Added by Geoff Sauer on Nov 13, 2002.
Average rating: 3.33/5.00 (n=3, std dev: 0.58)
 


What do you do if the photographer is on assignment -- hundreds of miles away -- shooting an event that happens only once, and all the elements in the setting seem to work against each other? After getting the images via email the next morning I couldn't hardly call the photographer to say 'shoot it again.'       In this scenario the photographer had but one chance to create the images for a web page with an important, compelling story. In situations like this the only thing you've got to work with are the camera and your senses.       The serious nature of the message dictated that the audience play an important role in the overall impact of the story. However, the lights were mixed incandescent and fluorescent, giving a greenish tint to the audience when the stage lights rendered flesh tones fairly well.
 
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