http://tc.eserver.org/dir/Adobe-Photoshop A listing of the most recently indexed works about Adobe Photoshop in the field of technical communication. en-us Copyright (c) 2005-08 by the EServer. All rights reserved. tclib-editorial@eserver.org (TC Library Editorial Board) webmaster@eserver.org (Geoffrey Sauer) http://tc.eserver.org/images/newlogo.gif http://tc.eserver.org/dir/Adobe-Photoshop http://tc.eserver.org/35457.html http://tc.eserver.org/35457.html Most people who have designed websites or apps in Photoshop will, at one point or another, have had issues trying to match colors in images to colors generated by HTML, CSS or code. This article aims to solve those problems once and for all. http://tc.eserver.org/34766.html http://tc.eserver.org/34766.html The official Adobe Reference guide is available online and in PDF form. While not exactly a “quick” reference guide, it is essential for anyone who uses Photoshop professionally. http://tc.eserver.org/34309.html http://tc.eserver.org/34309.html Anyone can cobble together a few photos and textures and create a humdrum montage. To elevate yours beyond this it takes a few simple tricks using Photoshop’s awesome array of tools. Do it right and the style has got dozens of applications from static navigation or graphics, through to animated banners and interactive collages. This tutorial explains how to create a great Photoshop montage in 19 steps, so let’s get started and have fun with it. http://tc.eserver.org/33533.html http://tc.eserver.org/33533.html Almost every time I speak to an audience about graphics or Photoshop, I’m asked if I went to school to learn what I know about the application. The truth is that while I spent more than 3 years in an Advertising Art degree program, I ultimately switched gears and got a Bachelor of Business Administration degree in marketing (Mom and Dad were thrilled with this news!), and that was in the early ’90s—pretty much in the infant stages of Photoshop. http://tc.eserver.org/33540.html http://tc.eserver.org/33540.html Recently, I had the chance to go with my in-laws to City Museum in St. Louis. What an amazing place to get lost in by crawling through inventively designed tunnels that go underground to many stories below the city streets. The most impressive thing to me was how the place was constructed—they used everyday items, such as metal storage bins, bottles, and gears (plus what looked like a million other items) to create elaborate mazes of artwork. http://tc.eserver.org/32717.html http://tc.eserver.org/32717.html In this collection, we present to you 40 excellent, high-quality grunge Photoshop tutorials. So fire up Photoshop and get ready to get your hands… dirty! http://tc.eserver.org/32641.html http://tc.eserver.org/32641.html Photoshop. Fireworks. If you’re a serious web designer (and not using the GIMP) you’re going to be using one or the other. But which is best? http://tc.eserver.org/32653.html http://tc.eserver.org/32653.html Photoshop promises great power, but can be more than a little challenging when it comes to clarity and patience. New users can easily get frustrated at how daunting some of the challenges can be when it comes to getting the job done, and even those who are a bit more familiar with it still find points of frustration that impede both production and creativity. So for those who barely know Photoshop, but would like to become more familiar with it—find out what sort of things to look for when it comes to the palette system, layers, styles, effects, various tools, and saving or exporting their work—let’s look at the basics. http://tc.eserver.org/32388.html http://tc.eserver.org/32388.html For beginner web designers - design tutorials really help to understand the basic knowledge about web design!, Here is a collection of 27 layout design tutorials that will help you with designing a decent looking website. Some of them are really good! http://tc.eserver.org/32071.html http://tc.eserver.org/32071.html This tutorial will teach you how to quickly create a 'grunge' effect for your photos using ONLY Photoshop. And while you might not need a grunge image, it will show you how to create a vector mask which will give you a tool to create numerous effects easily. http://tc.eserver.org/30526.html http://tc.eserver.org/30526.html Un weblog / magazine avec les techniques de conception graphique avec le logiciel Adobe Photoshop. http://tc.eserver.org/29314.html http://tc.eserver.org/29314.html It's next to impossible for one person to know the ins and outs of every single facet of