A directory of resources inthe field of technical communication.Rhetoric
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301.
#27348

Place Gold Coins Along the Path

Learn how to keep your readers interested by placing gold coins throughout your story.

Clark, Roy Peter. Poynter Online (2004). Articles>Writing>Rhetoric

302.
#29255

Plain Language in Science: Signs of Intelligible Life in the Scientific Community?   (PDF)

'The importance of the work is inversely proportional to the number of people who can understand it' is an outdated attitude in today's scientific arena. The trend toward plain language is gathering force in government, academe, and scientific journals.

Locke, Joanne N., Lily Whiteman and Devora Mitrany. Science Editor (2001). Articles>Scientific Communication>Rhetoric>Minimalism

303.
#23916

Plain Language: What Is It?

When you reach out to your readers, you show that you have considered who they are and what they need to know. Communicate a concern for your readers' needs so they will be receptive to your message.

U.S. Small Business Administration. Articles>Writing>Rhetoric>Minimalism

304.
#29063

Plastic Language for Plastic Science: The Rhetoric of Comrade Lysenko   (peer-reviewed)   (members only)

Rhetoric of science reveals the role of rhetoric in the complex social enterprise that is standard science. Rhetoric plays a role in non-standard science too. The recent elucidation of the human genetic code calls to mind an earlier, tragic episode in the history of genetics, Lysenkoism in Stalinist Russia. It involved the repudiation of standard science in favor of an insular, intuitive, and anti-intellectual science called agrobiology which supposedly could shape agricultural productivity to political will. The tragedy is that careers were ruined and millions suffered starvation as the new science failed to bear its predicted fruit. Whether seen as a debased rhetoric of science or as a rhetoric of debased science, it assumed that language is plastic and can support a plastically reconceived science that reflected the plasticity of nature itself. This plastic rhetoric is strikingly similar to Plato s view of sophism, which of course differs considerably from contemporary views of sophism.

Dombrowski, Paul M. Journal of Technical Writing and Communication (2001). Articles>Scientific Communication>Rhetoric>History

305.
#27333

Play with Words

Play with words, even in serious stories. Choose words the average writer avoids but the average reader understands.

Clark, Roy Peter. Poynter Online (2004). Articles>Writing>Diction>Rhetoric

306.
#25998

Playing the Synonym Game

Churchill wasn't scared of repetition, but many people are. Even the best writers and editors play the synonym game.

Bresler, Ken. Clear Writing (2001). Articles>Writing>Rhetoric

307.
#14022

Political-Ethical Implications of Defining Technical Communication as a Practice   (peer-reviewed)

Let me present one possible version of the history of teaching writing in the last century and a half. When the tradition of classical rhetoric was restricted to composition in the nineteenth century, teachers of writing found themselves teaching service courses, usually defined as skills courses. Furthermore, having lost touch with the classical tradition, they began to teach writing particularly suited to current needs and, by extension, to teach thought forms that imitate modern consciousness —- a form of consciousness largely molded by forms of production, or technology. As Richard Ohmann says, much modern composition instruction reflects this technological consciousness: it casts the writing process in terms of problem solving, stresses objectivity and thereby denies a writer's social responsibilities, distances the interaction between writer and reader, deals with abstract issues, and denies politics (206). As a result, teachers of writing indoctrinate students, turning them into the sorts of people who will fill the slots available in our technological society.

Sullivan, Dale L. JAC (1990). Articles>Rhetoric>History

308.
#24523

Power Emails: How to Write Them

Most emails have lousy subject lines, are too wordy, and probably are deleted unread, read but not responded to, or filtered out as spam. Learn how to avoid these fates by composing Power Emails that are legal, ethical, and effective.

Streight, Steven. Blogger.com (2004). Articles>Business Communication>Correspondence>Rhetoric

309.
#24192

PowerPoint Presentations: A Speaker's Guide   (PDF)

Vinton Cerf, one of the founders of the Internet, reportedly parodied the well-known quote about the cost of attaining power, observing that if power corrupts, 'PowerPointcorrupts absolutely.' Pointed though Cerf’s statement is, it places far too much blame on the software. After all, speakers must take some responsibility for their presentations. As in any other form of communication, you must decide what you’re going to say and how you plan to say it. But once that’s done, you need to use all the skills at your disposal to make the chosen medium work for you.

