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Dialogue is one of the most difficult aspects of writing to master. There are many pitfalls you must try to avoid, such as:
Stilted language
Dialogue that does not sound like natural speech.
Filler
Dialogue that does not further the scene and does not deepen your
understanding of the characters.
Exposition
Dialogue that has the character explain the plot or repeat information
for the benefit of the audience.
Naming
Having one character use another character’s name to establish identity.
People almost never say other people’s names back to them, and if they do it
is a character trait typical of a used car salesman.
Overuse of Modifiers
Too many dialogue modifiers such as shouted, exclaimed,
cried, whispered, stammered, opined, insinuated,
hedged and a million others. Modifiers such as this can sometimes be
useful, but are often annoying and used as a crutch for poorly designed
dialogue. View all 25 works by Hewitt, John View all 27 works published by Writer's Resource Center |
 Twelve Exercises for Improving Dialogue http://www.poewar.com/12-exercises-for-improving-dialogue/
Hewitt, John Writer's Resource Center 2004
Abstract: Dialogue is one of the most difficult aspects of writing to master. There are many pitfalls you must try to avoid, such as:
Stilted language
Dialogue that does not sound like natural speech.
Filler
Dialogue that does not further the scene and does not deepen your
understanding of the characters.
Exposition
Dialogue that has the character explain the plot or repeat information
for the benefit of the audience.
Naming
Having one character use another character’s name to establish identity.
People almost never say other people’s names back to them, and if they do it
is a character trait typical of a used car salesman.
Overuse of Modifiers
Too many dialogue modifiers such as shouted, exclaimed,
cried, whispered, stammered, opined, insinuated,
hedged and a million others. Modifiers such as this can sometimes be
useful, but are often annoying and used as a crutch for poorly designed
dialogue.
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