<?xml version="1.0" encoding="utf-8" ?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
<channel>
	<title>Adobe</title>	<link>http://tc.eserver.org/publisher/Adobe</link>
	<description>A listing of works published by Adobe in the field of technical communication.</description>
	<language>en-us</language>
	<copyright>Copyright (c) 2005-08 by the EServer. All rights reserved.</copyright>
	<managingEditor>tclib-editorial@eserver.org (TC Library Editorial Board)</managingEditor>
	<webMaster>webmaster@eserver.org (Geoffrey Sauer)</webMaster>
	<image>
		<url>http://tc.eserver.org/images/newlogo.gif</url>
		<title>Adobe</title>
		<link>http://tc.eserver.org/dir/Adobe</link>
	</image>
	<item>
		<title>Ten Common Mistakes When Building AIR Applications</title>
		<link>http://tc.eserver.org/35568.html</link>
		<guid>http://tc.eserver.org/35568.html</guid>
		<description>Adobe AIR has grown immensely popular over the past months. With its popularity, many new applications have been released. During this period, the following 10 issues have been the mistakes I have seen most often among developers. Hopefully, this list can help you avoid the same mistakes when building your next AIR application.</description>
	</item>
	<item>
		<title>Preparing Anchored Frame for Conversion in RoboHelp</title>
		<link>http://tc.eserver.org/35452.html</link>
		<guid>http://tc.eserver.org/35452.html</guid>
		<description>When FrameMaker content containing Anchored Frame is imported to RoboHelp, the Anchored Frame is converted to corresponding image in generated XHTML content. The quality of generated images has been an area of concern. While some users are satisfied with the quality of images generated, others feel the scope of improvement in the image quality. This blog describes some of the best practices and workflows that will help obtain improved quality of generated images. In other words, it will allow users to maintain the original quality of source images generated through specialized image editing applications.</description>
	</item>
	<item>
		<title>Photoshop CS4 Help Guide</title>
		<link>http://tc.eserver.org/34766.html</link>
		<guid>http://tc.eserver.org/34766.html</guid>
		<description>The official Adobe Reference guide is available online and in PDF form. While not exactly a “quick” reference guide, it is essential for anyone who uses Photoshop professionally.</description>
	</item>
	<item>
		<title>Working with Audio Tracks in Macromedia Captivate</title>
		<link>http://tc.eserver.org/34671.html</link>
		<guid>http://tc.eserver.org/34671.html</guid>
		<description>The inclusion of audio in online learning courses not only greatly enhances learners&apos; experiences, it also ensures that your courses are accessible to a wide audience.&#xD;&#xD;In this article I explore the various ways you can add audio to your Captivate projects. I also provide a number of tips on adding a narration to product demonstrations and presentations.</description>
	</item>
	<item>
		<title>The Adobe Captivate Blog</title>
		<link>http://tc.eserver.org/34522.html</link>
		<guid>http://tc.eserver.org/34522.html</guid>
		<description>Adobe&apos;s blog about their screen-capture and presentation software, Captivate.</description>
	</item>
	<item>
		<title>Technical Communication: DITA specialization using FrameMaker</title>
		<link>http://tc.eserver.org/34355.html</link>
		<guid>http://tc.eserver.org/34355.html</guid>
		<description>Specialization is the process by which new designs are created based on existing designs, allowing new kind of content to be processed using existing processing rules.Specialization allows you to define new kinds of information (new structural types or new domains of information), while reusing as much of existing design and code as possible, and minimizing or eliminating the costs of interchange, migration, and maintenance. </description>
	</item>
	<item>
		<title>How to Use Ditaval Filtering ?</title>
		<link>http://tc.eserver.org/34356.html</link>
		<guid>http://tc.eserver.org/34356.html</guid>
		<description>Adobe FrameMaker 9 allows to use Ditaval based filtering of content while producing following output from a DITA Map. For using the Ditaval filtering with FrameMaker, first create a ditaval file specifying the filtering criteria and then select this ditaval file while producing the output.</description>
	</item>
	<item>
		<title>Using Master Pages in RoboHelp 8</title>
		<link>http://tc.eserver.org/34357.html</link>
		<guid>http://tc.eserver.org/34357.html</guid>
		<description>Master Pages, a new concept introduced in Adobe RoboHelp 8, intends to provide flexibility in controlling the layout of topics, where in an author may separate the actual content from the layout of the output and may do it from a single place. In Adobe RoboHelp 8, a user may use Master Page as a Layout and Styling canvas where one may put basic HTML elements to be used for Layout purposes.</description>
	</item>
	<item>
		<title>Editing XML files on a WebDAV Server Using the Browser Plug-in</title>
		<link>http://tc.eserver.org/34358.html</link>
		<guid>http://tc.eserver.org/34358.html</guid>
		<description>You can open and edit XML files stored on the WebDAV server using FrameMaker 9. When FrameMaker 9 is installed on your computer, the Edit with FrameMaker plug-in is added to the browser&apos;s toolbar and is listed as an option in the edit menu for XML files.</description>
	</item>
	<item>
		<title>Structure View Enhancement in FrameMaker 9</title>
		<link>http://tc.eserver.org/34359.html</link>
		<guid>http://tc.eserver.org/34359.html</guid>
		<description>The Structure View allows for real-time validation of the structured element content while editing. It discourages the author from violating the constraint rules set by the EDD or XML schema which was earlier possible only while saving or exporting the document. The Structure View is now capable of pointing the constraint error for integer and float data constraints. The content will turn Red indicating that the content does not satisfy the data type constraint. </description>
	</item>
	<item>
		<title>How to Integrate FrameMaker 9 with a WebDAV-Based CMS</title>
		<link>http://tc.eserver.org/34260.html</link>
		<guid>http://tc.eserver.org/34260.html</guid>
