A directory of resources inthe field of technical communication.

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26.
#28490

Podcasting Tutorial: Create Your Own Podcast

This podcasting tutorial will show you how to create your very own podcast quickly and easily! Think about listening to a radio show on a topic that you're interested in, but instead of having to tune in at a specific time, you can listen to the show at the time and place of your choosing. That's what podcasting enables you to do.

Guides and Tutorials (2006). Articles>Content Management>Streaming>Podcasting

27.
#23623

Portfolios to Demonstrate Professional Skills

Explains how electronic portfolios bring together all the assignments in a TC core course, including learning the tools supported by the profession, student assignments, design rationales, and students' reflections on the tools and their skills and abilities.

Turns, Jennifer. University of Washington-Seattle (2001). Presentations>Education>Streaming>Video

28.
#25230

Shooting Web Video: How to Put Your Readers at the Scene

Freelance writers, bloggers and independent journalists yearning to use video on the Internet, grab your PDAs. Use these tips to help you begin shooting and editing your own Web video stories.

McCombs, Regina. Online Journalism Review (2005). Articles>Web Design>Streaming>Video

29.
#22424

SMIL Tips and Tricks

SMIL, as more people are beginning to appreciate, can be used for a variety of applications, such as interactive video, video on demand, online training, audio, animation, and more, in ways that were previously unavailable. With SMIL, the ability to create rich media presentations is simplified and is available to any user with a computer and an Internet connection.

Segal, Nathan. Streaming Media World (2002). Design>Multimedia>Streaming>SMIL

30.
#10029

Software Environments for Technical Writing

Starting with the development of Caterpillar Fundamental English in the 1970's, industry has made several attempts to formalize and standardize the writing process, both to promote consistency and quality for the reader and to improve the possibilities for automatic text processing (e.g. translation to other languages). In this presentation, I will review the work we have done at the Language Technologies Institute on a software environment for automatic document checking, specifically to address the issue of how such environments can be productive (and hence useful) for the technical writer.

Nyberg, Eric. EServer (1998). Presentations>Lectures>Streaming>Audio

31.
#10120

Strategies and Roadblocks to the Inclusion of Community Expertise in Academic Research

This talk presents a case study which followed a graduate course in public policy. This course attempted to construct knowledge around a community based problem in collaboration with community members. The talk covers both the successes and difficulties of this research project.

Swan, Susan. EServer (2000). Presentations>Lectures>Streaming>Video

32.
#30243

Strategies for Using Compressed Video Effectively   (PDF)

Interactive media for distance training require special presentational strategies. Compressed video, an interactive medium using fiber optics, has unique characteristics which users must know. The video creates a lack of direct eye contact and a sense of separation. The compression creates flattened images and extremes of colors. Effective presenters in this medium must plan concise, horizontal graphics. They must schedule short, varied activities with limited use of uninterrupted lecture. And they must plan frequent interactive activities--such as questions, group work, and demonstrations--for an effective session.

Connors, Patricia E. STC Proceedings (1996). Articles>Multimedia>Streaming>Video

33.
#10288

Streaming Media

Streaming media is a method for delivering multimedia content, where video, audio, graphics, and animation can all play simultaneous roles in the presentation.

The advantage of streaming media is that you can start viewing the presentation almost immediately while the file itself is still being sent from the server; there is no waiting period while all the component files are first downloaded to your hard drive. When the presentation is over, none of the component files remain on your computer.

Dereg, Tim. Orange Journal, The (2001). Design>Web Design>Streaming>Multimedia

34.
#20520

Ten Tips for Talking Heads

Andy Warhol once said that everyone will be world famous for 15 minutes. So when that time comes don't screw it up - follow these 10 tips for broadcast success, whether you're talking to Matt and Katie via satellite uplink or your employees via a Webcast.

Yewman, Dave. Presenters University. Articles>Presentations>Streaming>Video

35.
#18757

Traceability, Reproducibility, Compatibility - Quality Control Elements in Audio Information Transfer  (link broken)   (PDF)

In transfer from one medium to another or one format to another, the target format may be able to hold more information or less information than the original. According to the purpose of the transfer, a selection offeatures may be made as a minimum requirement for transfer. Awareness of Traceability, Reproducibility and Compatibility will ensure the fulfilment of these requirements. The dedicated transfer station approach using calibrated equipment is contrasted with the use of diagnostic signals for use with transfer stations of any standard. The advantages and disadvantages of the respective approaches are mentioed, in particular as regards long term storage. The background for creating diagnostic signalsfor transfer of mechanical recordings is discussed in depth.

