Typographical Design, Modernist Aesthetics, and Professional Communication
http://jbt.sagepub.com/cgi/content/abstract/4/1/5
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  peer-reviewed

Kostelnick, Charles
Journal of Business and Technical Communication
1990

Abstract:

The technology of in-house publishing is radically shifting the responsibility for document design from the graphic specialist to the individual writer. To apply the new technology, professional communicators need to understand the principles underpinning typographical design and their origin in the functionalist aesthetics of modernism, particularly as articulated by the Bauhaus. While some of the key concepts of modernism--strict economy, universal objectivity, intuitive perception, and the unity of form and purpose--are well-suited to business and technical documents, these concepts are bound to an historical and intellectual milieu. By understanding the influence of modernism on typographical design, professional communicators equipped with the new technology can adapt design principles to the rhetorical context of specific documents.