		<description>With FrameMaker 9 comes a new way to work with files on a CMS (Content Management Server) that supports HTTP/WebDAV protocol. WebDAV is a kind of extension over HTTP which allows user to write files on Web along with usual viewing. Multiple users can collaboratively edit and manage files hosted on the Web server. Since many of today’s CMS servers provide users with a WebDAV route to access and edit files, FrameMaker 9 can automate the collaborative tasks by providing direct ways to view and make changes to files on CMS systems.</description>
	</item>
	<item>
		<title>All About Output from DITA Maps</title>
		<link>http://tc.eserver.org/34261.html</link>
		<guid>http://tc.eserver.org/34261.html</guid>
		<description>Using Adobe FrameMaker 9, one can save a DITA Map in various formats depending on one’s requirements. It could be intermediary output, like – FrameMaker Book/Document; or it can be final output, like – Print/PDF.</description>
	</item>
	<item>
		<title>InDesign CS3: Search Using GREP Expressions</title>
		<link>http://tc.eserver.org/34207.html</link>
		<guid>http://tc.eserver.org/34207.html</guid>
		<description>On the GREP tab of the InDesign Find/Change dialog box, you can construct GREP expressions to find alphanumeric strings and patterns in long documents or many open documents. You can enter the GREP metacharacters manually or choose them from the Special Characters For Search list. GREP searches are case-sensitive by default.</description>
	</item>
	<item>
		<title>FrameMaker 9 User Interface onDemand eLearning Session</title>
		<link>http://tc.eserver.org/34040.html</link>
		<guid>http://tc.eserver.org/34040.html</guid>
		<description>An explanation of the logic behind the new FrameMaker interface and a tour of how it works.</description>
	</item>
	<item>
		<title>Using DITA XML for Instructional Documentation</title>
		<link>http://tc.eserver.org/33729.html</link>
		<guid>http://tc.eserver.org/33729.html</guid>
		<description>Why DITA XML? Open standard and built-in with OpenTopic. Very specific schema. Helps clarify documentation.</description>
	</item>
	<item>
		<title>Modeling User Workflows for Rich Internet Applications</title>
		<link>http://tc.eserver.org/33386.html</link>
		<guid>http://tc.eserver.org/33386.html</guid>
		<description>As Rich Internet Applications (RIAs) become more advanced, the tasks, problems, and processes they address become increasingly complex, making it more important than ever to accurately model user workflows. Early Internet applications were often narrowly focused in scope, and the steps were relatively simple and sequential, for example, purchasing items through simple e-commerce, reserving hotel rooms, or renting cars. But as productivity applications move toward a web-based distribution model, the tasks become more complicated.</description>
	</item>
	<item>
		<title>Taking Flash Animation to DVD Video</title>
		<link>http://tc.eserver.org/31679.html</link>
		<guid>http://tc.eserver.org/31679.html</guid>
		<description>This article is meant to inspire creators much more talented than ourselves to take the risk and dive in head-first with the idea of bringing their Flash animation work to industry-quality DVD. The efforts and obstacles involved in bringing Broken Saints out as a four-disc collectors&apos; edition were overwhelming, and if we can give you some insights, save you some steps, keep you from making the same mistakes we did, or even inspire you to experience Broken Saints on your spiffy new home theatre, then it all will have been worth it.</description>
	</item>
	<item>
		<title>Visual Authoring With XML Data</title>
		<link>http://tc.eserver.org/30816.html</link>
		<guid>http://tc.eserver.org/30816.html</guid>
		<description>Macromedia Dreamweaver 8 supports two workflows when authoring with XML: client-side authoring with complete XSLT template pages and server-side with XSLT fragments. The client-side option is available from the Start page.</description>
	</item>
	<item>
		<title>Preserve Changes in RoboHelp for a Linked FrameMaker Book</title>
		<link>http://tc.eserver.org/30457.html</link>
		<guid>http://tc.eserver.org/30457.html</guid>
		<description>While it is ideal to maintain all the content in FrameMaker, there are special situations which may require the RoboHelp content to be out of sync from FrameMaker documents either for short duration or for small set of topics.  These special situations can relate to project deadlines or project requirements which make the process of maintaining a single source difficult.</description>
	</item>
	<item>
		<title>Adobe Creative Suite 3 Video Workshop</title>
		<link>http://tc.eserver.org/30404.html</link>
		<guid>http://tc.eserver.org/30404.html</guid>
		<description>You can use the Adobe Creative Suite 3 Video Workshop to start learning about any application you&apos;re interested in, whether you own it or not. The Video Workshop shares expertise from across Adobe and the Adobe community--you&apos;ll learn tasks, tips, and tricks from leading designers, developers, and Adobe experts. There are introductory videos for new users, and more experienced users can find videos on new features and key techniques.</description>
	</item>
	<item>
		<title>Baking up a Batch of PDF Files</title>
		<link>http://tc.eserver.org/30192.html</link>
		<guid>http://tc.eserver.org/30192.html</guid>
		<description>Customize how Acrobat works for you by building and using batch sequences. The beauty of a batch sequence is that you can modify or run it as you like.</description>
	</item>
	<item>
		<title>One Hundred and One Forms eTips</title>
		<link>http://tc.eserver.org/30193.html</link>
		<guid>http://tc.eserver.org/30193.html</guid>
		<description>One hundred and one tips for designing digital forms using Adobe Acrobat.</description>
	</item>
	<item>
		<title>PDF Usability: Debate and Reality</title>
		<link>http://tc.eserver.org/30190.html</link>
		<guid>http://tc.eserver.org/30190.html</guid>
		<description>This article examines the claims of those PDF critics and argues that usability complaints about PDF documents are misdirected, and further, highlights some of the key reasons why PDF is the preferred electronic document format.</description>
	</item>
	<item>
		<title>Customer Profile: Ernest Svenson, PDF for Lawyers</title>
		<link>http://tc.eserver.org/30111.html</link>
		<guid>http://tc.eserver.org/30111.html</guid>
