http://tc.eserver.org/dir/Design/Graphic-Design/Prepress/Color A listing of the most recently indexed works about Design and Graphic Design and Prepress and Color in the field of technical communication. en-us Copyright (c) 2005-08 by the EServer. All rights reserved. tclib-editorial@eserver.org (TC Library Editorial Board) webmaster@eserver.org (Geoffrey Sauer) http://tc.eserver.org/images/newlogo.gif http://tc.eserver.org/dir/Design/Graphic-Design/Prepress/Color http://tc.eserver.org/25890.html http://tc.eserver.org/25890.html It's very important to always do your exposure corrections in Photoshop first, before any other corrections or effects. If you don’t, you’ll find that correcting exposure is extremely hard (if not impossible) to do. http://tc.eserver.org/22700.html http://tc.eserver.org/22700.html The analog format of the CRT is challenged by the digital capabilities of the LCD monitor. http://tc.eserver.org/22528.html http://tc.eserver.org/22528.html The term 'color fidelity' refers to the successful interoperability of color data, from image creation to output across multiple targets, such that color reproduction quality consistent with the user’s intent can be achieved Note: Interoperability among system color components, necessary for color fidelity, is both color-workflow and market-segment dependent definitions for architecture, image state, and image processing. http://tc.eserver.org/22529.html http://tc.eserver.org/22529.html Learning how to match the color you see on screen with that in your printed output is critical information for any digital artist or photographer. But first you need to understand how color works both on computer display and on paper. Start with this chapter from 'Real World Color Management.' http://tc.eserver.org/22531.html http://tc.eserver.org/22531.html As much as the hardware and software manufacturers in the digital imaging world would like you to think that buying a digital camera and a photo quality printer will make you Ansel Adams, those of us that earn our living as pixel jockeys battle with color management in one way or another every day. Depending on your workflow and the final destination of your images, there are a number of ways to keep your colors accurate. http://tc.eserver.org/22524.html http://tc.eserver.org/22524.html Many photographers today print directly from Photoshop to photo-quality inkjet printers or send images to a lab to have enlargements made on LightJets, Lambdas, or the Fuji Pictography and Frontier systems. All of these devices are capable of stunning, photo-realistic output. However, if you do not employ color management effectively the output from these devices will not match the image you saw on your monitor. At best, you will waste some time, ink and paper making reprints. At worst, if you are sending images to a lab, proofs and reprints to get the image correct can become costly. http://tc.eserver.org/22510.html http://tc.eserver.org/22510.html Why you should be designing pieces to be printed in color. http://tc.eserver.org/21914.html http://tc.eserver.org/21914.html Despite advances in the technology of measuring and managing it, how we perceive color is still full of mystery and illusions. http://tc.eserver.org/21853.html http://tc.eserver.org/21853.html Give your colors the room they need in Photoshop by understanding and choosing RGB working spaces. http://tc.eserver.org/21809.html http://tc.eserver.org/21809.html This glossary lists and explains color and visual perception terms which are relevant for graphic and Web design as well as usability. The information was taken from several sources and adapted to the needs of this glossary