Photoshop. With that in mind, we present three video tutorials to plug a variety of holes in your Photoshop knowledge. http://tc.eserver.org/29257.html http://tc.eserver.org/29257.html In this demonstration we will be approaching the entire illustration process in much the same way as was done before Photoshop or any other computer graphics programs where created. In the non-digital world, you would start with an inked line drawing on illustration board. http://tc.eserver.org/29259.html http://tc.eserver.org/29259.html A "Ghosted", "Phantom View", "Transparent", or "See Through" technical illustration is one that renders the exterior skin of an object transparent in order to see the interior workings. This Photoshop tutorial will cover the basic techniques used to render a ghosted technical illustration using the airbrush technique. http://tc.eserver.org/28523.html http://tc.eserver.org/28523.html Step 1. Clean up any blemishes or distracting marks in the illustration. Make it as perfect a B & W illustration as you can. Make sure the contrast, sharpness and clarity are uniform throughout. Step 2. You will have sharply clear demarcations of tone which are easy and you will have areas where the tones between parts are quite similar and therefore more difficult. Start by using the Keep-Color brush to preserve everything you do not wish to color. Carefully outline each element with your chosen color being sure there are no unwanted gaps. Where there is no demarcation between tones, you should outline each color as precisely as you can. Also, the original may have lines separating the sleeve from the jacket for example. Cover that line with the Keep-Color brush and put a line of your chosen color closely beside each side of the line. Step 3. Press the run button (green arrow) and be amazed when your B & W illustration pops into color just as you ordered. Press the green check mark , the AKVIS window closes and the changes are applied to your original graphic. Save your new image immediately." http://tc.eserver.org/28141.html http://tc.eserver.org/28141.html This is a simple tutorial on how you can make a statue from a portrait with Photoshop. It is highly recommended if you're using a close up portrait of a woman/man. http://tc.eserver.org/28056.html http://tc.eserver.org/28056.html In Photoshop CS2, many of the shortcuts for the application menus, palette menus and tools can be customized using the Keyboard Shortcuts editor. Although this document mentions some of the more common editable shortcuts, it also provides additional functionality only accessible through using keyboard modifiers which can't be changed through the Keyboard Shortcut editor. Although this is not a completely comprehensive list of all of the keyboard shortcuts in Photoshop CS2, it is my goal to present the shortcuts and additional functionality that enable me to use Photoshop CS2 both more freely and efficiently. http://tc.eserver.org/28057.html http://tc.eserver.org/28057.html Automating repetitive tasks in Photoshop can increase productivity as well as save time and money. Almost any command (or set of commands) in Photoshop can be recorded into an action to be applied repetitively to a single file or across multiple file. The most basic action will execute one command such as resizing an image or displaying a dialog box. More complex actions can execute multiple commands automating more elaborate tasks. When used with the Batch command and/or Droplets, these actions can be applied to multiple files at once, enabling Photoshop to do repetitive tasks more quickly than even the best-trained Photoshop user! When repetitive tasks in a more involved workflow need to be carried out between applications, then AppleScript, Visual Basic, or JavaScript can be used to create scripts which work with Photoshop. In the case of conditional logic (a fancy way of saying 'Make a decision!') when an action needs to be applied to some files but not others, JavaScript files can be written to fulfill this need. One word of caution when first trying to conquer actions - run them on duplicate files, leaving your pre- cious originals unaltered. As you become more Action savvy, you can kick off those training wheels, and batch away! http://tc.eserver.org/27428.html http://tc.eserver.org/27428.html Shows how to create a stroke layer style in Photoshop CS2 to quickly add a custom border to your photos. http://tc.eserver.org/27437.html http://tc.eserver.org/27437.html Brushed metal is always a cool effect to pull off in Photoshop. And after you’ve