		<description>A well-known advocate for the effective use of new technologies in the legal profession, New Orleans-based attorney Ernest Svenson finds Adobe Acrobat and PDF to be highly valued tools in a document-intensive field.</description>
	</item>
	<item>
		<title>Make Your PDFs Work Well with Google (and Other Search Engines)</title>
		<link>http://tc.eserver.org/30107.html</link>
		<guid>http://tc.eserver.org/30107.html</guid>
		<description>In Google&apos;s search results, and in the results of most other search engines, the listings of most PDF files appear at best unprofessional, and at worst, downright embarrassing.</description>
	</item>
	<item>
		<title>PDF Bookmarks: Surveying the Options</title>
		<link>http://tc.eserver.org/30110.html</link>
		<guid>http://tc.eserver.org/30110.html</guid>
		<description>Most PDF files do not include bookmarks. This is a pity, because they are so easy to add, and because the real-world usability of longer PDF files suffers significantly by their absence. And there&apos;s no shortage of tools for creating and managing bookmarks, as this product survey article explains.</description>
	</item>
	<item>
		<title>PDF in Government</title>
		<link>http://tc.eserver.org/30112.html</link>
		<guid>http://tc.eserver.org/30112.html</guid>
		<description>Duff Johnson looks at how several federal government agencies use Acrobat and PDF to solve old problems and, in some cases, to create new opportunities.</description>
	</item>
	<item>
		<title>Tips from the Acrobat Dirty Tricksters</title>
		<link>http://tc.eserver.org/30108.html</link>
		<guid>http://tc.eserver.org/30108.html</guid>
		<description>Demonstrates and explains a collection of handy tips dealing with various tools and features of Adobe Acrobat.</description>
	</item>
	<item>
		<title>User-Friendly Technical Document: Not an Oxymoron</title>
		<link>http://tc.eserver.org/30113.html</link>
		<guid>http://tc.eserver.org/30113.html</guid>
		<description>PDF is a perfect format for assembling technical materials, so how can a PDF document work more like a standard three-ring binder? Here&apos;s how.</description>
	</item>
	<item>
		<title>Adobe Photoshop Power Shortcuts</title>
		<link>http://tc.eserver.org/28056.html</link>
		<guid>http://tc.eserver.org/28056.html</guid>
		<description>In Photoshop CS2, many of the shortcuts for the application menus, palette menus and tools can be customized using the Keyboard Shortcuts editor. Although this document mentions some of the more common editable shortcuts, it also provides additional functionality only accessible through using keyboard modifiers which can&apos;t be changed through the Keyboard Shortcut editor. Although this is not a completely comprehensive list of all of the keyboard shortcuts in Photoshop CS2, it is my goal to present the shortcuts and additional functionality that enable me to use Photoshop CS2 both more freely and efficiently.</description>
	</item>
	<item>
		<title>Alphabetizing Menu Commands</title>
		<link>http://tc.eserver.org/28063.html</link>
		<guid>http://tc.eserver.org/28063.html</guid>
		<description>Ever forget the exact location of a menu command in InDesign? You can use this tip to make your menu commands easier to locate.</description>
	</item>
	<item>
		<title>Automating Photoshop CS2</title>
		<link>http://tc.eserver.org/28057.html</link>
		<guid>http://tc.eserver.org/28057.html</guid>
		<description>Automating repetitive tasks in Photoshop can increase productivity as well as save time and money. Almost any command (or set of commands) in Photoshop can be recorded into an action to be applied repetitively to a single file or across multiple file. The most basic action will execute one command such as resizing an image or displaying a dialog box. More complex actions can execute multiple commands automating more elaborate tasks. When used with the Batch command and/or Droplets, these actions can be applied to multiple files at once, enabling Photoshop to do repetitive tasks more quickly than even the best-trained Photoshop user! When repetitive tasks in a more involved workflow need to be carried out between applications, then AppleScript, Visual Basic, or JavaScript can be used to create scripts which work with Photoshop. In the case of conditional logic (a fancy way of saying &apos;Make a decision!&apos;) when an action needs to be applied to some files but not others, JavaScript files can be written to fulfill this need. One word of caution when first trying to conquer actions - run them on duplicate files, leaving your pre- cious originals unaltered. As you become more Action savvy, you can kick off those training wheels, and batch away!</description>
	</item>
	<item>
		<title>Compound Paths for Text Holes</title>
		<link>http://tc.eserver.org/28062.html</link>
		<guid>http://tc.eserver.org/28062.html</guid>
		<description>You can use InDesign&apos;s compound paths and transparency features to create a recessed text compartment in an image.</description>
	</item>
	<item>
		<title>Dragging and dropping into InDesign</title>
		<link>http://tc.eserver.org/28059.html</link>
		<guid>http://tc.eserver.org/28059.html</guid>
		<description>There are a number of ways in which you can use drag and drop to get content in and out of InDesign.</description>
	</item>
	<item>
		<title>Replacing Gradient Colors With a Swatch</title>
		<link>http://tc.eserver.org/28064.html</link>
		<guid>http://tc.eserver.org/28064.html</guid>
		<description>InDesign shares a feature with Illustrator that enables you to select a color stop in a gradient and replace it by clicking on a color swatch in the swatches palette.</description>
	</item>
	<item>
		<title>Understanding Frame Grids</title>
		<link>http://tc.eserver.org/28058.html</link>
		<guid>http://tc.eserver.org/28058.html</guid>
		<description>The frame grid feature enables you to use multiple baseline grids on your pages.</description>
	</item>
	<item>
		<title>Word Spacing Keyboard Shortcut</title>
		<link>http://tc.eserver.org/28061.html</link>
		<guid>http://tc.eserver.org/28061.html</guid>
		<description>Ever been copyfitting and wished there was a quick way to kern word spacing but leave letterspacing alone? There is.</description>
	</item>
	<item>
		<title>Advanced Techniques for Creating Accessible Adobe® PDF Files</title>
		<link>http://tc.eserver.org/27140.html</link>
		<guid>http://tc.eserver.org/27140.html</guid>
