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Almost every discussion of technical or scientific style mentions the passive voice, usually as a stylistic evil to avoid. While I doubt that many of us would endorse such extreme prescriptions as 'Always use the active voice,' or 'A writer will almost automatically improve his style when he shifts from passive to active constructions,' we may be more ready to accept Freedman's position in 'The Seven Sins of Technical Writing.' His Sin 6 is 'the Deadly Passive, or, better, deadening passive; it takes the life out of writing, making everything impersonal, eternal, remote and dead,'3 but he adds that 'frequently, of course, the passive is not a sin and not deadly, for there simply is no active agent and the material must be put impersonally.' View all three works by Rodman, Lilita View all 45 works published by JAC |
 The Passive In Technical and Scientific Writing http://www.jacweb.org/Archived_volumes/Text_articles/V2_Rodman.htm
peer-reviewed
Rodman, Lilita JAC 1981
Abstract: Almost every discussion of technical or scientific style mentions the passive voice, usually as a stylistic evil to avoid. While I doubt that many of us would endorse such extreme prescriptions as 'Always use the active voice,' or 'A writer will almost automatically improve his style when he shifts from passive to active constructions,' we may be more ready to accept Freedman's position in 'The Seven Sins of Technical Writing.' His Sin 6 is 'the Deadly Passive, or, better, deadening passive; it takes the life out of writing, making everything impersonal, eternal, remote and dead,'3 but he adds that 'frequently, of course, the passive is not a sin and not deadly, for there simply is no active agent and the material must be put impersonally.'
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