A directory of resources inthe field of technical communication.

Articles>Editing

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101.
#15132

File-Exchange and Workflow Issues   (PDF)

Suggests ways that editors can organize multiple versions of articles and avoid the pitfalls of transferring electronic files over the Internet.

Hart, Geoffrey J.S. Intercom (2000). Articles>Editing>Online

102.
#31226

Final Check: Dotting Those i’s and Crossing Those t’s

You’ve worked long and hard on your article, newsletter, press release, promo brochure or report. Now it’s time to move your baby off your screen and into the world. Not so long ago your baby would have gone either onto a printed page or onto the Web. These days, your words will probably head for both. Even materials such as newsletters, white papers, reports and advertorials that are first published on paper are quite likely to be reprinted, archived or otherwise reused on the Web, perhaps even as an audio file or podcast. People may even blog about your content. What does this mean for you as a business communicator?

Canavor, Natalie and Claire Meirowitz. Communication World Bulletin (2008). Articles>Business Communication>Editing>Writing

103.
#18541

Finding Information in Different Ways

People think about questions or information in different ways. It’s important for an index to provide multiple ways of locating any given piece of information.

Brown, Fred. Allegro Time! (2003). Articles>Indexing>Editing

104.
#22276

Review: The Fine Art of Copyediting   (members only)

Even though you might not be a copyeditor in a publishing house, the information that Stainton provides can be useful to any editor as well as to any writer.

Staples, Jeff. Technical Communication Online (2004). Articles>Reviews>Editing

105.
#28813

The Fine Art of Editing

Editing is an art that needs to be cultivated and fine-tuned just like any other. When one is novice, the editing goals are to proofread, to clean up the text, and to correct 'grammatical' errors. The entire focus is on words and phrases. So, when they edit, they read the text as it comes and edit the words to make the text read better. What is it that they really miss? They often miss the big picture, the whole idea, and the context.

Misra, Reena. Indus (2007). Articles>Editing

107.
#31033

Foley on a Shoestring  (link broken)

The post-production process known as 'Foley' refers to the art of recording 'live' sync sound effects to picture. It is akin to looping the dialogue, but instead of recording the actors performing their lines while watching themselves on screen--skilled craftspeople known as 'Foley artists' will walk, run, and act out any sync sound effects to match what the actor is seen (or implied) doing in the picture.

Ginsburg, Fred. Equipment Emporium (2006). Articles>Multimedia>Editing>Audio

108.
#10812

Forget About the Lawyers! First, Let's Kill the Editors! Right?

Some companies and upper management, and even some documentation managers and writers, seem to agree. After all, in today's world of desktop publishing, writers are also typesetters and illustrators -- why not let them be editors as well? They know English. So why not save money, terminate the editors, and let peer editing begin? Or if we do keep some editors, let them be the designers, illustrators, and typesetters. As for language? Forget it! The readers will understand. Besides, who reads documentation anyway?

Sorotskin, Marilee J. Boston Broadside (1991). Articles>Editing>Documentation

109.
#24565

From the Margins to the Center: The Future of Annotation   (peer-reviewed)   (members only)

This article describes the importance of annotation to reading and writing practices and reviews new technologies that complicate the ways annotation can be used to support and enhance traditional reading, writing, and collaboration processes. Important directions for future research are discussed, with emphasis on studying how professionals read and annotate, how readers might use annotations that have been produced by others, and how the interface of an annotation program affects collaboration and communication on revision. In each area, the authors emphasize issues and methods that will be productive for enhancing theories of workplace and classroom communication as well as implications for the optimal design of annotation technologies.

Wolfe, Joanna L. and Christine M. Neuwirth. Journal of Business and Technical Communication (2001). Articles>Editing>Online

110.
#18306

Gathering Together

An index pulls together all the references to a topic that are scattered within a publication. If a reference is omitted, the user may assume that particular sub-topic is not discussed.

Brown, Fred. Allegro Time! (2002). Articles>Indexing>Editing

111.
#15138

Gentle Feedback That Encourages Learning   (PDF)

Offers suggestions on how teachers of technical communication and reviewers of coworkers' documents can offer constructive criticism of others' writing.

Doumont, Jean-luc. Intercom (2002). Articles>Editing

112.
#10814

Getting Ducks in a Row: The Rules for Displayed Lists  (link broken)

When is a list not a list? When it's not recognized as such by the reader. A good displayed list is the mental equivalent of a line of cheerful ducklings behind their sensible mom on their way to an invigorating dip. A short series of items can often be run smoothly into text, but lists longer than eight lines or so tend to stray in the reader's mind from the preceding thoughts. A run-in list that becomes estranged from its lead-in context is worthless.

Jorgensen, Linda B. Editorial Eye, The (1997). Articles>Editing

113.
#15139

Getting Reviewers to Review   (PDF)

Presents ten humorous suggestions for technical writers on how to persuade reviewers of documentation to do their jobs.

