#14565
This course will teach you to * identify and discuss principles of reading comprehension, cognitive psychology, human factors, and graphic design that apply to technical documents * analyze and evaluate the design of existing documents and recommend appropriate revisions * design and test documents for maximum usability
Dragga, Sam. Texas Tech University (2002). Academic>Courses>Document Design>Visual Rhetoric
#28954
English 5369 Topics and Genres in Rhetoric and Composition: Visual Rhetoric2007
This interdisciplinary course focuses on studying and researching the role of rhetoric in the development of visual elements in texts. Students will be asked to both analyze and design visual texts, to analyze and critique ways in which visual rhetoric is defined, and to conduct primary research on an element of visual rhetoric.
Garza, Susan Loudermilk. Texas A and M University (2007). Academic>Courses>Rhetoric>Visual Rhetoric
#23882
Both spatial and visual rhetorics attend to issues of boundaries. From the structure of our classroom spaces to the margins of the page, rhetoric and compositionist are investigating the ways spatial and visual experiences are impacting our work as teachers and scholars.
Kimme Hea, Amy C. University of Arizona (2003). Academic>Courses>Visual Rhetoric
#22811
This course focuses on articulating rhetorical opportunities present in the visual turn; the role of perceptual processes, time, movement, and memory in the act of seeing; the interanimation of the verbal and the visual in representation; the circumstances of visual culture and art; visual communication in print and on the Web; and identification as a visual/rhetorical process. Is there potential to create critical verbo-visual literacy? The course explores what such definitions of literacy mean for communication, argumentation, persuasion and narration.
Salvo, Michael J. Purdue University (2004). Academic>Courses>Graduate>Visual Rhetoric
#19197
Visual Rhetoric in a Technological Age 
This course participates in constructing visual rhetoric for composition studies and computers and composition studies. There are few models for the graduate study of visual rhetoric, and certainly there are not canonical issues or figures in this area. Instead there is the growing realizing that written discourse increasingly involves visual dimensions that are influenced (and sometime controlled) by the composer(s). Nowhere is this understanding more concretely rendered than in areas that depend on technology. In a real sense, technology has pushed us to see visual dimensions of meaning as falling under our influence. Of course, that influence can only be exercised via know-how.
Sullivan, Patricia. Purdue University. Academic>Courses>Rhetoric>Visual Rhetoric
#22227
Visual Texts and Technologies: Situating the Visual in Technoculture
In Western culture, we now understand that visual representations influence our thinking, but we don’t always fully comprehend the extent of that influence, nor do we understand precisely how that influence is exercised. In this course, we will gain a fuller understanding of the influence of the visual on meaning, by thinking with, about, and through the visual.
Kitalong, Karla Saari. University of Central Florida. Academic>Courses>Visual Rhetoric
#26547
Writing and Designing for the Web (573G)
This class focuses on effective writing and design for online environments--with particular emphasis on the Web. While grounded in relevant theory, this course has a workshop format, with an emphasis on hands-on, collaborative learning.
Krause, Tim. Metropolitan State University (2005). Academic>Courses>Web Design>Visual Rhetoric
#32773
Whether it's gestures in an oral conversation, type on a page, or flickering images on a screen, each medium of communication includes visual elements. Such elements long have been recognized as rhetorically significant, but the cultural proliferation of digital technologies has heightened interest in the visual dimension of rhetoric. As both consumers and producers, we engage daily with a variety of textual and graphical elements. Text and Image will encourage critical consideration of such encounters. We will examine the affordances and constraints of various forms from the perspectives of both reception and production. Our course assignments will ask you to respond to existing theories and examine them in praxis by producing a variety of image/text artifacts.
Turnley, Melinda. DePaul University (2008). Academic>Courses>Visual Rhetoric
