Tendemos a considerar al color como un hecho objetivo: rojo es rojo y no puede ser visto de otra forma. Pero eso no es así. El color que percibimos depende de cosas como las palabras de que disponemos en nuestro lenguaje (nuestra cultura) para describirlos, los otros colores que lo rodean y lo que el cerebro espera ver.
Dursteler, Juan Carlos. InfoVis (2003). (Spanish) Design>Graphic Design>Cultural Theory>Color
Writing for Other Cultures: Cultural Associations of Color and Graphics 
When writing for cultures that are not your own, you must consider the powerful cultural associations that color and graphics have. Understanding and leveraging these associations leads to documentation that is strong and usable, while not understanding them leads to cultural miscommunications and misunderstandings that can render your information useless.
Coe, Marlana A. STC Proceedings (1996). Design>Graphic Design>Cultural Theory>Color
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