		<description>A step-by-step guide that covers more advanced techniques for optimizing Adobe Portable Document Format (PDF) files so that they can be made accessible to users with disabilities such as blindness or low vision.</description>
	</item>
	<item>
		<title>Off the Paper and Onto the Web</title>
		<link>http://tc.eserver.org/25920.html</link>
		<guid>http://tc.eserver.org/25920.html</guid>
		<description>With the professional publishing tools of Adobe InDesign and the expert Web production tools of Adobe GoLive, you can move printed content to the Web to create inspired Web sites that complement the design of your printed pieces.</description>
	</item>
	<item>
		<title>Creating a Dynamic Playlist for Streaming Flash Video</title>
		<link>http://tc.eserver.org/25626.html</link>
		<guid>http://tc.eserver.org/25626.html</guid>
		<description>As developers, we are often bogged down with mundane tasks such as site maintenance and updates. Until now, if we wanted to pass these tasks on to clients or colleagues who are not tech-savvy, we had to develop sophisticated interfaces to simplify the process for them and to give them easy access to the data. But now, XML is changing that reality.</description>
	</item>
	<item>
		<title>Creating Events Using the EventDispatcher Class</title>
		<link>http://tc.eserver.org/25631.html</link>
		<guid>http://tc.eserver.org/25631.html</guid>
		<description>Handle Flash events more efficiently in your code by using the event listener object model.</description>
	</item>
	<item>
		<title>Encode, Deliver, Design: Getting a Grip on Flash Video</title>
		<link>http://tc.eserver.org/25630.html</link>
		<guid>http://tc.eserver.org/25630.html</guid>
		<description>Follow these simple technical steps to turn your video concept into reality with Flash Video.</description>
	</item>
	<item>
		<title>Object-Oriented ActionScript</title>
		<link>http://tc.eserver.org/25632.html</link>
		<guid>http://tc.eserver.org/25632.html</guid>
		<description>Ironically, Flash users who are new to object-oriented programming (OOP) are often familiar with many object-oriented concepts without knowing their formal names. This chapter demystifies some of the terminology and brings newer programmers up to speed on key OOP concepts. It also serves as a high-level overview of OOP in Flash for experienced programmers who are making their first foray into Flash development.</description>
	</item>
	<item>
		<title>Using ActionScript in Macromedia Flash MX 2004: Best Practices</title>
		<link>http://tc.eserver.org/25633.html</link>
		<guid>http://tc.eserver.org/25633.html</guid>
		<description>Code it right: Use these best practices as you write your ActionScript.</description>
	</item>
	<item>
		<title>Using Flash for the First Time, Part 1: Building a Banner</title>
		<link>http://tc.eserver.org/25627.html</link>
		<guid>http://tc.eserver.org/25627.html</guid>
		<description>This is part one of a three-part article on how to build a simple animated banner in Flash and add it to a web page using Macromedia Dreamweaver. You&apos;ll learn how to create a file and modify its settings, import and add graphics to the Stage from the library, and create layers in part one. In parts two and three you&apos;ll add an animation and create a button that opens a browser window. Then you&apos;ll specify publish settings, and add the banner to a web page.</description>
	</item>
	<item>
		<title>Using Flash for the First Time, Part 2: Adding Symbols, Animation, and ActionScript</title>
		<link>http://tc.eserver.org/25628.html</link>
		<guid>http://tc.eserver.org/25628.html</guid>
		<description>How to create symbols, animation, and even write some simple ActionScript to make a banner function.</description>
	</item>
	<item>
		<title>Using Flash for the First Time, Part 3: Publishing and Adding the Flash File to a Web Page</title>
		<link>http://tc.eserver.org/25629.html</link>
		<guid>http://tc.eserver.org/25629.html</guid>
		<description>This is part three of a three-part article on how to build a simple animated banner in Macromedia Flash and add it to a web page using Macromedia Dreamweaver. In this final part, you learn about file size, banner standards, how to set publish settings, how to add the banner to a Dreamweaver web page, and how to add Macromedia Flash Player detection.</description>
	</item>
	<item>
		<title>Weblogs: A History and Perspective</title>
		<link>http://tc.eserver.org/25551.html</link>
		<guid>http://tc.eserver.org/25551.html</guid>
		<description>Rebecca Blood, an early blogger, describes the rise of blogging.</description>
	</item>
	<item>
		<title>How to Link from an HTML Page to a Specific Page in PDF File</title>
		<link>http://tc.eserver.org/25535.html</link>
		<guid>http://tc.eserver.org/25535.html</guid>
		<description>HTML pages can contain links to PDF files that enable you to view the files by using an Adobe Acrobat 4.0-or-later product from within Netscape Navigator or Microsoft Internet Explorer. You can also view the files by using the Acrobat product as a helper application in which PDF files appear in a separate Acrobat window. By default, the PDF file opens to the first page. To open the PDF file to a specific page, you can use named destinations in the PDF file. You can also target an HTML link to a specific PDF page by adding the page number to the end of the URL in the link. When you target an HTML link to a specific PDF page, however, the link works only when you view the PDF file within the browser.</description>
	</item>
	<item>
		<title>Connecting Macromedia Flash and PHP</title>
		<link>http://tc.eserver.org/25205.html</link>
		<guid>http://tc.eserver.org/25205.html</guid>
		<description>Many web developers rely heavily on a popular combination of open source software to develop and deploy their websites and applications. This combination is often known as LAMP—an acronym for Linux, Apache, MySQL, and PHP. In this article, you will use a LAMP environment to create a PHP-based Rich Internet Application.</description>
	</item>
	<item>
		<title>Consistent Web Design with Dreamweaver Templates</title>
		<link>http://tc.eserver.org/25214.html</link>
		<guid>http://tc.eserver.org/25214.html</guid>
		<description>Templates are a fantastic time-saving tool. They allow you to create pages that share the same design but contain different content. If you modify a template document, you immediately update the design of all pages that were created from that template.</description>