created your steel texture, what better place to use it than to produce beveled steel type? http://tc.eserver.org/27430.html http://tc.eserver.org/27430.html Shows how to simulate a depth of field effect using a filter. http://tc.eserver.org/27429.html http://tc.eserver.org/27429.html Using the Blend If sliders in the Layer Style dialog box, you can quickly and easily create interesting duotone and silhouette effects. http://tc.eserver.org/27435.html http://tc.eserver.org/27435.html Here's a couple of super quick frame effects to add a little burst of creativity to otherwise mundane photos. http://tc.eserver.org/27426.html http://tc.eserver.org/27426.html Shows how to find the exact center point of your Photoshop document. http://tc.eserver.org/27432.html http://tc.eserver.org/27432.html Some tips on how to improve photos that are taken at night. http://tc.eserver.org/27438.html http://tc.eserver.org/27438.html With Apple's release of iWeb -- an amazing web site building tool -- I've been getting a steady stream of emails wanting to know how to recreate the nifty photo reflection effect which appears at the top of iWeb pages and in the slide shows (here's a sample). Adding such a reflection is a super easy way to add depth and a bit of sophistication to your photographs. http://tc.eserver.org/27425.html http://tc.eserver.org/27425.html Threaded discussion forums for people working in digital image editing. http://tc.eserver.org/27431.html http://tc.eserver.org/27431.html Use an Adjustment Layer to easily change a color in your photo, and then quickly change it back if things don’t work out. http://tc.eserver.org/27440.html http://tc.eserver.org/27440.html 'Step-and-repeat' is the term used for the process of duplicating an object and spacing or transforming the duplicates sequentially. http://tc.eserver.org/27433.html http://tc.eserver.org/27433.html Dave Cross shares some tips on using Quickmask in Photoshop to feather a portion of a selection. http://tc.eserver.org/27439.html http://tc.eserver.org/27439.html Sometimes the only thing that keeps a good portrait from being a great portrait is a little too much shine on the skin. Here’s a quick and easy way to tone down those highlights. http://tc.eserver.org/27434.html http://tc.eserver.org/27434.html Shows you how to brighten those teeth without an expensive trip to the dentist. http://tc.eserver.org/26986.html http://tc.eserver.org/26986.html Before the age of color film, when black-and-white photography was the only option, it was common practice for photographers to tint a black-and-white image with colored dyes to mimic real-life colors. Although we now have all the advantages of stunning color photography, we can still use Photoshop to replicate this technique, and add great charm to black-and-white images. http://tc.eserver.org/26868.html http://tc.eserver.org/26868.html How to take a photo, remove the color so that it's black and white. Then, I want to drag over it so that the B&W blend into color. Basically, a nice transition from no color to colorized. http://tc.eserver.org/26865.html http://tc.eserver.org/26865.html Although collage is an old art form, tools such as Photoshop CS2 give it a new twist. You don't need to get out paint, brushes, scissors, and glue to make art. Instead, everything you need is on your computer. With a handful of photos, Photoshop, and the desire to experiment, you're well on your way to creating collage art. Helen Bradley gives the how-to's for creating a collage in Photoshop by using photos and other techniques, and how to use some design and Photoshop tricks to make sure the result is balanced and pleasing to the eye. http://tc.eserver.org/26867.html http://tc.eserver.org/26867.html A very frequently asked question in Photoshop 911 is putting text into a circle or a shape. A number of readers have asked how to put text into a shape so it runs around pictures. This is all doable so long as you remember the rules of putting text on a path. http://tc.eserver.org/26866.html http://tc.eserver.org/26866.html Don't be satisfied with boring rectangular photos! Thanks to Photoshop, you can use simple techniques to create amazing edge effects and cool artistic borders that can add the ultimate finishing touch to your photos. Dave Cross shows you how easy it is to create many different variations from three key techniques. http://tc.eserver.org/26511.html http://tc.eserver.org/26511.html This is a quick rundown of the Print with Preview function of Photoshop. While it is not a complete guide, it will satisfy the most