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1. #10753 Beginning With The End: Understanding Printing Where does a typical desktop publishing project begin? Dumb question? Perhaps not. For all practical purposes, the information gathering process starts at the end, with the printing process. If you're new to desktop publishing, this article will explain some of the technical aspects of design you may not have considered. If you're an old pro, it might remind you of some of the production steps we (I include myself here) sometimes forget. Dornbos, Jim. Ideabook.com (2001). Design>Publishing>Prepress>Printing 2. #22547 Every year I look forward to the Communication Arts issue that has the color predictions for the coming year. Mostly because I'm fascinated with the subject, but also because I want to see the funny color names they come up with. Poynter Online (2004). Design>Publishing>Prepress>Color 3. #22568 Computer to Plate Basics Explained In Europe and the US, Computer to Plate (CtP) seems to be a fast growing market. In some areas of the print market the majority of printers have already made the transition from traditional plate techniques to CtP. The reason why is easy to see: CtP gives almost instant colour register on the press, and there is no need to worry about stopping the press for removal of dust marks and scratches that sometimes would plague traditional film. IT Enquirer (2003). Design>Publishing>Prepress>Printing 4. #22569 Computer to Plate Hits High Tide Technology tends to be an irresistible tide, tugging individuals and businesses toward the newer, the faster, the better, and punishing the holdouts with obsolescence. No industry and no profession can escape that steady march of upgrades and improvements. Computer-to-plate imaging (CtP) has certainly not been an exception, driving all but niche shops to abandon the old (film imagesetters) for the promise of the new. Franklin, Tom. Digital Output (2003). Design>Publishing>Prepress>Printing 5. #22552 The latest digital copier-printers provide enhanced digital printing functionality, enabling users to do more than ever. Miley, Michael. PennWell (2004). Design>Publishing>Prepress>Printing 6. #22545 New press introductions have resulted in an almost bewildering range of paper sizes. Nonetheless, that old standby, the 8 ˙ 11-inch sheet, remains the most popular choice. American Printer (2004). Design>Publishing>Prepress 7. #22551 Digital Paper Platform: Papers Impact Digital Print Quality As digital printers and presses advance, paper manufacturers continue to improve the quality and variety of their digital paper lines. Hitchcock, Nancy A. PennWell (2004). Design>Publishing>Prepress>Paper 8. #22553 Digital Printing - Making the Right Moves The number of printing companies that can call themselves digital printers jumps to many thousands in the United States alone. If you've got a Digital Press, or a Direct Imaging Press, or utilize Computer to Plate technology to 'feed' your conventional presses, you're a Digital Printer! Chiricuzio, Mike. On Demand Journal (2004). Design>Publishing>Prepress>Printing 9. #24682 Does Color In The Office Replace Color in the Print Shop? Color printing has been a profitable application for print shops. Whether it be marketing collateral materials (brochures and the like), posters and signage or coupons, color documents have been the exclusive domain of offset printing. Crowley, Ed. On Demand Journal (2004). Design>Publishing>Prepress>Color 10. #21850 The Ineffable Mystery of Paper Grades It was so much easier when we just had papyrus. Sidles, Constance J. Adobe Magazine (1999). Design>Publishing>Prepress>Paper 11. #22550 Personalized Color Communications Four firms discuss the benefits of color variable data printing, such as creating marketing campaigns and experiencing up to a 40 percent rate of return. Miley, Michael. PennWell (2004). Design>Publishing>Prepress>Color 12. #22570 Polyester Plates Earn a Second Look Yes, the 'poor man's CTP' still suffers from some early shortcomings, but four-color work on four-up equipment is becoming a short-run mainstay. Toth, Debora. Graphic Arts Monthly (2004). Design>Publishing>Prepress>Printing 13. #22583 Between 23 and 30 percent of all files submitted for print are in Adobe's Portable Document Format (PDF), a figure that's likely to grow. Miley, Michael. PennWell (2003). Design>Publishing>Prepress>Adobe Acrobat 14. #22538 PDF is becoming the de facto standard for not only viewing documents onscreen but also for printing them on paper. Acrobat 6 Professional includes better printing and prepress tools than ever before. PDF pundit Ted Padova shows you how they work. Padova, Ted. Creative Pro (2004). Design>Publishing>Prepress>Adobe Acrobat 15. #25154 Printing Primer for Graphic Designers Originally published in 1989, this printing primer for digital artists has been updated and annotated for today's digital desktop publisher. Design, Typography and Graphics (2004). Design>Publishing>Prepress 16. #22593 Acrobat's annotation tools are valuable for marking-up and commenting on design layouts and digital comps no matter where your client is located. Acrobat 6.0 goes a step further by integrating e-mail comment tracking for more efficient review cycles. Learn how to tap into these powerful features. Knowlton, Gray. Creative Pro (2003). Design>Publishing>Prepress>Workflow 17. #22546 Everyone who has worked with color proofs knows that proofing systems are fundamentally flawed. A color proofer represents the output of the offset press. PrintMedia (2004). Design>Publishing>Prepress
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