	</item>
	<item>
		<title>Creating a Two-Column Layout</title>
		<link>http://tc.eserver.org/25212.html</link>
		<guid>http://tc.eserver.org/25212.html</guid>
		<description>This series explains how you can use Macromedia Dreamweaver MX 2004 to move towards using CSS as a positioning technique when developing web pages.</description>
	</item>
	<item>
		<title>Creating Your First Design Without Tables</title>
		<link>http://tc.eserver.org/25211.html</link>
		<guid>http://tc.eserver.org/25211.html</guid>
		<description>You will design a fixed-width page that allows the contents to flow. You will use an unordered list to create a horizontal navigation system. You will also design a banner image in Fireworks MX 2004 and use it on the page.</description>
	</item>
	<item>
		<title>Defining Columns and Vertical List Navigation</title>
		<link>http://tc.eserver.org/25213.html</link>
		<guid>http://tc.eserver.org/25213.html</guid>
		<description>This series reviews how you can use Macromedia Dreamweaver MX 2004 to move towards using CSS as a positioning technique when developing web pages.</description>
	</item>
	<item>
		<title>Defining Style Properties and Working with Floats</title>
		<link>http://tc.eserver.org/25210.html</link>
		<guid>http://tc.eserver.org/25210.html</guid>
		<description>Discusses floating elements and investigates the height property. Also covers inheritance and specificity.</description>
	</item>
	<item>
		<title>Flash Video Learner&apos;s Guide</title>
		<link>http://tc.eserver.org/25202.html</link>
		<guid>http://tc.eserver.org/25202.html</guid>
		<description>This guide provides an introduction to Flash Video, including information on how to create and publish Flash Video.</description>
	</item>
	<item>
		<title>FlashHelp: The Ideal Online Help Format for Web Applications</title>
		<link>http://tc.eserver.org/25207.html</link>
		<guid>http://tc.eserver.org/25207.html</guid>
		<description>As the web transitions from a relatively static, information-oriented environment to a highly interactive, task-oriented environment, web developers must provide on-demand user assistance to ensure the usability of their applications.</description>
	</item>
	<item>
		<title>Getting a Handle on Web Services in Macromedia Flash MX Professional 2004</title>
		<link>http://tc.eserver.org/25204.html</link>
		<guid>http://tc.eserver.org/25204.html</guid>
		<description> So you have heard that Macromedia Flash MX Professional 2004 has built-in support for web services. Great! But is this unconditionally true? Are all web services now supported in Flash?</description>
	</item>
	<item>
		<title>Macromedia Flash MX and PHP</title>
		<link>http://tc.eserver.org/25206.html</link>
		<guid>http://tc.eserver.org/25206.html</guid>
		<description>Communicating with PHP (or any other server-side script) from Macromedia Flash has become much easier with the introduction of the LoadVars object in Macromedia Flash MX. Here&apos;s a sample in which I use a MySQL database (containing friends&apos; e-mail and phone information and a picture and caption if we have one), a PHP script to access that information, and Macromedia Flash to present it. I&apos;ll go through each of the steps I went through to create it.</description>
	</item>
	<item>
		<title>The Structure of FlashHelp Skins</title>
		<link>http://tc.eserver.org/25208.html</link>
		<guid>http://tc.eserver.org/25208.html</guid>
		<description>The real magic of FlashHelp, however, lies in its Flash-based presentation layer, or &apos;skin.&apos; You can completely customize FlashHelp skins to match the look and feel of any application, no matter how unique.</description>
	</item>
	<item>
		<title>Understanding CSS Design Concepts</title>
		<link>http://tc.eserver.org/25209.html</link>
		<guid>http://tc.eserver.org/25209.html</guid>
		<description>This article is the first in a series of tutorials about Cascading Style Sheets (CSS). The aim in Part 1 is to familiarize you with some of the basics of CSS.</description>
	</item>
	<item>
		<title>Using Macromedia Flash MX as a Multilingual Authoring Tool</title>
		<link>http://tc.eserver.org/25203.html</link>
		<guid>http://tc.eserver.org/25203.html</guid>
		<description>This tutorial offers procedures and strategies that allow you to adapt a Macromedia Flash MX movie to the language and culture of a target audience. Macromedia Flash MX supports localization through Unicode and the various ways in which you can include different languages in a movie.</description>
	</item>
	<item>
		<title>Building Preloaders and Progress Bars in Macromedia Flash</title>
		<link>http://tc.eserver.org/25201.html</link>
		<guid>http://tc.eserver.org/25201.html</guid>
		<description>One of the unique features of web content built with Macromedia Flash is the ability to control when and how the content loads. When loading a heavy HTML page, the user is usually stuck looking at a blank window until the content starts appearing. Flash allows for the creation of animated preloaders, which give the user precise information about the progress of the loading process.&#xD;&#xD;A simple rectangular progress bar or percentage indicator will do the job, but why stop there? A preloader should be given just as much love and consideration as the rest of the site content, especially on a site that is trying to evoke a mood, or create an immersive experience. If a preloader is engaging enough, the user won&apos;t mind waiting for content, and the time it takes to load will seem shorter.&#xD;&#xD;The preloader is the first element someone will see when visiting your site. You can make a good first impression by welcoming your visitors with a snappy preloader.</description>
	</item>
	<item>
		<title>Modeling User Workflows for Rich Internet Applications</title>
		<link>http://tc.eserver.org/25200.html</link>
		<guid>http://tc.eserver.org/25200.html</guid>
		<description>As Rich Internet Applications (RIAs) become more advanced, the tasks, problems, and processes they address become increasingly complex, making it more important than ever to accurately model user workflows. Early Internet applications were often narrowly focused in scope, and the steps were relatively simple and sequential, for example, purchasing items through simple e-commerce, reserving hotel rooms, or renting cars. But as productivity applications move toward a web-based distribution model, the tasks become more complicated.</description>