common needs for the non-designer or the in-house designer. While this article is not meant to explain the Print Preview in all of its details, it will shed light on the most important ones. http://tc.eserver.org/26477.html http://tc.eserver.org/26477.html U ovom jednostavnom tutorialu naučiće∫ kako da pomocu photoshopa napravi∫ jedan ovakav efekat na nekoj fotografiji. http://tc.eserver.org/26478.html http://tc.eserver.org/26478.html Jedan kratki tutorial na bosanskom jeziku, a moze i hrvatskom jebiga. http://tc.eserver.org/26344.html http://tc.eserver.org/26344.html D:Photoshop strives to be a well-written source of news, information and techniques for intermediate and advanced users of Photoshop. Users who have a few years of Photoshop experience and a good grasp of its basic tools and tactics will benefit from this ongoing source of production techniques, step-by-step tutorials, reviews of upcoming Photoshop-related products and industry news. There are four sections to D:Photoshop: Techniques, which includes articles on specific Photoshop tools and techniques and how they affect an image. Tutorials, which include step-by-step applications of Photoshop tools and techniques that can unlock your productivity and capabilities in real-world production situations. Reviews, thorough commentary on the Photoshop products hitting the market this moment, including books, videos and other media, hardware and software. News on current events in the Photoshop industry. http://tc.eserver.org/26008.html http://tc.eserver.org/26008.html Line art and stencils from a bitmap? Tough question. If it's line art you're looking for, convert the bitmaps to grayscale, then use the Brightness / Contrast adjustment layers to 'homogenize' your image and clean up edges. http://tc.eserver.org/26004.html http://tc.eserver.org/26004.html Mixing vector and photo is one of the hottest trends in the illustration industry today. We've seen this effect used in national ad campaigns from Anheuser-Busch to Hawaiian Tropic. In this tutorial, we’ll take a look at how to create this effect in Illustrator. Before you begin, keep in mind that you can download the Illustrator source fi le used in this column. http://tc.eserver.org/25964.html http://tc.eserver.org/25964.html In the days of working with film products, creating images with splashing water was an incredible challenge. Today, digital capture provides a control we never had before. Just shoot the splashing water over several images and combine the best parts into one—in Photoshop CS, of course. http://tc.eserver.org/25963.html http://tc.eserver.org/25963.html In Photoshop CS there's a new feature that takes a folder full of images, creates a slide show (complete with transitions), and compresses it into PDF format so you can e-mail it easily to a client for proofing. This is perfect for showing your portfolio to clients, sending clients proofs of wedding shots or portrait sittings, and any of a dozen other uses, none of which I can happen to think of right at this particular moment, but I'm sure later today, when I'm at the mall or driving to the office, they'll come to me. http://tc.eserver.org/25907.html http://tc.eserver.org/25907.html The National Association of Photoshop Professionals (NAPP) is a trade association and resource for Adobe® Photoshop® education, training, and news. http://tc.eserver.org/25929.html http://tc.eserver.org/25929.html Before Photoshop CS2's introduction of the Vanishing Point filter, cloning away things in perspective was one of the hardest removal tasks of all. Luckily, this incredibly cool filter not only simplifies removing things in perspective, it actually makes it fun. In fact, this is one of those filters that's so amazing, you can wind up spending hours cloning away things that have no business being cloned away. http://tc.eserver.org/25891.html http://tc.eserver.org/25891.html Denny Tang shows how to add sparkle to your images of water in this Photoshop tutorial. http://tc.eserver.org/25183.html http://tc.eserver.org/25183.html Hue/Saturation dialog uses HSB (hue-saturation-brightness) model of the color presentation. The slider Hue shifts color position on the rainbow-colored bar at the bottom of the dialog, Saturation can increase/decrease color intensity, while Lightness changes its brightness http://tc.eserver.org/25186.html http://tc.eserver.org/25186.html This reader wants to make a color photo from a black and white. Tough question. http://tc.eserver.org/25188.html http://tc.eserver.org/25188.html Laying color over a map is