Hart, Geoffrey J.S. Intercom (2004). Articles>Presentations>Rhetoric>Microsoft PowerPoint

310.
#19198

Practicing Safe Visual Rhetoric on the Web   (peer-reviewed)   (members only)

This essay examines when and why a 'safe' approach to visual design for web pages is attractive to writers and writing teachers. It considers typical reasons for choosing a 'safe' approach to designing the visual dimensions of web pages, traditional sources in print graphics and writing for safe advice about visual design, and design challenges posed by issues of a web design's stability and navigation. The essay then turns to the fact that the additional media included in a web site bring more design traditions into consideration. It discusses the differing concerns and aims that issue from visual design traditions that focus on prose graphics versus those that focus on theatrical graphics. Keeping these differences in mind, the essay ends with a consideration of the forces shaping visual rhetoric on the web.

Sullivan, Patricia. Science Direct. Articles>Web Design>Rhetoric>Visual Rhetoric

311.
#22053

Pre-Writing and Outlining

If there’s a single step in writing that makes the process easier, it’s right here. Ask yourself this question: Why does a writing task -- whether a memorandum or document -- seem to come together easily for one writer and not for another? Well, one answer is the successful writer spends more time planning than writing. I call this my pre-writing time, or phase, and for me the planning phase is actually pre-writing.

Tech-Writer. Articles>Writing>Rhetoric

312.
#27336

Prefer Simple to Technical

Prefer the simple to the technical: shorter words and paragraphs at the points of greatest complexity.

Clark, Roy Peter. Poynter Online (2004). Articles>Writing>Diction>Rhetoric

313.
#20804

Prepare Web Content and Organization For Your Audience

Communicators must know whether the audience consists of viewers, users or readers before selecting, writing and organizing content.

Writing that Works (2003). Articles>Web Design>Rhetoric>Writing

314.
#24417

Preparing for a Crisis: Tips on Writing a Crisis Communication Plan   (PDF)

A crisis communication plan details how a company will operate in a crisis. It should include sections on potential crises and strategies for managing a crisis using a crisis management team. The plan should include details on the team's functions, training for the team members and the company spokesperson, and use of a crisis management center and a media center. The plan should address implementation of practice drills and an evaluation of each drill and actual crisis.

Molony, S.T. STC Proceedings (1994). Articles>Risk Communication>Rhetoric

315.
#20542

"Prescriptive" Audience Analysis: Moving Beyond the Purely Descriptive

Editing and writing both require an understanding of our audience, because without that knowledge, we can't shape our words to help them easily grasp difficult concepts. To understand our audience, we do what all writers and editors do, whether consciously or unconsciously: We create an image of our audience that guides our choice of words, images, and metaphors. This image is variously known as a 'stereotype' or a 'persona'. Keeping that image in mind as we work helps us satisfy the reader's needs, but if we're not careful, it can also cause us to waste valuable time collecting information that doesn't really help us communicate.

Hart, Geoffrey J.S. TECHWR-L (2003). Articles>Writing>Editing>Rhetoric

316.
#21631

Presentaciones Conceptuales

Las presentaciones tienden a ser más visuales y menos textuales. Convertir cada concepto en una imagen es el reto y, a la vez, la solución.

Dursteler, Juan Carlos. InfoVis (2003). (Spanish) Presentations>Graphic Design>Visual Rhetoric>Technical Illustration

317.
#20531

Presentation Skills Training: A Matter of Personality and Outcomes

It was simply a matter of a web link or two and literally hundreds of trainees joined me online from all around the country. All in all, pretty easy and convenient and the price was right-- free. The topics were related to presentation design concepts and I knew going into it that the medium would be right for some, but unfortunately, dead wrong for others. Contrast that with another training venue coming up in a few weeks. Three presentation team members from a large consumer products company will be flying into Portland, Oregon for a day's worth of hands-on presentation design training. End of year budget utilization issues made that possible and I absolutely know that they will walk away with highly practical skills. So who got the best training value? The answer just might surprise you. Training is a personal matter but also a very practical one. When we approach training topics related to presentation design, message development, delivery skills and technology, the venues available for training are numerous. The bigger question is which ones are right for you and your learning style and of course, which options will your budgets support? With a rush to slash travel and off site training, the web is being viewed in overly glamorous terms for meaningful training deployment. Here are the trade offs.

