplan, Michael. Adobe Magazine (2000). Design>Web Design
#21855
The truth about PageMaker's not-so-secret life in the office.
Nordling, Tamis and Wendy Katz. Adobe Magazine (1998). Design>Document Design>Software>Adobe PageMaker
#21842
It's the face you've always wanted. Font embedding on the Web may help you get it.
Fleishman, Glenn. Adobe Magazine (1999). Design>Web Design>Typography>Embedded
#21919
An overview of the new - and explosively growing - world of royalty-free photographs.
Soberanis, Pat. Adobe Magazine (1996). Design>Graphic Design>Photography
#21841
You've put it off for months, maybe years, but it's finally time to get serious with your fonts.
McCleary, Whitney. Adobe Magazine (2000). Design>Typography
#21851
To catch a thief, use the Web to track down plagiarism.
Fleishman, Glenn. Adobe Magazine (1999). Articles>Intellectual Property>Copyright>Plagiarism
#21965
Some unexpected ways that Adobe Acrobat software can help with design and publishing tasks.
Kvern, Olav Martin. Adobe Magazine (1995). Design>Document Design>Software>Adobe Acrobat
#21938
An overview of portable technology - not just computers but also printers, presentation devices, and peripherals.
Larkin, James. Adobe Magazine (1996). Articles>Computing
#21908
Picking the right strength characteristics when you're buying paper can determine whether your job holds up on press, in the mail, or in your customers' hands.
Sidles, Constance J. Adobe Magazine (1997). Articles>Document Design>Prepress>Paper
#21866
Acrobat lets you 'pack' fonts into a PDF in three basic ways: by fully embedding, subsetting, or not embedding them. Each method differently affects a PDF file's size, editability, and typographic fidelity.
Patrick, Teri and Tamis Nordling. Adobe Magazine (1998). Design>Document Design>Typography>Adobe Acrobat
#21943
Opening somebody else's PageMaker publication? Here's an explorer's guide to the discoveries and dangers that may be lurking.
Kvern, Olav Martin. Adobe Magazine (1996). Design>Document Design>Software>Adobe PageMaker
#21937
Paper Fits (and What to Do About Them) 
Save money by designing to fit standard printing-paper sizes.
Sidles, Constance J. Adobe Magazine (1996). Design>Document Design>Prepress>Paper
#21933
Correct almost any problem photo by harnessing the power of the Curves and Levels dialog boxes in Photoshop.
Fraser, Bruce. Adobe Magazine (1996). Design>Graphic Design>Image Editing>Adobe Photoshop
#21936
A collection of Photoshop tips and techniques, including making Photoshop fly, managing color palettes for your Web images, and lots of great Photoshop tips.
Adobe Magazine (1996). Design>Graphic Design>Image Editing>Adobe Photoshop
#21832
Whip that document into shape - master the master page in InDesign and PageMaker.
Kvern, Olav Martin. Adobe Magazine (2000). Design>Document Design>Software>Adobe InDesign
#21954
Lots of people don't know about PageMaker's support for tagged text - and they're missing out.
Kvern, Olav Martin. Adobe Magazine (1995). Design>Document Design>Software>Adobe PageMaker
#21966
Designing something that will be mailed? Save time and money by asking the right questions before you start.
Sidles, Constance J. Adobe Magazine (1995). Design>Document Design>Prepress
#21904
Quick Footwork in a Dull Market
Right now the paper market is stable. So should you relax and enjoy the calm? Hardly. Now's the perfect time to test new paper sheets and negotiate better financial terms with your supplier.
Sidles, Constance J. Adobe Magazine (1997). Articles>Document Design>Prepress>Paper
#21847
References Available Upon Request
Find out where your visitors come from.
Fleishman, Glenn. Adobe Magazine (1999). Design>Web Design>Audience Analysis>Log Analysis
#21909
Ever wonder why some graphics file formats have a poor reputation? Sometimes, it's not because they're inherently bad, but because they're not designed to be used in certain ways, on certain printers, or on certain platforms. Knowing how to match a job with the right formats can save you some real headaches.
Kvern, Olav Martin. Adobe Magazine (1997). Design>Graphic Design>Image Editing>Standards
#21930
A monitor that's perfect for one job might be inadequate - or overkill - for another. Here's how to find one that'll fit your needs.
Bury, Scott. Adobe Magazine (1996). Articles>Computing>Ergonomics
#21948
Is your Illustrator artwork too smooth-looking? Try adding patterns and textures to your work.
Alspach, Ted and Jennifer Alspach. Adobe Magazine (1996). Design>Graphic Design>Software>Adobe Illustrator
#21856
Not in the mood for smooth? Consider going rustic with your paper and design.
Sidles, Constance J. Adobe Magazine (1998). Design>Document Design>Prepress>Paper
