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476.
#25417

Threaded Text in InDesign CS

If you use Microsoft Word, you are used to the fact that if when your text will get to the end of a page, another page will be automatically added. With InDesign and most layout programs, this is a little bit different. This is because layout programs work with text boxes (or tex frames) which allow you more freedom when you lay out your document.

Bruno, Elisabetta. Designorati (2005). Articles>Document Design>Software>Adobe InDesign

477.
#18694

Tips For Developing Smarter Documentation   (PDF)

Eight tips for preparing documentation that might require localization at some point in the future.

Lingo Systems (2002). Design>Language>Localization>Documentation

478.
#20898

Tips for Practical Newsletter Design

Good newsletters, both HTML and plain text, explain themselves clearly and are focused, well-written information sources.

Baker, Adam. Merges.net (2001). Articles>Document Design>Journalism>Newsletters

479.
#14620

Tips for the Help Developer: Reliability Testing   (PDF)

Walstad presents a process for reliability testing in the development of help systems. She offers tips for ensuring reliability in each of the three steps: designing, planning, and testing. This article includes a list of online resources.

Walstad, Catherine M. Intercom (2000). Design>Documentation>Help

480.
#25457

Tips to Save Money When Printing Translated Work

When designing things in several languages, the cost of production can become quite high. However there are ways to save money and make the printing cost of flyers, magazines, etc. much lower. These tricks also apply when doing several versions of one job even if it's in the same language.

Bruno, Elisabetta. Designorati (2005). Articles>Document Design>Prepress

481.
#21957

Total Control: The Next Generation   (PDF)

There's never been a better time to free yourself from boring, repetitive tasks using PageMaker's scripting language.

Kvern, Olav Martin. Adobe Magazine (1995). Design>Document Design>Software>Adobe PageMaker

482.
#21915

Tree-Free at Last   (PDF)

'Tree-free' paper - made from fibers other than wood - isn't just a gimmick.

Sidles, Constance J. Adobe Magazine (1996). Articles>Document Design>Prepress>Paper

483.
#18333

Troubleshooting PageMaker Documents

This document will attempt to tell you what causes corruption, how to prevent it, and — if it’s already too late — how to attempt recovery. There are even a couple of tips for when you can’t open the document at all. There are also some links to other documents that may be of interest. Finally, you can download some scripts that may help you.

Kvern, Olav Martin, Gordon Woolf, Carol Majors, Christine Hummel, Kristina McCook and Peter C.S. Adams. Makingpages.org (2002). Design>Document Design>Software>Adobe PageMaker

484.
#29047

Typographic Settings for Structured Abstracts   (peer-reviewed)   (members only)

Structured abstracts contain more information, are of higher quality, and are easier to search and read than are traditional abstracts. However, there is a bewildering variety of ways in which structured abstracts can be printed and little is known about how the typography of structured abstracts can affect their clarity. The aim of this article is to delineate some of these major typographic variables and to comment on their effects upon the layouts of structured abstracts.

Hartley, James. Journal of Technical Writing and Communication (2000). Design>Document Design>Typography

485.
#29483

Typography and Page Layout: Classification of Type  (link broken)

The number of type faces in use today runs into the thousands and as such presents difficulty in selecting the appropriate design for a particular job. Because there are so many type designs to choose from, it is easier to first choose a general type style or classification to suit your graphic design, and then, look for a particular type face that relates to that classification.

Magnik, John. Typography First. Design>Document Design>Typography

486.
#29478

Typography and Page Layout: Copy Preparation  (link broken)

Copy preparation is a skilled job which, if done properly, assists the smooth flow of work through later stages of the production cycle. All personnel, especially those involved in the composition areas, have seen the results of ineffective copy preparation.

Magnik, John. Typography First. Design>Document Design>Editing>Typography

487.
#29482

Typography and Page Layout: Layouts for Desktop Publishing and Printing  (link broken)

A printed product or job must be well planned. The combination of ideas used in planning and designing the product is called a layout. It can be defined as the arrangement of all the units or elements into a printed, usable format. These units or elements include the heading, sub-heading, text matter, illustrations, and photographs. The preparation of a complete set of layouts will require: thumbnail sketches, rough layout, and a comprehensive layout. A definite plan, predetermined, is very necessary.

