#21907
For years, the desktop-publishing landscape has been characterized by sharp boundaries - PC vs. Mac, vector vs. bitmap, page-layout vs. illustration, and so on. But Illustrator provides the perfect example of how that is changing.
Kvern, Olav Martin. Adobe Magazine (1997). Design>Graphic Design>Software>Adobe Illustrator
#21960
Stuck for design ideas? Try messing around with plug-in filters for Illustrator.
Kvern, Olav Martin. Adobe Magazine (1995). Design>Graphic Design>Software>Adobe Illustrator
#25429
Layers can be a big help in keeping your files organized and your work flow moving along. Plus, the benefit of being able to go back and edit a file quickly is huge when a deadline is looming over your shoulder.
Sellers, Mike. Illustrator World (2005). Design>Graphic Design>Software>Adobe Illustrator
#21948
Is your Illustrator artwork too smooth-looking? Try adding patterns and textures to your work.
Alspach, Ted and Jennifer Alspach. Adobe Magazine (1996). Design>Graphic Design>Software>Adobe Illustrator
#25424
Using Streamline with Adobe Illustrator
I've been doing pen and ink illustration for years. It's part of my comic book roots I guess. It's taken a while but I've figured out how to combine pen and ink skills along with Adobe Illustrator to create a completely digital illustration, with a little help from Adobe Streamline and a dash of Photoshop.
Sellers, Mike. Illustrator World (2005). Design>Graphic Design>Software>Adobe Illustrator
