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	<title>Articles&gt;Intellectual Property&gt;Copyright&gt;Education</title>	<link>http://tc.eserver.org/dir/Articles/Intellectual-Property/Copyright/Education</link>
	<description>A listing of the most recently indexed works about Articles and Intellectual Property and Copyright and Education in the field of technical communication.</description>
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	<copyright>Copyright (c) 2005-08 by the EServer. All rights reserved.</copyright>
	<managingEditor>tclib-editorial@eserver.org (TC Library Editorial Board)</managingEditor>
	<webMaster>webmaster@eserver.org (Geoffrey Sauer)</webMaster>
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		<title>Articles&gt;Intellectual Property&gt;Copyright&gt;Education</title>
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		<title>Teaching Copyright</title>
		<link>http://tc.eserver.org/34498.html</link>
		<guid>http://tc.eserver.org/34498.html</guid>
		<description>A balanced curriculum to help students understand and exercise their digital rights and responsibilities with intellectual property. Working with educators from around the country, the EFF aimed to design a fun and flexible plan that would not just provide information, but also help foster basic skills in research, writing, and critical thinking.</description>
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		<title>Adobe Captivate 3: Is It Legal to Add Copyrighted Music to eLearning?</title>
		<link>http://tc.eserver.org/33609.html</link>
		<guid>http://tc.eserver.org/33609.html</guid>
		<description>I&apos;m not a copyright lawyer (and I don&apos;t play one on TV). However, I have had more than one copyright lawyer in my Captivate classes over the past few years who have agreed that it is &quot;perfectly fine to use copyrighted music in Captivate projects, provided the lesson you create is meant for educational purposes and that you do not use more than 10% of the copyrighted works or 30 seconds, whichever comes first.&quot;</description>
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		<title>Work for Hire for Nonacademic Creators</title>
		<link>http://tc.eserver.org/24533.html</link>
		<guid>http://tc.eserver.org/24533.html</guid>
		<description>This article examines the Work for Hire Doctrine and its importance to technical communication instructors who prepare students to create intellectual products in workplace settings. The author explains how the Work for Hire Doctrine operates in practice, charts the progressive legal treatment of work for hire through case law, and calls attention to the developing trend in the courts to support a more protectionist stance regarding creative products.</description>
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		<title>Complying with the TEACH Act</title>
		<link>http://tc.eserver.org/21718.html</link>
		<guid>http://tc.eserver.org/21718.html</guid>
		<description>On November, 2, 2002, the TEACH Act (Act) became law, fully revising Section 110(2) of the U.S. Copyright Act, governing lawful uses of works protected by copyright in distance education. By complying with the TEACH Act, certain copyrighted works may be used for distance education without permission from, or payment of royalties to, the copyright owner—and without copyright infringement.</description>
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