Canon Elura 50

Information about how to use the Canon Elura 50 camcorders for technical communication multimedia.

Arnold, Jenni and Christina Kitson. Studio for New Media (2004). Presentations>Multimedia>Documentation>Video

CD/DVD Duplication Tower

Introduces how to use a CD/DVD duplication tower to make a few copies of your CD, CD-ROM, DVD-video and DVD-ROM multimedia.

Johnson, Rachel and Codi Prachar. Studio for New Media (2006). Presentations>Multimedia>CD ROM

ChromaKey Video Effects

Introduces producing video special effects, using ChromaKey technologies and Apple's Final Cut Pro.

Stanerson, Nick and Nick Boesel. Studio for New Media (2004). Presentations>Multimedia>Video>Final Cut Pro

Communicating Effectively With Interaction    

The ability to build interactions that support, enable, and improve communication is a valuable skill for help developers, Web-site designers, multimedia content developers, information-rich user interface designers-anyone who designs and develops information to be used online. This paper presents the basics of interaction design for information products and describes some basic underlying human factors and user-interface design principles.

Ames, Andrea L. ACM SIGDOC (2001). Presentations>Information Design>User Centered Design>Multimedia

Creating Animated Graphics for the Web on a Tight Budget  

Creating your own animated graphics is not as far out of reach as you may think. Even though many Web information developers lack the skills to venture into animation, in a relatively short amount of time they can learn how. We will demonstrate a few of the actual animations that we’ve created in-house, and also share what was involved in our decision-making: who should do the work, the costs involved, and the software issues we encountered.

Hamilton, Karen J. and Gary Basham. STC Proceedings (1998). Presentations>Multimedia>Interactive

Digital Video in Technical Communication: Panel and Discussion  

Digital does not experience signal loss or degradation...what goes in, comes out.

Robbins, David B., Donald Van Erem and S. Martin 'Marty' Shelton. STC Proceedings (2000). Presentations>Multimedia>Video

Editing Multimedia  

Multimedia involves “many” “means of communication” – many ways of getting a message across. Whether you edit the work of others or submit your own work to the Red Pen, a closer look at what is involved in editing multimedia – tasks, process, and skills required – can help you create multimedia solutions that deliver your message with flying colors!

Prince, Deborah Smith and Cynthia C. Currie. STC Proceedings (2000). Presentations>Multimedia>Editing

Embedding Flash Inside of a Powerpoint Presentation

Whenever people talk about "jazzing up" some of the Microsoft Office tools, PowerPoint always rises to the top of the list (but you can use this technique for any Office applications). We've all seen the presentations with that pat clip-art, the checkered fades, and those bullets that slide. Why not add some interactivity and exciting animation? Thanks to Microsoft's ActiveX technology we can.

Flashgeek.com (2006). Articles>Presentations>Multimedia>Microsoft PowerPoint

Final Cut Professional

An introduction to using Final Cut Professional 4.0 for multimedia video production.

Eisenbraun, Michael and Amanda Metz Bemer. Studio for New Media (2004). Presentations>Multimedia>Video>Final Cut Pro

From Project Manager To Producer: A Guide to Creating Multimedia Deliverables  

As technical communicators tackle multimedia projects, they realize the importance of using a process that can handle the dynamics of multimedia. This paper presents a multimedia development process that was developed and implemented by a team of technical communicators at IBM. It incorporates the basic elements of a standard information development process, and helps guide a team through elements introduced by new media, such as video production and deliverable distribution.

Anderson, Amy. STC Proceedings (1995). Presentations>Multimedia>Video

Games, Information Design, and New Technologies for Technical Communicators  

Developments in communication technologies such as video scriptwriting and interactive multimedia require that technical communicators develop the skills and literacies necessary for adapting to the demands of designing information for media other than print. This paper presents a semiotic theory and model of multimedia discourse which will help technical communicators conceptualize and produce texts in new media. The model operates on the premise that communication practices can be considered as language games. The model focuses on the rhetorical and semiotic features of multimedia language games, and how to manipulate them.

