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26. #21845 Inline frames in Adobe InDesign help you keep your text and graphic frames (or text frames or groups) sticking together. Kvern, Olav Martin. Adobe Magazine (1999). Design>Document Design>Software>Adobe InDesign 27. #21962 Working with leading grids can make your PageMaker layouts faster, easier, and better-looking - and you don't even have to be Swiss. Cole, Tim. Adobe Magazine (1995). Design>Document Design>Software>Adobe PageMaker 28. #21867 You're a designer, so you shouldn't waste your creative energy worrying about how your Illustrator document will print, right? Wrong. Spending a few minutes planning your project can ensure that its final output will go smoothly, potentially saving you hours of printing-related hassles. Alspach, Ted. Adobe Magazine (1998). Design>Graphic Design>Prepress 29. #21860 PDF moves toward its destiny as the full-service, customizable digital file format we all want. Kvern, Olav Martin. Adobe Magazine (1998). Design>Document Design>Software>Adobe Acrobat 30. #21944 Tips and advice on creating PDF files that are attractive, readable, and easy to download. Nordling, Tamis and Wendy Katz. Adobe Magazine (1996). Design>Document Design>Software>Adobe Acrobat 31. #21854 The elusive screen, captured at last. Kvern, Olav Martin. Adobe Magazine (1998). Design>Graphic Design>Technical Illustration>Screen Captures 32. #24087 The grid of a table can feel like a prison sometimes—too confining, dreary and dull. Important information just mopes inside the cells. Valiulis, Dave. Adobe Magazine (1998). Design>Document Design>Graphic Design 33. #21960 Stuck for design ideas? Try messing around with plug-in filters for Illustrator. Kvern, Olav Martin. Adobe Magazine (1995). Design>Graphic Design>Software>Adobe Illustrator 34. #21916 Too often, illustrations just sit there, taking up space on the page. Here's how to make them work. Kvern, Olav Martin. Adobe Magazine (1996). Design>Document Design>Graphic Design 35. #21963 An under-the-hood look at Illustrator's versatile unite filter. Zeitman, Randy. Adobe Magazine (1995). Design>Graphic Design>Technical Illustration>Adobe Illustrator 36. #21849 Photoshop gets involved with rhinos, criminals, ancient math, and the microscope. Shuster, Robert. Adobe Magazine (1999). Design>Graphic Design>Technical Illustration>Adobe Photoshop 37. #21850 The Ineffable Mystery of Paper Grades It was so much easier when we just had papyrus. Sidles, Constance J. Adobe Magazine (1999). Design>Publishing>Prepress>Paper 38. #21862 A track matte is a simple (but somewhat hidden) masking technique that you can use in Adobe Premiere and After Effects. You may be surprised to learn how versatile it is, and your audience will think you've gone p Shuster, Robert. Adobe Magazine (1998). Design>Multimedia>Video 39. #21945 Is the Internet a Self-Correcting Mechanism? The hype surrounding the hype surrounding the Internet has made it into all kinds of animals. But it's a self-correcting mechanism. Fleishman, Glenn. Adobe Magazine (1996). Articles>Information Design>Collaboration 40. #21881 Adobe® PostScript 3 printing systems offer a variety of new features for better, faster, Web-savvy printing. Here's an overview of what they are and how they're likely to affect you. Nordling, Tamis and Wendy Katz. Adobe Magazine (1997). Articles>Document Design>Prepress>Color 41. #21910 Information design, according to practitioners like the Berlin-, London-, and San Francisco-based firm MetaDesign, is about more than just conveying complex information clearly. To work well, it has to be a process in which designers and clients act as partners. Senechal, Ann. Adobe Magazine (1997). Design>Information Design>Workflow 42. #21830 Spaceships flying across your Web page? With dhtml and GoLive, you can make anything move. Niemi, Melissa. Adobe Magazine (2000). Articles>Web Design>Software>Adobe GoLive 43. #21869 The increasing popularity of Web publishing isn't just changing the way that intellectual property (creative works such as text, images, and even software) is distributed, it's also changing the way such work is bought, sold, licensed, and - in some cases 'borrowed.' Roberts, Paul. Adobe Magazine (1998). Articles>Intellectual Property>Copyright 44. #21905 Photoshop's Actions feature is a powerful tool for automating repetitive tasks or even batch-processing files, and you'll work more effectively with it if you know exactly what Actions can and can't automate. Dayton, Linnea and Jack Davis. Adobe Magazine (1997). Design>Graphic Design>Software>Adobe Photoshop 45. #21834 When you remodel, go for broke - but don't break the links. Fleishman, Glenn. Adobe Magazine (2000). Design>Web Design>Redesign 46. #21868 Linking is surely one of the least understood functions of many applications. But if anyone can explain how it works in PageMaker, Illustrator, and FrameMaker, Professor Kvern can. Kvern, Olav Martin. Adobe Magazine (1998). Design>Document Design>Hypertext 47. #21964 How to get the most out of the Photoshop sharpening controls - complete with show-and-tell examples. Blatner, David and Steve Roth. Adobe Magazine (1995). Design>Graphic Design>Image Editing>Adobe Photoshop 48. #21859 If you thought gradients were just a matter of getting two colors together, take a look at how sophisticated they've become. Alspach, Ted. Adobe Magazine (1998). Design>Graphic Design>Software 49. #21961 Increasingly, designers and publishers are finding themselves thrust into the world of 'new media.' Here's an overview of what to expect. Larkin, James. Adobe Magazine (1995). Careers>Multimedia>TC 50. #21929 In the spirit of Adobe Magazine's Cheap Tricks Contest, a grab-bag of ways to save money, save time, and cheat fate. Kvern, Olav Martin. Adobe Magazine (1996). Design>Document Design>Prepress
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