#22014
Review: Envisioning Science: The Design and Craft of the Science Image 
As an accomplished photographer of science and engineering research, Felice Frankel knows how to capture her readers' attention—her exquisite images in Envisioning science communicate their amazing power, by her design, and ultimately 'teach us to see' science in a different way. We are witnesses to the excitement of discovery represented in such images as cadmium selenide nanocrystals, self-assembled polyhedra, yeast colonies, and mouse embryo lungs, thereby illustrating the book's educational value.
Winn, Wendy. Technical Communication Online (2002). Articles>Reviews>Graphic Design>Scientific Communication
#24665
Extending the Boundaries of Graphic Communication 
This article is more about bridging a communication abyss than creating a communication space. It concerns a system of interactive iconic communication to help people who have lost the power of speech.
Sassoon, Rosemarie. University of Alberta (2003). Design>Graphic Design>Communication
#28384
Guild of Natural Science Illustrators
The GNSI is a non-profit organization that sets high professional standards, provides opportunities for professional and scholarly development, encourages and assists member networking, and promotes itself to potential clients and the general public.
GNSI. Organizations>Graphic Design>Technical Illustration>Scientific Communication
#20993
The Role of Graphic Art in Modern Scientific Communication
The use of graphics in scientific communication increases the level of understanding of the subject matter. Graphic art has helped transform the way we view science and technology. It simplifies complex ideas in a visual way and opens up a new way of seeing the world around us. A graphic representation of a spacecraft in orbit is visually stunning and easier to obtain than a photograph would be. A graphic can also provide us with an understanding of three-dimensional objects. The structure of deoxyribonucleic acid (DNA), depicted as a double helix, is an example of the power of graphics in a scientific communication.
Peck, Angelika D. STC Proceedings (1995). Articles>Graphic Design>Scientific Communication
#32252
Color, Contrast and Design in News Design
An online guide that explains color theory and shows how to use it in design through examples and exercises.
Adam, Pegie Stark. Poynter Online (2007). Presentations>Communication>Graphic Design>Color
#32254
Why Should Engineers and Scientists Be Worried About Color? 
At the core of good science and engineering is the careful and respectful treatment of data. We calibrate our instruments, scrutinize the algorithms we use to process the data, and study the behavior of the models we use to interpret the data or simulate the phenomena we may be observing. Surprisingly, this careful treatment of data often breaks down when we visualize our data.
Rogowitz, Bernice E. and Lloyd A. Treinish. IBM (2004). Articles>Graphic Design>Scientific Communication>Color
#33891
Why 2007 I.P.C.C. Report Lacked ‘Embers’
Several authors of the 2007 report by the Intergovernmental Panel on Climate Change on the projected effects of global warming now say they regret not pushing harder to include an updated diagram of climate risks in the report. The diagram, known as “burning embers,” is an updated version of one that was a central feature of the panel’s preceding climate report in 2001.
Revkin, Andrew C. New York Times, The (2009). Articles>Scientific Communication>Graphic Design>Visual Rhetoric
#35109
Dos and Don'ts for Designers Dealing with Business
Some clients genuinely don't and never will 'get it.' But think long and hard before laying the blame for a poorly executed project at the feet of the non-designer. A critical part of the designer's job is to explain why something has to be done a certain way. If you can't convince the client, who chooses to go another, disastrous route, that's not actually his or her fault. It's yours.
Walters, Helen. Core77 (2009). Design>Graphic Design>Communication>Collaboration
