Aesthetic Experience and the Importance of Visual Composition

When considering the design of information and information structures, the focus tends to gravitate to general issues of content, information hierarchies, and in some instances, system usability. In discussions concerning system usability and human factors, the issue of the user experience, or overall aesthetic experience, with regard to a specific information structure is rarely addressed. Things such as the 'look and feel' of a website, for example, may get some attention by the designers and developers of the information structure, but the idea of 'look and feel' is essentially an issue of how to 'decorate' the information. Too often, when software developers or usability engineers discuss 'look and feel,' they do not consider it to be an integral part of the information design structure but an additive element applied only after the structure and content of the information have been resolved. What seems to be lacking in information design is a concern for the visual composition of information.

Greenzweig, Tim. Orange Journal, The (2001). Design>Web Design>Rhetoric>Visual Rhetoric

Comment Intégrer les Visuels

En matière de visuels, même si la plupart des acquis des médias traditionnels restent valables, tels que les rapports sémiologiques entre le texte et l'image, certaines règles spécifiques devraient pouvoir s'appliquer à Internet.

Hardy, Jean-Marc. Redaction (2004). Design>Web Design>Visual Rhetoric

Decorative Color as a Rhetorical Enhancement on the World Wide Web    

Professional communication scholars have defined the decorative narrowly and subordinated it to informational text. Yet, current psychological research indicates that decorative elements elicit emotion-laden reactions that may precede cognitive awareness and influence interpretation of images. We conceive the decorative in design, and specifically color, as a complex rhetorical phenomenon. Applying decorative and color theory and analyzing design examples illustrating aesthetic, ethical, and logical appeals, we present a range of potential uses for color in electronic media.

Richards, Anne R. and Carol David. Technical Communication Quarterly (2005). Design>Web Design>Visual Rhetoric>Color

Design and Impressions

Design is subjective: You can't please all of the people all of the time.

Will-Harris, Daniel. eFuse (2000). Design>Web Design>Rhetoric>Visual Rhetoric

The Design of World Wide Web Home Pages: Using Visuals to Establish Organizational Ethos  

The World Wide Web presents information developers with the task of designing texts that will be accessed by multiple, global audiences. At the same time, Web technology presents developers with new design constraints. Therefore, Web text development warrants new design considerations. This paper presents an approach based on the rhetorical concept of ethos. Four visual design considerations—page grid, graphic files, icons, and text structure—are reviewed based on how decisions about each convey the ethos of the organization.

Hunt, Kevin. STC Proceedings (1995). Design>Web Design>Graphic Design>Visual Rhetoric

The Effects of Contrast and Density on Visual Web Search

This study evaluated the effects of white space on visual search time. Participants were required to search for a target word on a web page with different levels of white space, measured by level of text density. Screens were formatted with one of four types of graphical manipulation, including: no graphics, contrast, borders and contrast with borders under two levels of overall density and three levels of local density. Results show that search times were longer with increased overall density but significant differences were not found between levels of local density. Only the use of contrast was found to be significant, resulting in an increase in search time.

Weller, Donnelle. Usability News (2004). Design>Web Design>Visual Rhetoric>Search

Emotional Design: Communicating an Experience

Today communicating is not always about a single message but an entire experience. One of the reasons the Web and the Internet has gained in popularity is not only because of its commercialization but because users can dynamically interact with it. Walker Gibson uses the term 'mock reader' to describe when a reader accepts the role within a story that an author has presented. The authors of Web sites, the designers, create an experience that immerses the site visitor or viewer into the Web site. A successful Web site designer has the ability to create a 'mock Web visitor' who becomes completely immersed emotionally in the site the designer has created.

Chinn, Darryl. EServer (2001). Design>Web Design>Visual Rhetoric>Emotions

'Faces of the Fallen' and the Dematerialization of US War Memorials    

The advent of internet technology has enabled the process of memorialization of those killed in US military conflicts to keep pace with the casualties themselves and, as such, has marked a shift in both the ideology of the war memorial as symbol and the ideology-driven media use of those symbols. This article argues that a process of increasing humanization and specificity enabled by the information architecture of the internet has led to a form of `war memorial', exemplified by www.facesofthefallen.org, that emphasizes decontexualized human loss at the expense of a coherent representation of a military nature for the loss itself.

Grider, Nicholas. Visual Communication (2007). Articles>Web Design>Visual Rhetoric>History

Guidelines for Designing and Evaluating the Display of Information on the Web    

These guidelines are intended to assist Web designers, authors, and editors in their efforts to create Web pages that effectively reveal—rather than obscure or confuse—the information they are trying to present. These guidelines are also intended to be used to assist in the evaluation of existing Web sites. Of course, the design of a Web site can, to some degree, be modified by the user or by the characteristics of the browser or monitor enlisted to display it. The guidelines, consequently, acknowledge that in a very real sense, users may also assume the role of designer. The guidelines, therefore, are also intended to help users make informed decisions about how to make a display easier to use.

