Clashing Technologies: The Legacy of 19th Century Writing Instruction Meets the 21st Century Writing Classroom

In most writing classrooms, the primary activity is not writing per se, but rather the discussion of writing. You know the drill: as teachers, we create a writing assignment, introduce it during class, ask students if they have any questions, and send them off to work on the assignment. When students return to class with a draft of the assignment, we might discuss it as a class or perhaps put the students through a peer review session. But only rarely do we ask our students to actually write during class.

Palmquist, Mike. Lore (2001). Articles>Education>Writing>Rhetoric

Compositionality, Rhetoricity, and Electricity: A Partial History of Some Composition and Rhetoric Studies

Since 1949, when the Conference on College Composition and Communication was founded in Chicago, the terms composition and rhetoric have been linked in a social-constructionist move that is now ubiquitous in many United Statesian English departments as well as in many free-standing composition-rhetoric programs.

Welch, Kathleen E. Enculturation (2003). Articles>Education>Writing>Rhetoric

Contexts and Criteria for Evaluating Student Writing

Of all responsibilities you have as a composition instructor, evaluating student writing occupies most of your time and has furthest reaching material effects. Though you may spend lots of hours preparing for class, conferencing with your students, and actually teaching, chances are you'll spend many more grading. Though we instructors often place the highest value on the content and methods of our classrooms--be they critical pedagogy and Marxist interpretations of Clinton's impeachment trials or traditional grammar drills and a New Critical reading of Paradise Lost, the grades that we assign our students are the only concrete, as well as the most valuable, cultural capital that our teaching creates.

Hindman, Jane. Lore (2001). Articles>Education>Writing>Rhetoric

Editorial  

Recently a striking change has taken place in the organization and visibility of what we writing teachers do.

Bruffee, Kenneth. WPA Writing Program Administration (1978). Articles>Education>Writing>Rhetoric

Rhetorical Community: The Cultural Basis of Genre    

Our understanding of genre as social action afflicts the typical first-year college writing program in the United States. It turns what should be a practical art of achieving social ends into a productive art of making texts that fit certain formal requirements.

Miller, Carolyn R. North Carolina State University (1994). Articles>Education>Writing>Rhetoric

A Rhetorical Tool and a Link to Composition: The Appeals of Narrative in Professional Writing Pedagogy  

Narrative is a valuable genre to use in composition classes to help students understand their own identity, develop writing skills, including understanding how to structure and use personal experience with a rhetorical purpose in an essay or argument. Once they get to upper division writing courses, however, students are exposed to writing that places less emphasis on that personalized, subjective genre and moves toward the impersonal. Such writing limits the use of narrative, which is generally perceived as highly personal and subjective because it generally conveys only the narrator’s perspective. Narrative includes precise details of an event that occurred in the past which are reported in the same order in which they occurred, as well as an observation or evaluation of the information by the narrator.

Remley, Dirk. Association for Business Communication (2008). Articles>Education>Writing>Rhetoric

Teaching The Complexity Of Purpose: Promoting Complete and Creative Communications    

The successful communicator is expected to provide communications that are not only complete but also representative of effective thinking (i.e., original). Creating complete and creative communications begins with a disciplined process of discovery--identifying, assessing, prioritizing, and integrating the articulated and embedded purposes. Expanding on the work of Linda Flower and John Hayes, this article first explores a means to promote a thorough examination of purpose. It then provides tools for capturing and integrating these insights into communications that are complete, capable of satisfying the rhetorical challenges, and compelling reflections of the student's creative problem solving abilities.

Plung, Daniel L. Journal of Technical Writing and Communication (2006). Articles>Education>Writing>Rhetoric

Understanding and Reducing the Knowledge Effect: Implications for Writers    

To be effective, writers must understand what knowledge they share with the audience and what they do not. Achieving this understanding is made difficult by the knowledge effect--a tendency of individuals to assume that their own knowledge is shared by others. Understanding the knowledge effect and methods for reducing it is potentially useful for understanding and teaching writing. In Study 1, we explored the impact of an individual's knowledge of technical terms on that person's ability to estimate other people's understanding of those terms. We assessed how individuals' familiarity with technical terms influenced their predictions that college freshmen and college graduates would understand those terms. Results indicate that familiarity with the meaning of technical terms leads to substantial overestimation of others' knowledge. In Study 2, we evaluated an online tutor designed to improve writers' predictions of other's word knowledge by providing them with feedback on the accuracy of their judgments.

Hayes, John R. and Diana Bajzek. Written Communication (2008). Articles>Education>Rhetoric>Writing