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Technical Communication, as a discipline and as a practice, has always held an odd relationship to writing: We practice a subordinate for of writing, one step or more removed from those our cultures value most highly. We are not, admittedly, authors in the sense in which Foucault once defined the term. The writing that technical communicators do is of a different status than the writing that authors do. Although we could say that manuals and instructions and online help are the fuel that increasingly powers our economy, we would have to admit that our texts do not receive the esteem given to literature.
But we might, instead, arrange the issue differently: what if technical communication rejects writing? Not merely in the sense that 'communication' is about multiple media, but in the more fundamental sense that technical communication is about a different order of production, more like the database than the essay.
Rephrasing the question of value this way presents a different set of approaches to technical communication curricula, among other things, allowing us to take new perspectives on a set of issues that have haunted our field from the beginning. View all ten works by Johnson-Eilola, Johndan View all 119 works published by CPTSC Proceedings |
 Writing at the End of Text: Rethinking Production in Technical Communication http://www.cptsc.org/conferences/2000/Johnson-Eilola.html
peer-reviewed
Johnson-Eilola, Johndan CPTSC Proceedings 2000
Abstract: Technical Communication, as a discipline and as a practice, has always held an odd relationship to writing: We practice a subordinate for of writing, one step or more removed from those our cultures value most highly. We are not, admittedly, authors in the sense in which Foucault once defined the term. The writing that technical communicators do is of a different status than the writing that authors do. Although we could say that manuals and instructions and online help are the fuel that increasingly powers our economy, we would have to admit that our texts do not receive the esteem given to literature.
But we might, instead, arrange the issue differently: what if technical communication rejects writing? Not merely in the sense that 'communication' is about multiple media, but in the more fundamental sense that technical communication is about a different order of production, more like the database than the essay.
Rephrasing the question of value this way presents a different set of approaches to technical communication curricula, among other things, allowing us to take new perspectives on a set of issues that have haunted our field from the beginning.
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