Heba, Gary M. STC Proceedings (1993). Presentations>Information Design>Multimedia>Games

Getting to Know Mic

For a presenter, a high-quality microphone, combined with the right sound system, will give your voice a rich sound that can be heard throughout a room. Here are some things to consider if you want to add a microphone to the company conference room or your presentation traveling kit. The basics A microphone is essentially an energy converter that takes in sound waves and converts them into electrical energy. Two main types of microphones are available: condenser and dynamic. A condenser mic uses a power supply to provide a charge that works with a thin diaphragm inside the unit to create a signal. A dynamic mic creates a signal when the sound pressure moves a coil or ribbon across a magnet. Because they usually produce a richer sound, condenser mics are the more popular of the two; however, they require batteries or a power supply and are more expensive and more fragile than dynamic models. Dynamic mics are usually considered less accurate in sound quality, but they are generally more rugged and can withstand varying temperatures, humidity levels and a lot of abuse. These qualities make dynamic mics ideal for use outdoors or on the road.

Hill, Julie. Presentations (2002). Articles>Presentations>Multimedia>Audio

An iDVD Slide Show

Hardware is easy to talk about, test, evaluate, review and sell. Software takes a little more study. Which is why we remain one of the very few imaging publications to review software in any depth. Most people find software is a solid that must be chewed to derive any nutritional benefits. And so they chew and chew and chew. But, no matter how much they chew, the stuff is still pretty hard to swallow.

Electric Escape (2003). Articles>Presentations>Multimedia>DVD

Interactive Media to Communicate Environmental Research Findings  

An emerging body of research suggests that interactive multimedia presentation technologies offer unique advantages for technology transfer and training programs. A research and development team is evaluating this claim by developing and testing an interactive multimedia tutorial on a complex environmental research topic: in-situ capping of contaminated sediments. A World Wide Web site has been created using text and animations to illustrate basic processes about capping technology. The tutorial’s effectiveness will be tested through evaluations of subject-matter experts and end users. Supplemental technical information will be added before the site is promoted widely.

Hodges, Mark H. and William Evans. STC Proceedings (1996). Presentations>Scientific Communication>Environmental>Multimedia

Introduction to Information Film, Video and Multimedia Script Design  

In this seminar we’ll explore the basic concepts in the grammar and syntax of kinetic sight-and-sound media: film, video, and multimedia (motion media). We’ll not discuss how to write scipts. Rather we’ll concentrate on learning how to encode information into kinetic visual images using filmic design techniques. Throughout this seminar we’ll view and critique award-wining films and videos, and explore a multimedia flowchart to see how others have applied such filmic techniques to solve specific communication problems.

Shelton, S. Martin 'Marty'. STC Proceedings (1999). Presentations>Multimedia>Writing

Knowledge By Design  

Knowledge by design (KBD) is an instructional paradigm for the emerging digital technologies. This nascent paradigm entails an integrated, triarchic informationmedia-interactivity model of a robust, learner-centered experience. High-performance computer platforms, inexpensive mass storage, and high bandwidth data transfer from fiber optics and orbiting satellites—are converging with the global Internet to transform the nature of the 'infosphere.' At the same time, powerful off-the-shelf multimedia tools are widely available and affordable to courseware developers and communication designers. Approaching knowledge as a design discipline may facilitate the thoughtful development of a postmodern pedagogy that can more closely realize both the technological and human potential of the next millenium.

Lasnik, Vincent E. STC Proceedings (1999). Presentations>Education>Online>Multimedia

Looking to Cinema for Direction: Incorporating Motion into On-screen Presentations of Technical Information    

To help technical communicators become better informed producers of interactive new media productions, this article examines how motion can be used properly to create effective interactive information systems for the computer screen. This article provides a brief analysis of how cinema works and then demonstrates how a number of cinema techniques influence new media production. The article then concludes by offering suggestions for how to effectively apply a few basic cinema techniques directly to technical communication practice.

