If you watch screencasts, you probably have seen some that are just worthless. How long did you stay to watch? Not long, I am sure. Why am I being so critical? Because it is true.
This article shares some useful tips for anyone wants to be an expert of screencasting, especially people frequently use screen recorder to create training and presentation video for education and business.
Screencasting has a problem–it hasn’t evolved all that much over the 10 years or so since its inception. We still record the computer screen from a stationary position (dead centered) and we still present this flat, banal presentation to users sitting at their computers, which in and of itself presents problems (you’re looking at a computer screen on a computer screen–where does one end and the other begin).
In a continuation of a previous introductory article about screencasting, Archee continues the discussion by delving deeper into the history, benefits, usefulness, and future of this powerful technical communication tool.
In general, screencasting is a three-step process: capture of audio and video, editing, and production of a compressed deliverable. Camtasia combines all three functions in a single, integrated application, but in principle they're separable. I can imagine using Camtasia (or an equivalent) for capture, Premiere (or an equivalent) for editing, and Camtasia (or an equivalent) to produce a compressed .SWF file.
Screencasting, or sharing your virtual desktop via video presentation, has exploded in popularity with the advent of podcasting, and gives you the ability to bring the classroom feel to a media presentation that can be delivered over the Internet. The medium of screencasting is readily available to everyone and with a few tools of the trade you can be ready to produce your own.
A screencast is a digital movie in which the setting is partly or wholly a computer screen, and in which audio narration describes the on-screen action. It's not a new idea. The screencaster's tools—for video capture, editing, and production of compressed files—have long been used to market software products, and to train people in the use of those products. What's new is the emergence of a genre of documentary filmmaking that tells stories about software-based cultures like Wikipedia, del.icio.us, and content remixing. These uses of the medium, along with a new breed of lightweight software demonstrations, inspired the collaborative coining of a new term, screencast.