	</item>
	<item>
		<title>Open Up with OpenType Fonts</title>
		<link>http://tc.eserver.org/25055.html</link>
		<guid>http://tc.eserver.org/25055.html</guid>
		<description>OpenType fonts act just like PostScript Type 1 or TrueType fonts in programs like Microsoft® Word or QuarkXPress, but Adobe® InDesign® can perform special tricks with them, such as replacing characters with swashes (fancy versions of a letter), or with ligatures for character pairs such as “ct” and “ffi.” InDesign ships with several OpenType fonts, including Adobe Garamond® Pro, Adobe CaslonTM Pro, Caflisch Pro, and Kozuka Mincho Pro (a Japanese typeface).</description>
	</item>
	<item>
		<title>Add Drop Shadows and Feathers</title>
		<link>http://tc.eserver.org/25049.html</link>
		<guid>http://tc.eserver.org/25049.html</guid>
		<description>Now you can add drop shadows automatically in Adobe InDesign. Sandee Cohen shows how to feather shadow edges and adjust transparency to get the results you want.</description>
	</item>
	<item>
		<title>New Uses for Old Clipping Paths</title>
		<link>http://tc.eserver.org/25047.html</link>
		<guid>http://tc.eserver.org/25047.html</guid>
		<description>No one enjoys drawing clipping paths (or, if they do, they rarely admit it in public). The transparency features in Adobe® InDesign® spare you the headaches of drawing clipping paths because the program honors background transparency in Adobe Photoshop® files. However, there are still times when a clipping path comes in handy, so don’t throw the Bézier out with the bathwater.</description>
	</item>
	<item>
		<title>Showcase Images with Nested Frames</title>
		<link>http://tc.eserver.org/25048.html</link>
		<guid>http://tc.eserver.org/25048.html</guid>
		<description>Circle meets square as Sandee Cohen nests frames inside frames to accentuate images in Adobe InDesign.</description>
	</item>
	<item>
		<title>Creating Interactive Documents for PDF</title>
		<link>http://tc.eserver.org/25034.html</link>
		<guid>http://tc.eserver.org/25034.html</guid>
		<description>Learn how to add movies, sound clips, and interactive buttons to an Adobe InDesign CS document. When you export the document to Adobe PDF, readers can view movies, play sound clips, and activate buttons in Adobe Acrobat. In this tutorial, you’ll learn how to add a movie and buttons that play, pause, resume, and stop the movie in the exported PDF document.</description>
	</item>
	<item>
		<title>Four Strategies for Promoting Common UI Guidelines within Adobe</title>
		<link>http://tc.eserver.org/24088.html</link>
		<guid>http://tc.eserver.org/24088.html</guid>
		<description>It can be very challenging to create a consistent cross-product user experience.</description>
	</item>
	<item>
		<title>How to Break Out of the Cell</title>
		<link>http://tc.eserver.org/24087.html</link>
		<guid>http://tc.eserver.org/24087.html</guid>
		<description>The grid of a table can feel like a prison sometimes—too confining, dreary and dull. Important information just mopes inside the cells.</description>
	</item>
	<item>
		<title>Dreamweaver Tutorials: Getting Started</title>
		<link>http://tc.eserver.org/22813.html</link>
		<guid>http://tc.eserver.org/22813.html</guid>
		<description>Learn how you can get up and running quickly with Dreamweaver MX. Watch these tutorial movies, and get started today.</description>
	</item>
	<item>
		<title>Getting Started with Flash Video</title>
		<link>http://tc.eserver.org/22814.html</link>
		<guid>http://tc.eserver.org/22814.html</guid>
		<description>In this brief tutorial you will learn how to build a simple Macromedia  Flash video project in just five easy steps.</description>
	</item>
	<item>
		<title>Adobe XML Architecture Specification</title>
		<link>http://tc.eserver.org/22557.html</link>
		<guid>http://tc.eserver.org/22557.html</guid>
		<description>The Adobe XML architecture combines the powerful data and business logic capabilites of XML with rich presentation capabilities of Portable Document Format (PDF). The Adobe XML architecture offers  support for arbitrary XML, allowing you to leverage existing and  industry-standard schemas. Depending on the process requirements,  forms can be deployed as PDF or an XML Data Package (XDP) and  processed as XML.</description>
	</item>
	<item>
		<title>Creating PDF Documents from HTML Documents</title>
		<link>http://tc.eserver.org/22357.html</link>
		<guid>http://tc.eserver.org/22357.html</guid>
		<description>In this topic, you will create PDF documents from HTML documents.</description>
	</item>
	<item>
		<title>Document Setup in Adobe InDesign CS</title>
		<link>http://tc.eserver.org/22356.html</link>
		<guid>http://tc.eserver.org/22356.html</guid>
		<description>In this topic, you will set up a new document in Adobe InDesign CS.</description>
	</item>
	<item>
		<title>Working With Graphics in Adobe InDesign CS</title>
		<link>http://tc.eserver.org/22355.html</link>
		<guid>http://tc.eserver.org/22355.html</guid>
		<description>In this topic, you will place graphics on the page and then move, resize and crop them.</description>
	</item>
	<item>
		<title>Adobe Photoshop CS Layer  Effects</title>
		<link>http://tc.eserver.org/22312.html</link>
		<guid>http://tc.eserver.org/22312.html</guid>
		<description>In this topic, you will apply Bevel and Emboss and Outer Glow effects to an Adobe Photoshop CS type layer.</description>
	</item>
	<item>
		<title>Adobe Photoshop CS Type Layers</title>
		<link>http://tc.eserver.org/22311.html</link>
		<guid>http://tc.eserver.org/22311.html</guid>
		<description>In this topic, you will create a Photoshop CS type layer in which you will add and format type.</description>
	</item>
	<item>
		<title>Be Your Own Private Eye</title>
		<link>http://tc.eserver.org/21953.html</link>
		<guid>http://tc.eserver.org/21953.html</guid>
		<description>Your document won&apos;t print? Don&apos;t panic - here&apos;s a systematic guide to troubleshooting the problem.</description>
	</item>
	<item>
		<title>Color Under Control</title>
		<link>http://tc.eserver.org/21955.html</link>
		<guid>http://tc.eserver.org/21955.html</guid>
