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This chapter reports on an ethnographic study of the technology-mediated discourse practices of a professional organization in a period of major transition. Employing theories of genre and activity along with other theoretical constructs, the study examined how the Bank
of Canada, the country’s central bank, employs a “Communications Strategy” to orchestrate
the organization’s communicative interactions with other social groups in the Canadian
public-policy sphere. After identifying a set of written and spoken genres associated with the
Communications Strategy, the chapter suggests that the genre set and various mediating
technologies can be usefully viewed as parts of a local sphere of organizational activity. The
chapter then describes two features of the genre set: the genre knowledge within the
community-of-practice associated with it and the relationship of the genre set to processes
of organizational change. Next, the chapter discusses the role that the genre set plays in
the activity of the Communications Strategy, focusing on three primary functions: cocoordinating
the intellectual and discursive work of a large number of individuals performing
a variety of professional roles; generating, shaping, and communicating the “public
information” that constitutes the Bank’s official public position on its monetary policy; and
acting as a site for organizational learning. The chapter concludes with five theoretical
claims regarding the way in which the genre set, mediated by technology, operates within
the Bank, suggesting that these theoretical claims might serve as a heuristic for other
researchers. View all three works by Smart, Graham View all 15 works published by WAC Clearinghouse |
 A Central Bank’s “Communications Strategy”: The Interplay of Activity, Discourse Genres, and Technology in a Time of Organizational Change A user has reported that the URL we had indexed no longer works properly. This link is offline until a volunteer finds a new, valid URL for the work and updates our site.
Smart, Graham WAC Clearinghouse 2002
Abstract: This chapter reports on an ethnographic study of the technology-mediated discourse practices of a professional organization in a period of major transition. Employing theories of genre and activity along with other theoretical constructs, the study examined how the Bank
of Canada, the country’s central bank, employs a “Communications Strategy” to orchestrate
the organization’s communicative interactions with other social groups in the Canadian
public-policy sphere. After identifying a set of written and spoken genres associated with the
Communications Strategy, the chapter suggests that the genre set and various mediating
technologies can be usefully viewed as parts of a local sphere of organizational activity. The
chapter then describes two features of the genre set: the genre knowledge within the
community-of-practice associated with it and the relationship of the genre set to processes
of organizational change. Next, the chapter discusses the role that the genre set plays in
the activity of the Communications Strategy, focusing on three primary functions: cocoordinating
the intellectual and discursive work of a large number of individuals performing
a variety of professional roles; generating, shaping, and communicating the “public
information” that constitutes the Bank’s official public position on its monetary policy; and
acting as a site for organizational learning. The chapter concludes with five theoretical
claims regarding the way in which the genre set, mediated by technology, operates within
the Bank, suggesting that these theoretical claims might serve as a heuristic for other
researchers.
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