Gillette, David. Technical Communication Online (2005). Articles>Presentations>Multimedia

Multimedia Theater: The Roles of Audience in Multimedia  

Creating a multimedia title is much like creating a movie. The multimedia team has to work with many of the same components (sound, animation, graphics, and text) as a movie production team. Many multimedia developers see their work not as a product but as a production. Some developers no longer work in offices but in “studios,” Given this cinematic atmosphere and similarities in drama and multimedia, one can see how literary or dramatic terms can be used to describe reader (audience) roles in multimedia. In multimedia, the audience can become several different roles. This paper discusses these roles and how or if multimedia teams should react to them.

Gibbs, Bruce R. STC Proceedings (1996). Presentations>Multimedia>Audience Analysis

New Media Technology II

Two collaborative presentations about the status and factors that influence technology adoption within research in technical communication programs.

Amidon, Stevens R., Stuart Blythe, Libby Allison, Miriam Williams and Meloni McMichael. CPTSC (2005). Presentations>Multimedia>Technology

Podcasting and Vidcasting: The Future of Tech Comm

Advancing technology allows us to use the new technologies of podcasts (audio recordings delivered as .mp3 files) and vidcasts, or more properly, broadcast video to convey technical information. Effective audience analysis will determine whether multimedia is right for our users. We use the same correct rhetorical principles to communicate information aurally and visually as we do when creating text.

Agnew, Beth. Seneca College (2006). Presentations>Multimedia>Video>Podcasting

PowerPoint Heaven - Shadow Fighter Series

Shadow Fighter is a PowerPoint Movie. An animated show or movie done in PowerPoint mimicking the style of Arcade Fighting games. Shadow Fighter Series will show you how PowerPoint can do extreme complex animations similar to Macromedia Flash!

Tohlz, Shawn. PowerPoint Heaven (2006). Design>Multimedia>Presentations>Microsoft PowerPoint

PowerPoint Is Evil

Imagine a widely used and expensive prescription drug that promised to make us beautiful but didn't. Instead the drug had frequent, serious side effects: It induced stupidity, turned everyone into bores, wasted time, and degraded the quality and credibility of communication. These side effects would rightly lead to a worldwide product recall. Yet slideware--computer programs for presentations--is everywhere.

Tufte, Edward. Wired (2003). Articles>Presentations>Multimedia>Microsoft PowerPoint

Recordable DVD: Worth the Wait or Worth Waiting For?

It may be a bit hasty to declare the end of the CD-ROM era, but the signposts are pointing in that direction. Although the CD provides a convenient way for presenters to store multimedia, distribute data and back up hard drives, the medium's space limits in the coming era of 100GB and larger hard drives and ever more ambitious multimedia projects will become increasingly evident. Indeed, many see the recordable DVD as the next killer app in computing – the one that makes the most compelling use of all that digital horsepower sitting idle on desktops everywhere, at home and at the office. More than a million recordable-DVD drives were sold in 2001, and the market research firm International Data Corp. (IDC) predicts that number will grow to more than 30 million by 2005. Apple, Compaq, Dell, Hewlett-Packard, Sony and other major computer manufacturers already ship recordable-DVD drives with their top-of-the-line models. Drives supporting the highly anticipated DVD+RW format (a format presenters should like because of its greater flexibility and superior write speed) have finally hit the market. And, as with almost all digital technology, recordable-DVD drives and media, not to mention video camcorders and software, are getting cheaper and more widely available by the day.

Kawamoto, Wayne. Presentations (2003). Articles>Presentations>Multimedia>DVD

Requirements for Embedding Macromedia Flash Movies in Microsoft Powerpoint Presentations

Embedding is based on the Shockwave Flash Microsoft ActiveX component, an ActiveX component created by Macromedia that allows its content to run in Microsoft Internet Explorer.

Flashgeek.com (2005). Articles>Presentations>Multimedia>Flash