Magnik, John. Typography First. Design>Document Design

488.
#29481

Typography and Page Layout: Margins

Margins are the imaginary vertical demarcations for text or tabular columns. Overall or primary margins are established by the line length function or the cumulative total of secondary margins (tab or text columns). Establishing margins requires careful consideration. The amount of white space surrounding printed material effects both appearance and the readability of the page. Plenty of marginal space indicates luxury or formality; small margins indicate commercialism.

Magnik, John. Typography First. Design>Document Design

489.
#29480

Typography and Page Layout: Principles of Design

Principles of design should always be incorporated in any graphic design project to assist its communicating and graphic interest, however in the planning of a basic design, the designer must produce a job to suit the class of work, the copy, and the tastes of the customer.

Magnik, John. Typography First. Design>Document Design>Typography

490.
#29479

Typography and Page Layout: The Printers' Point System

In the year 1898 the English typefounders, as a body, adopted a system (which had been in use in America since 1878) of casting their types to a certain fixed standard. That standard was the American pica, 83 of which equalled 35 centimetres. The pica, which measured 4.21mm, was divided into 12 equal parts called 'points', which makes the size of a point approximately 0.35 mm.

Magnik, John. Typography First. Design>Document Design>Typography>History

491.
#25308

Typography and Page Layout: Type Faces

To identify type or recognise a wrong font, you must know what the variables are, because differences amongst the thousands of type faces available today can be minute. Since an untrained eye cannot distinguish even gross differences, you should become familiar with the fundamental features of type.

Magnik, John. Typography First. Design>Document Design>Typography

492.
#29484

Typography and Page Layout: Typesetting

Typing or setting text lines to the same length so that they line up on the left and the right is known as 'justification.' The information that you are now reading has been typeset using this method. The practice originated with Mediaeval scribes who ruled margins and text lines so as to speed writing and fit as many characters on a line as possible.

Magnik, John. Typography First. Design>Document Design>Typography

494.
#28058

Understanding Frame Grids  (link broken)   (PDF)

The frame grid feature enables you to use multiple baseline grids on your pages.

Cole, Tim. Adobe Evangelists (2006). Design>Document Design>Software>Adobe InDesign

495.
#31659

Understanding Paper Weights   (PDF)

The system of paper weights used in North America dates back to medieval Europe. It is important to understand this system, in which 50# (50-pound) paper can well be thinner and lighter than 24# (24-pound) paper.

Copresco (2002). Articles>Document Design>Prepress>Paper

496.
#26511

Understanding Print Preview in Photoshop

This is a quick rundown of the Print with Preview function of Photoshop. While it is not a complete guide, it will satisfy the most common needs for the non-designer or the in-house designer. While this article is not meant to explain the Print Preview in all of its details, it will shed light on the most important ones.

Bruno, Elisabetta. About.com (2005). Design>Software>Document Design>Adobe Photoshop

497.
#26560

Unexpected White Outlines Around Graphics In InDesign

Sometimes when making PDFs from InDesign, white outlines appear around graphics. Here's why and how to solve it.

Bruno, Elisabetta. Designorati (2005). Design>Software>Document Design>Adobe InDesign

498.
#27470

The Unfamiliar

Margaret Richardson explores South African magazine i-jusi.

Richardson, Margaret. Font Magazine (2005). Design>Document Design>Typography

499.
#23867

Usability SIG Web Site Tests Macromedia FlashPaper

The Usability SIG is always interested in new ways to put publish our newsletter on the Web. When an upgrade to Macromedia’s Contribute 2.0 included a new program called FlashPaper, we decided to give it a try.

Dick, David J. Usability Interface (2004). Articles>Document Design>Software>Flash

500.
#20483

Use Links Efficiently   (members only)

When you place content, Adobe® InDesign® 2.0 doesn't just add the graphics and text to your document—it keeps track of the original files as well. You can use the links to update the data if the original file changes, to track down missing graphic information, or to replace a graphic with another, without losing the transformations you've applied. And when you work with text files, it's usually best to remove the link altogether.

Adobe. Articles>Information Design>Document Design>Hypertext

 
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