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Helvetica is back, bigtime. On the street, it’s in campaigns for companies as different as IBM and The Gap. At the online
font retailers, it tops the sales charts. In the metaculture, Getty Images uses it to express control of the visual world. It’s quite
shocking to look at the font sales charts, and realize that the serif genre has dropped off the map. But you know this already, because
whenever you try a serif font in a layout it doesn’t look right — too oldfashioned. But perhaps that’s the wrong term, because
the sans faces ruling the roost today are anything but contemporary, mostly dating from the mid-20th century, many from
a lot earlier. View all 15 works by Shinn, Nick View all 15 works published by ShinnType |
 The Face of Uniformity http://shinntype.com/Stories/Uniformity.pdf
Shinn, Nick ShinnType 2003
Abstract: Helvetica is back, bigtime. On the street, it’s in campaigns for companies as different as IBM and The Gap. At the online
font retailers, it tops the sales charts. In the metaculture, Getty Images uses it to express control of the visual world. It’s quite
shocking to look at the font sales charts, and realize that the serif genre has dropped off the map. But you know this already, because
whenever you try a serif font in a layout it doesn’t look right — too oldfashioned. But perhaps that’s the wrong term, because
the sans faces ruling the roost today are anything but contemporary, mostly dating from the mid-20th century, many from
a lot earlier.
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