Hart, Geoffrey J.S. Intercom (2000). Articles>Editing>Collaboration

114.
#20075

Getting Your Style Guide Written!   (PDF)

This paper describes how to approach the project of writing a stand-alone Style Guide that provides technical writers and other employees with a reference for documentation procedures and policies. A Style Guide project is often placed aside while other priority projects forge ahead. This occurs for several reasons, the most common being that writing a Style Guide is a monumental task! This paper provides you with the skeleton to manage a Style Guide writing project and deliver the product on time

Taylor-Collins, Pamela. STC Proceedings (1995). Articles>Style Guides>Editing

115.
#31516

Good Writing and Editing: Are They Dying Arts? And, Should We Care?

The answer to both questions: "YES!" Like us, you may be dismayed by the growing quantity of poor writing that bombards us. We see it everywhere, in publications, web sites, newspapers and corporate materials—writing that is not just full of grammatical mistakes and misused words, but is also poorly thought-out, unclear and contains downright confusing language.

Canavor, Natalie and Claire Meirowitz. Communication World Bulletin (2004). Articles>Writing>Editing

116.
#22691

Grammar Stammer

Don't you think that it is a tragedy that 95 percent of the people who desire to be technical writers have a poor command over the language? I am sure all of us make a mistake or two, once in a while. But to make it in every sentence and paragraph shows utter disrespect for readers.

Kamath, Gurudutt R. IT People (2003). Articles>Editing>Grammar>Technical Writing

117.
#10815

The Great Hyphenation Hoax  (link broken)

I want to discuss one particular aspect of Chicago's hyphenation advice, which seems questionable at the outset and is so often abused in practice that I think it needs a good thrashing. This is the notion that a compound adjective should be hyphenated when it immediately precedes a noun, and left open when it follows the noun, for example in the predicate. Chicago's example is fast sailing ship, which is ambiguous because it might mean a sailing ship that is fast or a ship that is sailing fast. Hence, to resolve the ambiguity, you hyphenate fast-sailing if you mean to say it is a ship that is sailing fast. But the hyphen is not necessary except when the phrase immediately precedes ship, because the phrase is not ambiguous elsewhere.

Tadfor, Tom Little. Telp.com (1996). Articles>Editing

118.
#19933

Green Squiggly Lines: Evaluating Student Writing in Computer-Mediated Environments  (link broken)

We have a theory, a trace, a prediction of what will happen in the influence that word processors have had on student writing. By outlining a history of word processors in writing pedagogy and assessment (a vast increase in studies of and pedagogies advocating revision occurred in the 1980s), 'Green Squiglly Lines' sketches the potential impact of electronic portfolios on writing assessment. How will the publication--the turning of academic essays into (pre)professional documents [literally portfolios in the graphic artist sense of the word]--change writing assessment in American higher education?

Whithaus, Carl. Academic.Writing (2003). Articles>Editing>Online>Word Processing

119.
#14134

Guidelines for Technical Edits  (link broken)   (PDF)

The purpose of the technical edit is to ensure that all materials produced by the Documentation department are as complete and technically accurate as possible. Each document will also pass through a peer edit by a member of the Documentation department after the technical edit is complete, so as a technical editor you do not need to be concerned with issues of style and grammar. Your main focus should be on the technical accuracy of the document. The first step, of course, is simply to check the document for any errors. We need to make sure w have correctly described each feature of the software, as well as the overall design and purpose of the forms and systems we are discussing. Beyond checking for errors, however, we want the documentation we produce to be as helpful to the user as possible. For the purposes of the technical edit, this means not only checking for inaccuracies, but asking whether the document has all the information that is necessary to use the software successfully.

TECHWR-L (2000). Articles>Editing>TC

120.
#15140

Help Stamp Out Hype   (PDF)

Offers tips on eliminating hype from editorial copy.

Eyman, Carol L. Intercom (2001). Articles>Editing

121.
#22127

Hints for Developing a Table of Contents

Planning a project before beginning the detailed work is one of the vital steps to success in technical communication. Developing a table of contents is one of the steps in the planning process of a document.

Hollis Weber, Jean. Technical Editors Eyrie (2002). Articles>Editing

122.
#30818

Hockey Sticks and User Assistance: Writing in Times of Resource Constraints

If you have all the resources you need, do the very best job you can in all respects. But if your resources are tight, ask yourself whether you are writing the essential stuff at a level of quality users will notice. Also, ask whether the value of the documentation you are producing aligns with the economic pressures on your company.

Hughes, Michael A. UXmatters (2008). Articles>Writing>Technical Editing

123.
#24058

How Careful Should Editors Be?

Three recent incidents prompt me to ask, How careful do editors have to be in checking facts? Is it possible for publications people to be too careful?

Taylor, Priscilla S. Editorial Eye, The (1996). Articles>Editing

124.
#24063

How Do Editors Do It?

Do you ever feel you'd like a second opinion on a particularly miserable paragraph you've been editing?

Editorial Eye, The (1996). Articles>Editing

125.
#20810

How Do You Handle Letters to the Editor?

Letters to the editor can be a headache. Many editors play fast and loose with them, often under orders. Among the worst and most common offenses are choosing letters to bolster a policy and having staff members write letters under other names to influence or misrepresent readers' views.

Writing that Works (2003). Articles>Editing>Business Communication

 
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