Endicott, Jim. Presenters University (2003). Articles>Presentations>Rhetoric

318.
#13983

The Process of Writing: A Philosophical Base in Hermeneutics   (peer-reviewed)

There is no doubt that among those concerned with composition and the teaching of writing, one of the dominant concerns is the process of writing. Anyone who has attended the annual Conference on College Composition and Communication in the past five years can attest to this fact. Indeed, writing across the curriculum and the process method of teaching composition are probably the two most important innovations in the field of composition in the past ten years. Whole programs have been restructured to enable teachers to teach by the process method. At my own institution, John Ruszkiewicz added this dimension to an already fairly elaborate composition program. Many of us who have been teaching composition for a good number of years have substantially altered our own techniques of teaching to incorporate more process emphasis.

Kinneavy, James L. JAC (1987). Articles>Rhetoric>Methods

319.
#15071

Purpose and Composition Theory: Issues in the Research   (peer-reviewed)

Unlike audience and context, rhetorical purpose has not been the subject of concentrated, comprehensive research. For example, we do not have a bibliographic overview of purpose as we do for audience (Coney; Ede, “Audience”), and we have not explored the meaning of purpose as we have audience (Park; Kroll; Ede and Lunsford) and context (Brandt; Piazza). However, we need answers to a number of questions concerning purpose. How is it defined? Is it a synonym for goal, intention, end, or aim, as certain research seems to suggest? If so, do these terms differ at all; and if not, what does purpose mean and how does it figure in our theory and pedagogy? Answering questions such as these would assist all composition specialists by encouraging more informed research and teaching about the rhetoric of purpose. In the following article, I begin the task of surveying research on purpose. Although not an exhaustive bibliographic survey, this article can serve as an introduction to the subject.

Blyler, Nancy. JAC (1989). Articles>Rhetoric>Writing

320.
#18928

Purpose in Writing

Before you write one word, you need to know what you want your writing to accomplish. Are you conveying information to the general public? Reporting on a recent project? Do you want your readers to do something when they finish reading? If you aren't sure what your purpose in writing is, your writing will not be clear.

WordsWork. Articles>Writing>Rhetoric

321.
#23157

Putting Your Reader First  (link broken)

For all writers the most important people are their readers. If you keep your readers in mind when you write, it will help you use the right tone, appropriate language and include the right amount of detail.

Business Letter Writing. Articles>Writing>Business Communication>Rhetoric

322.
#22496

Query By Attention: Visually Searchable Information Maps  (link broken)

This paper explores how the design of information spaces might be grounded in knowledge of human visual processing, notably what kinds of visual selection are most efficient. Information maps spatially array graphical symbols representing items of information and their attributes. Ideally, their users should be able to do query by attention: answer questions about the information quickly by controlling visual attention (i.e., through spatial selection and visual search), instead of manipulating an interface. I propose a preliminary method for designing visually searchable maps based on experimental results about what kinds of visual search are easy. The hope is that the resulting maps will better employ the perceptual capabilities of their viewers when they search. An example information map of recent movies illustrates the approach.

Foltz, Mark and Randall Davis. MIT (2001). Design>Information Design>Search>Visual Rhetoric

323.
#22787

Quintilian's Institutes of Oratory

A classical discussion of how to speak appropriately to audiences.

Honeycutt, Lee. Iowa State University (2003). Books>Rhetoric

324.
#20793

Quotations Give You Wisdom of the Ages

Quotations allow you to tap a wealth of wisdom and ideas that have survived the test of time, or caught your attention amid information overload. They also give credibility to the speaker's points. But you must take care in choosing and using others' words.

Writing that Works (2003). Articles>Writing>Rhetoric

325.
#19358

Rabbit Trails, Ephemera, and Other Stories: Feminist Methodology and Collaborative Research

As a basis for our exploration, we have analyzed our own experiences to date in four ongoing collaborative research groups. In using self-reflective critique as our method of analysis, we are keenly aware that the evolving nature of these collaborative groups has influenced the construction of our arguments here. And, conversely, we realize that our critique may in turn influence the evolution of these groups. Moreover, we recognize as a formative constraint our interest in preserving and continuing to work with colleagues in these groups. Plainly stated, we continually asked ourselves, 'Will the colleagues in our collaborative groups ever speak to us again after reading this article?' Because of this concern, we shared drafts with all of these colleagues, asked for their comments, and provided an opportunity for them to offer alternative interpretations.

Burnett, Rebecca E. and Helen Rothschild Ewald. JAC (1994). Articles>Rhetoric>Collaboration



 
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