		<description>Several years after the hype began, color management is maturing into a useful tool that can solve real problems. Here&apos;s a comprehensive overview.</description>
	</item>
	<item>
		<title>Getting the Lead In</title>
		<link>http://tc.eserver.org/21962.html</link>
		<guid>http://tc.eserver.org/21962.html</guid>
		<description>Working with leading grids can make your PageMaker layouts faster, easier, and better-looking - and you don&apos;t even have to be Swiss.</description>
	</item>
	<item>
		<title>Idea Generators</title>
		<link>http://tc.eserver.org/21960.html</link>
		<guid>http://tc.eserver.org/21960.html</guid>
		<description>Stuck for design ideas? Try messing around with plug-in filters for Illustrator.</description>
	</item>
	<item>
		<title>Illustrators Unite!</title>
		<link>http://tc.eserver.org/21963.html</link>
		<guid>http://tc.eserver.org/21963.html</guid>
		<description>An under-the-hood look at Illustrator&apos;s versatile unite filter.</description>
	</item>
	<item>
		<title>Looking Sharp</title>
		<link>http://tc.eserver.org/21964.html</link>
		<guid>http://tc.eserver.org/21964.html</guid>
		<description>How to get the most out of the Photoshop sharpening controls - complete with show-and-tell examples.</description>
	</item>
	<item>
		<title>Making the Leap</title>
		<link>http://tc.eserver.org/21961.html</link>
		<guid>http://tc.eserver.org/21961.html</guid>
		<description>Increasingly, designers and publishers are finding themselves thrust into the world of &apos;new media.&apos; Here&apos;s an overview of what to expect.</description>
	</item>
	<item>
		<title>Mastering Multiple Masters</title>
		<link>http://tc.eserver.org/21952.html</link>
		<guid>http://tc.eserver.org/21952.html</guid>
		<description>Multiple-master fonts - what they are, how they work, and what they can do for you.</description>
	</item>
	<item>
		<title>On the High Wire</title>
		<link>http://tc.eserver.org/21965.html</link>
		<guid>http://tc.eserver.org/21965.html</guid>
		<description>Some unexpected ways that Adobe Acrobat software can help with design and publishing tasks.</description>
	</item>
	<item>
		<title>Playing Tag</title>
		<link>http://tc.eserver.org/21954.html</link>
		<guid>http://tc.eserver.org/21954.html</guid>
		<description>Lots of people don&apos;t know about PageMaker&apos;s support for tagged text - and they&apos;re missing out.</description>
	</item>
	<item>
		<title>Pleasing Mr. Postman</title>
		<link>http://tc.eserver.org/21966.html</link>
		<guid>http://tc.eserver.org/21966.html</guid>
		<description>Designing something that will be mailed? Save time and money by asking the right questions before you start.</description>
	</item>
	<item>
		<title>Rules of the Game</title>
		<link>http://tc.eserver.org/21968.html</link>
		<guid>http://tc.eserver.org/21968.html</guid>
		<description>PageMaker&apos;s paragraph rules feature lets you attach lines to paragraphs. So what? Watch this ...</description>
	</item>
	<item>
		<title>See Spot Print</title>
		<link>http://tc.eserver.org/21959.html</link>
		<guid>http://tc.eserver.org/21959.html</guid>
		<description>An in-depth guide to working with spot colors in Photoshop.</description>
	</item>
	<item>
		<title>Thirteen Telltale Signs</title>
		<link>http://tc.eserver.org/21958.html</link>
		<guid>http://tc.eserver.org/21958.html</guid>
		<description>If you want professional-looking type, avoid these 13 telltale signs.</description>
	</item>
	<item>
		<title>Total Control: The Next Generation</title>
		<link>http://tc.eserver.org/21957.html</link>
		<guid>http://tc.eserver.org/21957.html</guid>
		<description>There&apos;s never been a better time to free yourself from boring, repetitive tasks using PageMaker&apos;s scripting language.</description>
	</item>
	<item>
		<title>Weaving the Perfect Web</title>
		<link>http://tc.eserver.org/21956.html</link>
		<guid>http://tc.eserver.org/21956.html</guid>
		<description>Thinking of building a Web site? Here are some basics you&apos;ll need to know and resources to get you started.</description>
	</item>
	<item>
		<title>When Bigger Isn&apos;t Better</title>
		<link>http://tc.eserver.org/21967.html</link>
		<guid>http://tc.eserver.org/21967.html</guid>
		<description>Working with large bitmap images can clog your hard disk and slow performance to a crawl. Here are some tips for staying lean.</description>
	</item>
	<item>
		<title>The Absence of Light</title>
		<link>http://tc.eserver.org/21913.html</link>
		<guid>http://tc.eserver.org/21913.html</guid>
		<description>If you ever create shadows in your designs or illustrations, check out these tips for making them richer and more realistic.</description>
	</item>
	<item>
		<title>Anti-Aliasing Evolves</title>
		<link>http://tc.eserver.org/21912.html</link>
		<guid>http://tc.eserver.org/21912.html</guid>
		<description>A variety of technologies are evolving to help make type readable on the computer screen. Here&apos;s a report on anti-aliasing.</description>
	</item>
	<item>
		<title>Beyond the Phone Book</title>
		<link>http://tc.eserver.org/21934.html</link>
		<guid>http://tc.eserver.org/21934.html</guid>
		<description>Whether you know it or not, &apos;database publishing&apos; probably describes some of what you do. Here&apos;s how to do it better!</description>
	</item>
	<item>
		<title>Buying Laser Paper That Won&apos;t Jam</title>
		<link>http://tc.eserver.org/21947.html</link>
		<guid>http://tc.eserver.org/21947.html</guid>
		<description>How to choose paper for laser printing.</description>
	</item>
	<item>
		<title>Color in Mind</title>
		<link>http://tc.eserver.org/21914.html</link>
		<guid>http://tc.eserver.org/21914.html</guid>
		<description>Despite advances in the technology of measuring and managing it, how we perceive color is still full of mystery and illusions.</description>
	</item>
	<item>
		<title>Coming to Terms</title>
		<link>http://tc.eserver.org/21918.html</link>
		<guid>http://tc.eserver.org/21918.html</guid>
		<description>Picking paper involves deciphering a lot of arcane terminology. Here&apos;s a quick reference guide.</description>
	</item>
	<item>
		<title>Draw and Order</title>
		<link>http://tc.eserver.org/21928.html</link>
		<guid>http://tc.eserver.org/21928.html</guid>
		<description>If you create technical art in Illustrator, check out these tips - in fact, check them out even if you don&apos;t.</description>
	</item>
	<item>
