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We have long understood the term writing as simultaneously an object and an event. We do writing, we are writing texts, we are reading a piece of writing, we are talking about a writer's writing, things that were written and are also, simultaneously, writing.
But while the term 'writing' seems to do a wonderful job of capturing both object and action--what Louise Phelps once termed both the dancer and the dance--we still continue to treat those artifacts--the objects of writing, as relatively inert and external objects. In other words, we have succeeded in articulating the term 'writing' as either an action or an object, we have done less well in thinking about writing as a space in which action takes place. We have done less well in teaching our students (and ourselves) to think about writing as spaces for collaborative action. We have done less well at replacing the either/or with the and/and/and, as Deleuze and Guattari (among others) put it. View all ten works by Johnson-Eilola, Johndan View all 7 works published by Clarkson University |
 Space | Action | Movement: Understanding Composition as Architecture http://www.clarkson.edu/~johndan/read/architecture/welcome.html
Johnson-Eilola, Johndan Clarkson University 1999
Abstract: We have long understood the term writing as simultaneously an object and an event. We do writing, we are writing texts, we are reading a piece of writing, we are talking about a writer's writing, things that were written and are also, simultaneously, writing.
But while the term 'writing' seems to do a wonderful job of capturing both object and action--what Louise Phelps once termed both the dancer and the dance--we still continue to treat those artifacts--the objects of writing, as relatively inert and external objects. In other words, we have succeeded in articulating the term 'writing' as either an action or an object, we have done less well in thinking about writing as a space in which action takes place. We have done less well in teaching our students (and ourselves) to think about writing as spaces for collaborative action. We have done less well at replacing the either/or with the and/and/and, as Deleuze and Guattari (among others) put it.
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