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	<title>Adobe Illustrator</title>	<link>http://tc.eserver.org/dir/Adobe-Illustrator</link>
	<description>A listing of the most recently indexed works about Adobe Illustrator in the field of technical communication.</description>
	<language>en-us</language>
	<copyright>Copyright (c) 2005-08 by the EServer. All rights reserved.</copyright>
	<managingEditor>tclib-editorial@eserver.org (TC Library Editorial Board)</managingEditor>
	<webMaster>webmaster@eserver.org (Geoffrey Sauer)</webMaster>
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		<title>Adobe Illustrator</title>
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		<title>Basic Character Animation</title>
		<link>http://tc.eserver.org/25425.html</link>
		<guid>http://tc.eserver.org/25425.html</guid>
		<description>Have a character you want to animate? Let Jose show you how to use your Illustrator art to create SWF animations.</description>
	</item>
	<item>
		<title>Cleaning up the Mesh!</title>
		<link>http://tc.eserver.org/25428.html</link>
		<guid>http://tc.eserver.org/25428.html</guid>
		<description>It&apos;s the subtle transitions in color that give the illusion of three dimensions in two-dimensional artwork. Gradients are used to simulate light hitting a curved or angular surface. The gradual blending from one color to another is the key. Linear and radial gradients can be used effectively to show flat and rounded shapes, but Illustrator&apos;s gradient meshes are best for creating complex shapes.</description>
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		<title>Layers Tutorial</title>
		<link>http://tc.eserver.org/25429.html</link>
		<guid>http://tc.eserver.org/25429.html</guid>
		<description>Layers can be a big help in keeping your files organized and your work flow moving along. Plus, the benefit of being able to go back and edit a file quickly is huge when a deadline is looming over your shoulder.</description>
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		<title>Save For Web</title>
		<link>http://tc.eserver.org/25426.html</link>
		<guid>http://tc.eserver.org/25426.html</guid>
		<description>The purpose of the &apos;Save For Web&apos; dialog is to allow you to tweak optimization settings for web file formats and show you how those settings will affect your artwork. This allows you to find a good balance between file size and image quality. </description>
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		<title>Using Streamline with Adobe Illustrator</title>
		<link>http://tc.eserver.org/25424.html</link>
		<guid>http://tc.eserver.org/25424.html</guid>
		<description>I&apos;ve been doing pen and ink illustration for years. It&apos;s part of my comic book roots I guess. It&apos;s taken a while but I&apos;ve figured out how to combine pen and ink skills along with Adobe Illustrator to create a completely digital illustration, with a little help from Adobe Streamline and a dash of Photoshop.</description>
	</item>
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		<title>Idea Generators</title>
		<link>http://tc.eserver.org/21960.html</link>
		<guid>http://tc.eserver.org/21960.html</guid>
		<description>Stuck for design ideas? Try messing around with plug-in filters for Illustrator.</description>
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	<item>
		<title>Illustrators Unite!</title>
		<link>http://tc.eserver.org/21963.html</link>
		<guid>http://tc.eserver.org/21963.html</guid>
		<description>An under-the-hood look at Illustrator&apos;s versatile unite filter.</description>
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		<title>Draw and Order</title>
		<link>http://tc.eserver.org/21928.html</link>
		<guid>http://tc.eserver.org/21928.html</guid>
		<description>If you create technical art in Illustrator, check out these tips - in fact, check them out even if you don&apos;t.</description>
	</item>
	<item>
		<title>Rough Stuff</title>
		<link>http://tc.eserver.org/21948.html</link>
		<guid>http://tc.eserver.org/21948.html</guid>
		<description>Is your Illustrator artwork too smooth-looking? Try adding patterns and textures to your work.</description>
	</item>
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		<title>Unexpected Text</title>
		<link>http://tc.eserver.org/21950.html</link>
		<guid>http://tc.eserver.org/21950.html</guid>
		<description>I know, I know, Illustrator is a drawing program - but its text-handling features can be handy, too. Here&apos;s a guide to using them.</description>
	</item>
	<item>
		<title>Blurring the Boundaries</title>
		<link>http://tc.eserver.org/21907.html</link>
		<guid>http://tc.eserver.org/21907.html</guid>
		<description>For years, the desktop-publishing landscape has been characterized by sharp boundaries - PC vs. Mac, vector vs. bitmap, page-layout vs. illustration, and so on. But Illustrator provides the perfect example of how that is changing.</description>
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