easier than you think and it doesn't require brushes. http://tc.eserver.org/25187.html http://tc.eserver.org/25187.html I have a photo of a pearl necklace, which has one bright flash spot on each pearl. How do I reduce the brightness without making the pearls appear dull and gray? http://tc.eserver.org/25184.html http://tc.eserver.org/25184.html When merging a layer with the layer below John lost all of the effects applied to that upper layer. Answer: Don't merge? http://tc.eserver.org/25185.html http://tc.eserver.org/25185.html This reader wants help sizing images to gang print onto single photo paper sheets... http://tc.eserver.org/25181.html http://tc.eserver.org/25181.html Adobe Photoshop and Photoshop Elements users ask questions, the Photoshop 911 team answers them via email or in the online BLOG. Based on the 911 Emergency concept calling for help. http://tc.eserver.org/24493.html http://tc.eserver.org/24493.html Photoshop 7 can apply many effects to a layer by applying a layer style. A layer style is a combination of settings that are applied to a layer. These settings can be saved as a preset style and can then be applied to other layers as well. http://tc.eserver.org/22698.html http://tc.eserver.org/22698.html This Adobe web tutorial will show you how to create a broken effect to your text. http://tc.eserver.org/22696.html http://tc.eserver.org/22696.html This Adobe web tutorial will show you how to create cool ghosted style text effects to jazz up your text. http://tc.eserver.org/22695.html http://tc.eserver.org/22695.html This Adobe web tutorial will show you how to create indented style text effects to jazz up your text. http://tc.eserver.org/22697.html http://tc.eserver.org/22697.html This Adobe web tutorial will show you how to create plastic style text effects to add some cool effects to your text. http://tc.eserver.org/22699.html http://tc.eserver.org/22699.html Quick mask mode is a powerful means of selection in Photoshop. It is a selection based on the masking of the desired portion of an image. It is used for minute and accurate selections. http://tc.eserver.org/22539.html http://tc.eserver.org/22539.html Drawing on a period of instability and change in her personal life, artist John Trevino calls on Adobe Photoshop and Corel Painter to create a richly layer composition that evokes a transient state of being. http://tc.eserver.org/22541.html http://tc.eserver.org/22541.html Time isn't kind to treasured photographs. See Photoshop Diva Katrin Eismann's digital techniques for repairing creased, stained, torn, and damaged photos. http://tc.eserver.org/22511.html http://tc.eserver.org/22511.html Photographers have always liked playing tricks with images. Try these time-honored techniques for adding polish and pizzazz to your digital photos in Photoshop. http://tc.eserver.org/22312.html http://tc.eserver.org/22312.html In this topic, you will apply Bevel and Emboss and Outer Glow effects to an Adobe Photoshop CS type layer. http://tc.eserver.org/22311.html http://tc.eserver.org/22311.html In this topic, you will create a Photoshop CS type layer in which you will add and format type. http://tc.eserver.org/22325.html http://tc.eserver.org/22325.html In this tutorial we'll look at using some of Photoshop's tools to produce realistic brushed-metal effects. You can easily apply these effects to text or to other objects such as geometric shapes and interface bars. http://tc.eserver.org/22323.html http://tc.eserver.org/22323.html In this tutorial you'll learn how to use layer masks to create the effect of one image gradually fading into another. http://tc.eserver.org/22322.html http://tc.eserver.org/22322.html This beginner's tutorial explains the concept of layers in Photoshop. Layers are a very powerful tool for image editing, and are a fundamental tool in Photoshop for creating complex images. http://tc.eserver.org/22314.html http://tc.eserver.org/22314.html In this series of articles, we will cover a wide range of topics related to setting up Photoshop files for web design. http://tc.eserver.org/22326.html http://tc.eserver.org/22326.html As of version 5 and greater, Photoshop includes a very handy Save for Web command. This feature allows you to produce a copy of your image that is optimised for web use. This means that the image file will be as small as possible, and that the image will use only web-safe colours (if desired). Save for Web can produce GIF, JPEG, or PNG format images. http://tc.eserver.org/22313.html http://tc.eserver.org/22313.html I have many people ask me about