From Analysis to Design: Visual Communication in the Teaching of Writing

In an attempt to bring composition studies into a more thoroughgoing discussion of the place of visual literacy in the writing classroom, I argue that throughout the history of writing instruction in this country the terms of debate typical in discussions of visual literacy and the teaching of writing have limited the kinds of assignments we might imagine for composition.
George, Diana. CCC (2002). Articles>Education>Rhetoric>Visual Rhetoric
Making Sense of the Visual in Technical Communication: A Visual Literacy Approach to Pedagogy

We employ an array of terms to denote the visual; however, we have not yet agreed on a clear framework for understanding the function and relationship between visual concepts. I propose a literacy approach to the visual so that as educators, researchers, students, and practitioners, we acquire more than skills that rely on changing definitions and technologies but an intellectual faculty that provides the knowledge, understanding, and abilities that the visual affords. Through an analysis of arguments for visual instruction, I present the wayS in which scholars justify their claims about the visual. These arguments uncover the breadth and depth of the visual and contribute to a taxonomy of visual terminology.
Portewig, Tiffany Craft. Journal of Technical Writing and Communication (2004). Articles>TC>Education>Visual Rhetoric
Making the Strange Familiar: A Pedagogical Exploration of Visual Thinking

Scholarly conversation within the field of professional communication increasingly has focused on the practice, research, and pedagogy of visual rhetoric. Yet, visual thinking has received relatively little attention within the field. If our programs produce students who can think verbally but not visually, they risk producing writers who are visual technicians but are unable to move fluidly between and within modes of communication. This article examines the literature and pedagogical practices of visually oriented disciplines to identify strategies for helping students develop the ambidexterity of thought needed for the communication tasks of today's workplace.
Brumberger, Eva R. Journal of Business and Technical Communication (2007). Articles>Education>Graphic Design>Visual Rhetoric
Picture Perfect: Selecting Graphics for Instruction 
Discusses some principles for choosing appropriate graphics for instructional materials.
Lyons, Chopeta C. Intercom (1995). Articles>Education>Presentations>Visual Rhetoric
Resources for Teaching and Working with the Visual Aspects of Texts
An online guide that explains color theory and shows how to use it in design through examples and exercises.
Poynter Institute, The (2001). Articles>Education>Visual Rhetoric>Color
Teaching a Visual Subject and Facilitating Interaction 
This panel segment focuses on facilitating interactivity and teaching a visual subject matter in a distance (satellite) learning environment.
Keyes, Elizabeth. STC Proceedings (1995). Articles>Education>Visual Rhetoric>Collaboration
Teaching the Visual: Understanding our Approaches
Despite the significant presence of the visual in the field of technical communication, we have not yet achieved a unified pedagogical approach to the visual. Because of the traditional emphasis on written communication, there is often a conflicting boundary between teaching the visual and textual, which often results in the visual assuming a secondary position to the textual.
Portewig, Tiffany Craft. CPTSC Proceedings (2003). Articles>Education>Visual Rhetoric
Testing Visual-Based Modules for Teaching Writing

A study of novice writers shows that instructional materials about writing that incorporate basic principles of visual design are more effective than those that are primarily verbal. Less-capable writers benefit most from materials that include the extra text-processing cues provided by the visual design. Narrative comments about the instructional materials show that writers are aware of the design elements and appreciate them. Technical communication practitioners, researchers, trainers, and instructors have a large role to play in improving the way writing is taught.
Markel, Mike. Technical Communication Online (1998). Articles>Education>Instructional Design>Visual Rhetoric
This Is Not Your Father's Education 
Employees, whether they are hourly workers on a manufacturing line, salaried supervisors, or owners of their own businesses, often need to develop newsletters, make presentations, create WWW Home pages, and communicate via e-mail. Therefore, students enrolled in professional writing courses need to acquire skills in manipulating desktop publishing and presentation software, hypertext and multimedia authoring programs, programs that display numerical data graphically, and programs that integrate graphics onto a Web Home Page. However; the visual displays that the generation raised with Nintendo's Mario Brothers prefer differ from those of the textbooks. They are more glitzy, colorful, and busy.
Boiarsky, Carolyn. STC Proceedings (1997). Articles>Education>Visual Rhetoric
The role of the technical writer is expanding, partly in response to technological and societal changes; it is encompassing a broader variety of communication tasks and media. One individual, the technical communicator, often plays the roles of designer, writer, editor, and producer. As these rolesconverge, visual thinking and visual communication are becoming critical skills for many technical writers.
Brumberger, Eva R. CPTSC Proceedings (2001). Articles>Education>Instructional Design>Visual Rhetoric
Visually Teaching Technical Communication—Despite Technology 
Enticed by sophisticated software, students of technical communication often lose perspective of visual effect. Inclusion of design principles into syllabi for technicalcommunication courses can conflict with those elements, such as substance content and audience analysis, that already occupy primary emphases. Principles of visual design can, however, be taught within group projects on professional presentations or similar topics. Cognitive dissonance introduced through rudimentary techniques of not computerized—but manual—design shifts student focus from keyboard and mouse to visual coherence of the final product. This simple technique offers benefits to students and researchers of technical communication.
Bonk, Robert J. STC Proceedings (1999). Articles>Education>Visual Rhetoric
The Dynamic Discourse of Visual Literacy in Experience Design 
Educators should include new dimensions of visual literacy in academic curricula. Today’s students are actively involved in interactive experiences. They are contributing content to websites as well as designing websites and other types of online experiences for the public. Students need to understand the semiotics of interactive computing and how the integration of diverse sensory data with social interaction impacts the way we interpret online information.
Search, Patricia. TechTrends (2009). Articles>Education>Visual Rhetoric>User Experience
Making the Strange Familiar: A Pedagogical Exploration of Visual Thinking 
Scholarly conversation within the field of professional communication increasingly has focused on the practice, research, and pedagogy of visual rhetoric. Yet, visual thinking has received relatively little attention within the field. If our programs produce students who can think verbally but not visually, they risk producing writers who are visual technicians but are unable to move fluidly between and within modes of communication. This article examines the literature and pedagogical practices of visually oriented disciplines to identify strategies for helping students develop the ambidexterity of thought needed for the communication tasks of today's workplace.
Brumberger, Eva R. Journal of Business and Technical Communication (2007). Articles>Education>Visual Rhetoric>Cognitive Psychology
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