Brock-Nannestad, George. STC Proceedings (1998). Design>Multimedia>Streaming>Audio

36.
#27460

Using Cable Access to Learn Video Production   (PDF)

Today's information seeker wants instant enlightenment--at the push of a button. And, thanks to TV-conditioning, s/he wants it packaged with action, sound, and pizzazz—like an episode of 'Nova.' The national information superhighway will provide the delivery vehicle for information in video format. You and I will provide the material—if we know how to produce it. Our demonstration will include television programs produced by Dallas STC members and explain how you can learn videography at your local public access facility.

McWilliams Johnson, Mary. STC Proceedings (1994). Articles>Web Design>Streaming>Video

37.
#14965

Using Writing to Negotiate Knowledge and Power

In Language and Symbolic Power, Pierre Bourdieu demonstrates how the language practices of institutions can generate symbolic violence and relations of power. At the same time, these language practices make existing power relationships seem natural and thus hide the symbolic violence from both more and less powerful inhabitants of these sites. Research has only recently begun to examine critically these practices as they function in corporate America. This talk will examine textual practices within a large manufacturer of agricultural equipment to show how they require subordinates to document their work in forms determined by management. Such documentation represents work in terms acceptable to managers and prevents subordinates from developing alternative understandings of the possibilities of their labor.

Winsor, Dorothy A. University of Illinois (2001). Presentations>Writing>Streaming>Video

38.
#13910

What We Do Best

This lecture describes the need for the field to clarify how we represent ourselves and think about ourselves.

Bernhardt, Stephen A. CPTSC Proceedings (1996). Presentations>Lectures>Streaming>Audio

39.
#10119

'Where The Hell Did I Put It?': Users in Heterogeneous Communications Environments Negotiating the Production, Distribution and Archiving of Knowledge Objects

A qualitative glance at how people in contemporary, heterogeneous communications environments--especially those involved in collaborative enterprises--were handling multiple communication events and the incoming and outgoing products of their communications, for example, texts, files, e-texts parked on shared file servers, e-texts parked on a user's hard-disk, web pages and useful http addresses, all of those sorts of things.

Wilkes, Gilbert Vanburen IV. EServer (1998). Presentations>Lectures>Streaming>Audio

40.
#32649

Efficient Video Delivery Over The Internet

They say a picture is worth a thousand words. In this day and age of digital media, video on your web site can be priceless. Whether you have a corporate, social networking, or video streaming site, video instantly captures your visitor’s attention and describes your product and services quickly and effectively. Due to its large install base, Flash video is now the de-facto standard in internet video delivery. With recent updates to Flash 9, Flash Player adds the capability of playing H264 encoded video in full screen mode, making the delivery of Flash videos on the internet not only practical, but efficient as well. In this article, I will examine a few different techniques for delivering Flash videos over the internet and compare the advantages and disadvantages of each.

Zhu, Lei. Digital Web Magazine (2008). Articles>Web Design>Streaming>Video

41.
#34012

Stripped Bear

An introduction to Usability: What's The Use? by Shaun Fensom from Manchester Digital, followed by a short primer to usability by Paul Rouke, User Experience Director at PRWD.

Fensom, Shaun and Paul Rouke. Vimeo (2009). Presentations>Usability>Streaming>Video

42.
#34072

Accessible Web Video: JW Player Controls

Our JW Player Controls is an attempt to get around the limitations for access that Flash presents, to provide a richer user interface to the JW FLV Player, and to enhance the contrast and readability of captions by providing an alternate viewing area for caption content.

Ohio State University (2009). Resources>Accessibility>Streaming>Video

43.
#34203

The Moving Picture: Mistakes and All

The first and most common mistake made when producing for streaming is shooting in an interlaced mode. All streaming video is progressive. And if you shoot interlaced, you start with two fields that may not combine into one clean frame (even if you check the deinterlace box before rendering), especially when motion or sharp diagonal lines are involved. This can result in simple jaggies or bizarre artifacts, such as a table edge that looks like twisted wrought iron in a video produced by one of the largest retail chains in the world. Second, if you do shoot interlaced, remember to deinterlace the video. Streaming producers make this mistake all the time and end up with horizontal slices, almost like Venetian blinds in higher-motion sequences.

Ozer, Jan. Event DV (2009). Articles>Multimedia>Streaming>Video

 
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