using layers. There seems to be some mystery surrounding the use of layers so we'll go through this tutorial with the focus on using layers and why and how they make our job easier. http://tc.eserver.org/22317.html http://tc.eserver.org/22317.html How to create all the graphics needed for an example website using Adobe Photoshop. http://tc.eserver.org/22315.html http://tc.eserver.org/22315.html We all have those photos that we like to on the web to share with our friends. Or, we have some terrific images we've created that need to be resized for the web. Images for the web need to be both small in file size and in physical dimensions so that our viewers don't have to scroll right to see the whole picture. In Photoshop we can adjust our huge images to fit the web quite easily. http://tc.eserver.org/22316.html http://tc.eserver.org/22316.html Below is the photo we'll be restoring. You can right-click and copy it so that you can follow along in this lesson. http://tc.eserver.org/22324.html http://tc.eserver.org/22324.html This tutorial will show you some ways to select areas of your images using the variety of selection tools available in Photoshop. First we'll talk about why selecting part of an image is so useful, and then we'll examine the various selection methods in Photoshop: the Marquee tools; the Lasso tools; the Magic Wand tool; the Color Range tool; and the Quick Mask mode. Finally, we'll look at ways to modify and fine-tune your selections. http://tc.eserver.org/22318.html http://tc.eserver.org/22318.html In this tutorial we'll list 10 really useful techniques and shortcuts for Photoshop beginners. These tips will hopefully do wonders for your Photoshop skills, and speed up your work. http://tc.eserver.org/22321.html http://tc.eserver.org/22321.html This tutorial explores the features and uses of Photoshop 5.5's type tool. Photoshop 6 uses a different type tool which we shall cover in a future tutorial, though a lot of the techniques mentioned here will work in Photoshop 6. http://tc.eserver.org/22320.html http://tc.eserver.org/22320.html Photoshop's zoom facility is very versatile and allows you to zoom in and out of an image in many different ways. You can even have different views of the same document open at once, with different zoom levels! In this tutorial we will explore the zoom tool and its applications. http://tc.eserver.org/22319.html http://tc.eserver.org/22319.html In this tutorial we're going to show you some quick and easy ways to find out information about your image in Photoshop. The tutorial was written for Photoshop 4 users, but also applies to later versions of Photoshop. http://tc.eserver.org/21985.html http://tc.eserver.org/21985.html Adobe Photoshop is hands down, the most popular program for creating and modifying images for the Web. This is true not only because Photoshop is available on a wide array of platforms ranging from Mac to Windows to UNIX, but because after four generations of development, Adobe Photoshop has the most intuitive user interface, the most complete set of tools, and the largest number of reference books around. http://tc.eserver.org/21964.html http://tc.eserver.org/21964.html How to get the most out of the Photoshop sharpening controls - complete with show-and-tell examples. http://tc.eserver.org/21967.html http://tc.eserver.org/21967.html Working with large bitmap images can clog your hard disk and slow performance to a crawl. Here are some tips for staying lean. http://tc.eserver.org/21933.html http://tc.eserver.org/21933.html Correct almost any problem photo by harnessing the power of the Curves and Levels dialog boxes in Photoshop. http://tc.eserver.org/21936.html http://tc.eserver.org/21936.html A collection of Photoshop tips and techniques, including making Photoshop fly, managing color palettes for your Web images, and lots of great Photoshop tips. http://tc.eserver.org/21905.html http://tc.eserver.org/21905.html Photoshop's Actions feature is a powerful tool for automating repetitive tasks or even batch-processing files, and you'll work more effectively with it if you know exactly what Actions can and can't automate. http://tc.eserver.org/21849.html http://tc.eserver.org/21849.html Photoshop gets involved with rhinos, criminals, ancient math, and the microscope. http://tc.eserver.org/21839.html http://tc.eserver.org/21839.html Twelve Photoshop tips for the Web that'll make you a speed demon. http://tc.eserver.org/21844.html http://tc.eserver.org/21844.html The family photos are crumpled, torn, and stained, but Photoshop can