		<title>Everybody Makes Mistakes</title>
		<link>http://tc.eserver.org/21931.html</link>
		<guid>http://tc.eserver.org/21931.html</guid>
		<description>Special &apos;blooper reel&apos; edition: the author&apos;s biggest paper mistakes.</description>
	</item>
	<item>
		<title>Full-Blast PageMaker</title>
		<link>http://tc.eserver.org/21939.html</link>
		<guid>http://tc.eserver.org/21939.html</guid>
		<description>The next best thing to buying a new system: getting the most out of PageMaker&apos;s performance on the one you have.</description>
	</item>
	<item>
		<title>The Future Meets the Press</title>
		<link>http://tc.eserver.org/21946.html</link>
		<guid>http://tc.eserver.org/21946.html</guid>
		<description>Digital technology has transformed design, layout, and prepress; now it&apos;s beginning to change printing presses too.</description>
	</item>
	<item>
		<title>Have Your Cake and Eat It Too</title>
		<link>http://tc.eserver.org/21944.html</link>
		<guid>http://tc.eserver.org/21944.html</guid>
		<description>Tips and advice on creating PDF files that are attractive, readable, and easy to download.</description>
	</item>
	<item>
		<title>Illuminating Illustrations</title>
		<link>http://tc.eserver.org/21916.html</link>
		<guid>http://tc.eserver.org/21916.html</guid>
		<description>Too often, illustrations just sit there, taking up space on the page. Here&apos;s how to make them work.</description>
	</item>
	<item>
		<title>Is the Internet a Self-Correcting Mechanism?</title>
		<link>http://tc.eserver.org/21945.html</link>
		<guid>http://tc.eserver.org/21945.html</guid>
		<description>The hype surrounding the hype surrounding the Internet has made it into all kinds of animals. But it&apos;s a self-correcting mechanism.</description>
	</item>
	<item>
		<title>It&apos;s All in the Process</title>
		<link>http://tc.eserver.org/21910.html</link>
		<guid>http://tc.eserver.org/21910.html</guid>
		<description>Information design, according to practitioners like the Berlin-, London-, and San Francisco-based firm MetaDesign, is about more than just conveying complex information clearly. To work well, it has to be a process in which designers and clients act as partners.</description>
	</item>
	<item>
		<title>The Many Faces of Cheapness</title>
		<link>http://tc.eserver.org/21929.html</link>
		<guid>http://tc.eserver.org/21929.html</guid>
		<description>In the spirit of Adobe Magazine&apos;s Cheap Tricks Contest, a grab-bag of ways to save money, save time, and cheat fate.</description>
	</item>
	<item>
		<title>New Pix in Town</title>
		<link>http://tc.eserver.org/21919.html</link>
		<guid>http://tc.eserver.org/21919.html</guid>
		<description>An overview of the new - and explosively growing - world of royalty-free photographs.</description>
	</item>
	<item>
		<title>On the Road, Again</title>
		<link>http://tc.eserver.org/21938.html</link>
		<guid>http://tc.eserver.org/21938.html</guid>
		<description>An overview of portable technology - not just computers but also printers, presentation devices, and peripherals.</description>
	</item>
	<item>
		<title>PageMaker Archaeology</title>
		<link>http://tc.eserver.org/21943.html</link>
		<guid>http://tc.eserver.org/21943.html</guid>
		<description>Opening somebody else&apos;s PageMaker publication? Here&apos;s an explorer&apos;s guide to the discoveries and dangers that may be lurking.</description>
	</item>
	<item>
		<title>Paper Fits (and What to Do About Them)</title>
		<link>http://tc.eserver.org/21937.html</link>
		<guid>http://tc.eserver.org/21937.html</guid>
		<description>Save money by designing to fit standard printing-paper sizes.</description>
	</item>
	<item>
		<title>Picture Fixes</title>
		<link>http://tc.eserver.org/21933.html</link>
		<guid>http://tc.eserver.org/21933.html</guid>
		<description>Correct almost any problem photo by harnessing the power of the Curves and Levels dialog boxes in Photoshop.</description>
	</item>
	<item>
		<title>Pixel Power</title>
		<link>http://tc.eserver.org/21936.html</link>
		<guid>http://tc.eserver.org/21936.html</guid>
		<description>A collection of Photoshop tips and techniques, including making Photoshop fly, managing color palettes for your Web images, and lots of great Photoshop tips.</description>
	</item>
	<item>
		<title>The Right Match</title>
		<link>http://tc.eserver.org/21909.html</link>
		<guid>http://tc.eserver.org/21909.html</guid>
		<description>Ever wonder why some graphics file formats have a poor reputation? Sometimes, it&apos;s not because they&apos;re inherently bad, but because they&apos;re not designed to be used in certain ways, on certain printers, or on certain platforms. Knowing how to match a job with the right formats can save you some real headaches.</description>
	</item>
	<item>
		<title>The Right Tool for the Job</title>
		<link>http://tc.eserver.org/21930.html</link>
		<guid>http://tc.eserver.org/21930.html</guid>
		<description>A monitor that&apos;s perfect for one job might be inadequate - or overkill - for another. Here&apos;s how to find one that&apos;ll fit your needs.</description>
	</item>
	<item>
		<title>Rough Stuff</title>
		<link>http://tc.eserver.org/21948.html</link>
		<guid>http://tc.eserver.org/21948.html</guid>
		<description>Is your Illustrator artwork too smooth-looking? Try adding patterns and textures to your work.</description>
	</item>
	<item>
		<title>Search for Elbow Room</title>
		<link>http://tc.eserver.org/21932.html</link>
		<guid>http://tc.eserver.org/21932.html</guid>
		<description>In the world of storage, options are multiplying, prices are falling, and confusion is rampant. Here&apos;s a guide to the options.</description>
	</item>
	<item>
		<title>Taking It In</title>
		<link>http://tc.eserver.org/21949.html</link>
		<guid>http://tc.eserver.org/21949.html</guid>
		<description>What makes type readable? A survey of the conventional wisdom, what research tells us, and some common-sense principles.</description>
	</item>
	<item>
		<title>Tree-Free at Last</title>
		<link>http://tc.eserver.org/21915.html</link>
		<guid>http://tc.eserver.org/21915.html</guid>
		<description>&apos;Tree-free&apos; paper - made from fibers other than wood - isn&apos;t just a gimmick.</description>
	</item>
	<item>
		<title>Unexpected Text</title>
		<link>http://tc.eserver.org/21950.html</link>
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