Williams, Thomas R. Technical Communication Online (2000). Articles>Web Design>Assessment>Visual Rhetoric

"If You Can't Handle This, I Am Sorry"

Literacy has always been a material, multimedia construct but we only now are becoming aware of this multidimensionality and materiality because computer technologies have made it possible for many people to produce and publish multimedia presentations.

Faigley, Lester. University of Texas (1999). Articles>Web Design>Visual Rhetoric

Mettre le Contenu en Relief

La difficulté de la lecture à l'écran et le fait que les internautes lisent en diagonale font qu'il est très important, sur Internet, de donner du relief visuel à l'information.

Hardy, Jean-Marc. Redaction (2004). Design>Web Design>Visual Rhetoric

Monitoring Order: Visual Desire, the Organization of Web Pages, and Teaching the Rules of Design  

Monitoring Order looks at two potential sources -- writings about book design and writings about visual arrangement in painting -- for helping teachers of writing think about teaching visual composition for Web pages; both sources are problematic but suggest directions for further study.

Wysocki, Anne Frances. Kairos (1998). Articles>Web Design>Information Design>Visual Rhetoric

Practicing Safe Visual Rhetoric on the Web    

This essay examines when and why a 'safe' approach to visual design for web pages is attractive to writers and writing teachers. It considers typical reasons for choosing a 'safe' approach to designing the visual dimensions of web pages, traditional sources in print graphics and writing for safe advice about visual design, and design challenges posed by issues of a web design's stability and navigation. The essay then turns to the fact that the additional media included in a web site bring more design traditions into consideration. It discusses the differing concerns and aims that issue from visual design traditions that focus on prose graphics versus those that focus on theatrical graphics. Keeping these differences in mind, the essay ends with a consideration of the forces shaping visual rhetoric on the web.

Sullivan, Patricia. Science Direct. Articles>Web Design>Rhetoric>Visual Rhetoric

Reading Online Text: A Comparison of Four White Space Layouts

In this study, reading performance with four white space layouts was compared. Margins surrounding the text and leading (space between lines) were manipulated to generate the four white space conditions. Results show that the use of margins affected both reading speed and comprehension in that participants read the Margin text slower, but comprehended more than the No Margin text. Participants were also generally more satisfied with the text with margins. Leading was not shown to impact reading performance but did influence overall user preference.

Chaparro, Barbara S., J. Ryan Baker, A. Dawn Shaikh, Spring S. Hull and Laurie Brady. Usability News (2004). Design>Web Design>Typography>Visual Rhetoric

Using Photographs to Increase Trust in a Website

Exposure to photographs prior to an interaction does seem to increase trusting behavior.

Bailey, Robert. Web Usability (2003). Design>Web Design>Rhetoric>Visual Rhetoric

Visible Narratives: Understanding Visual Organization

Visual designers working on the web need an understanding of the medium in which they work, so many have taken to code. Many have entered the usability lab. But what about the other side? Are developers and human factors professionals immersed in literature on gestalt and color theory?

Wroblewski, Luke. Boxes and Arrows (2003). Design>Web Design>Graphic Design>Visual Rhetoric

Visual Blogs

Native to the Internet and personal in approach, weblogs deliver bite-sized portions of information on a daily basis to an ever expanding audience. Weblogs are the conjunctions of the Internet: the ands, the buts the ors – they add to online conversations, refute them, or provide new perspectives altogether.

Badger, Meredith. Into the Blogosphere (2004). Articles>Web Design>Visual Rhetoric>Blogging

Visual Factors in Constructing Authenticity in Weblogs

Authenticity is something which must be constructed rather than simply accruing to verbal content, and visual and other design features are an inherent, but often overlooked, factor in this construction.

Thompson, Gary. Saginaw Valley State University (2003). Articles>Web Design>Visual Rhetoric>Blogging

Writing and Designing for the Web (573G)

This class focuses on effective writing and design for online environments--with particular emphasis on the Web. While grounded in relevant theory, this course has a workshop format, with an emphasis on hands-on, collaborative learning.

Krause, Tim. Metropolitan State University (2005). Academic>Courses>Web Design>Visual Rhetoric

Take Control of Your Maps

It is now possible to replicate Google Maps' functionality with open source software and produce high-quality mapping applications tailored to your design goals. Paul Smith shows how.

Smith, Paul. List Apart, A (2008). Design>Web Design>Visual Rhetoric>Charts and Graphs