help. http://tc.eserver.org/21831.html http://tc.eserver.org/21831.html Capture the majesty of that mountain range by creating a panorama in Photoshop. http://tc.eserver.org/21427.html http://tc.eserver.org/21427.html Adobe is shipping a 6.0 upgrade to Photoshop that, for many Mac users, proves unusable. We learned back in the 1980s that when you rake your legitimate users over the coals in the hopes of catching the occasional thief, you end up with a lot of really raked off users. Apparently, someone at Adobe has forgotten. http://tc.eserver.org/20882.html http://tc.eserver.org/20882.html A 'quick start' guide to creating graphics using Adobe Photoshop 7.0. http://tc.eserver.org/20280.html http://tc.eserver.org/20280.html Is Photoshop 7.0 magnificent? Or does it leave us itching for more? http://tc.eserver.org/20279.html http://tc.eserver.org/20279.html Adobe Photoshop is the Ginsu knife of graphics programs - it does everything from creating Web graphics to tweaking photos to putting the head of your favorite actor on the body of a porn star. http://tc.eserver.org/20278.html http://tc.eserver.org/20278.html This is a broad overview of the Photoshop 7 window, its main features, and a few of the more important menus. http://tc.eserver.org/20199.html http://tc.eserver.org/20199.html Using Photoshop's built-in features, you can easily create a simple looking 3D type effect in a few easy steps. http://tc.eserver.org/20202.html http://tc.eserver.org/20202.html You can easily create a simple circular type effect in just a few easy steps with this quick tutorial. http://tc.eserver.org/20197.html http://tc.eserver.org/20197.html By using Layer Styles, this effect can be created in two simple steps. Scott Kelby shows you how to look like a professional at a beginner's level. http://tc.eserver.org/20201.html http://tc.eserver.org/20201.html The new operating system is bringing a whole new design trend and the glass-look of OS X is a very desirable look that people have been begging to learn how to recreate. http://tc.eserver.org/20200.html http://tc.eserver.org/20200.html The new Layer Styles features in Photoshop 6.0, you can easily create a cool, realistic-looking plastic effect for your text. http://tc.eserver.org/20196.html http://tc.eserver.org/20196.html Here's one way to create reflections in water. (The basic steps can be adapted to work with any image.) http://tc.eserver.org/20195.html http://tc.eserver.org/20195.html Photoshop is useful at generating interesting textures and patterns, and version 7 even has a nifty Pattern Maker filter to help you craft patterns that tile seamlessly. To create a more custom look, I like to create patterns and texture using different combinations of the built-in filters along with Blend Modes and Adjustment Layers. It's fun to spend time experimenting in the Photoshop laboratory to see what you can come up with. http://tc.eserver.org/20198.html http://tc.eserver.org/20198.html When adding powerful new features from Photoshop 6, you can create amazing effects in very little time. Scott Kelby shows you how to create this great type effect in a few short steps. http://tc.eserver.org/18525.html http://tc.eserver.org/18525.html Working in your new layer, and on the item you wish to keep in focus, find a starting point, click the mouse once and begin slowing tracing around the object. Once it has been entirely traced, return to your starting point and double-click to select your object. Under the SELECT menu choose INVERSE. Then under the FILTER menu choose BLUR » GAUSSIAN BLUR. When the Gaussian Blur window appears, use the radius slider bar to choose the amount of pixels to blur. I chose 4.5 for my example. When you are satisfied with the preview, click OK. http://tc.eserver.org/18524.html http://tc.eserver.org/18524.html Photoshop's Actions utility is a great way to speed up repetitive image-editing jobs or quickly perform commonly used edits. This tool lets you assign a sequence of commands to a single key. Rather than going through a number of steps, the program records a set of actions and allows you to recall those same actions with a single keystroke the F12 function key, for example. http://tc.eserver.org/18366.html http://tc.eserver.org/18366.html Julie Hill shows you a quick and easy way to enhance a photograph's point of interest using Photoshop 7.0. http://tc.eserver.org/14160.html http://tc.eserver.org/14160.html Believe it or not, Adobe Photoshop can be used for more than just photo editing and design. 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